Sara Mingardo - Contralto: Pergolesi, Scarlatti, Vivaldi, Handel (2004)
Sara Mingardo - Contralto: Pergolesi, Scarlatti, Vivaldi, Handel (2004)
EAC | FLAC | Image (Cue & Log) ~ 277 Mb | Total time: 65:54 | Scans included
Classical | Label: Opus 111 | # OP 30373 | Recorded: 1997-2002
EAC | FLAC | Image (Cue & Log) ~ 277 Mb | Total time: 65:54 | Scans included
Classical | Label: Opus 111 | # OP 30373 | Recorded: 1997-2002
Italian singer Sara Mingardo is considered among the more important contraltos of her generation. Her repertory is broad, encompassing works by composers from Monteverdi to Britten, though she has scored some of her greatest successes in operas and sacred music of the Baroque. Mingardo was born in the Venetian suburb of Mestre. Though she displayed musical talent early on, she did not develop quickly: after studies in Venice at the Benedetto Marcello Conservatory and in Siena at the Academia Chigiana, she made her official operatic debut in Italy only in 1987, in Cimarosa's Il matrimonio segreto, singing Fidalma. Following that success she sang Cinderella in the eponymous Rossini opera, in Treviso and Rovigo, in 1988. It was in that Treviso effort that she won first prize in the annual Toti Dal Monte competition. Her other competition successes include the Giulietta Simionato Prize at the 23rd Vienna Competition. While most of Mingardo's appearances up to 1989 were at second-tier operatic venues, she began making her breakthrough at the major sites in Italy thereafter, including La Scala and San Carlo. In 1995 she made her first recording (on Polygram Records), singing the title character in Handel's Riccardo Primo, led by Christophe Rousset. This followed her official international debut in that role, in Fontevraud, France. She reprised this same role later on at the International Festival of Baroque Music in Bonn and at the Théâtre des Champs-Élysées in Paris. After that 1995 French debut, she appeared regularly at numerous other major international locales: under Claudio Abbado, she sang Emilia in Verdi's Otello at the 1996 Salzburg Festival. Her U.S. debut was at the 2000 Santa Fe Opera Festival production of Rossini's Ermione, where she sang Anromaca. Mingardo has developed a strong international following over the years and has thus been in demand on recordings. Two solo albums appeared in 2003 and 2004, respectively, on the Opus III label. The first, titled Sara Mingardo, featured works by Pergolesi, Vivaldi, Scarlatti, and Handel, and the second, works by Monteverdi, Vivaldi, Handel, and others. Other recordings include Monteverdi's L'Orfeo, Vivaldi's Stabat Mater and Armida, Pergolesi's Stabat Mater, and Verdi's Falstaff. Her 2002 recording of Berlioz's Les Troyens won a Gramophone Award and Grammy Awards for Best Opera Recording and Best Classical Album.
Performer:
Sara Mingardo, contralto
Gemma Bertagnolli, soprano (07)
Akademia - Ensemble Vocal Régional de Champagne-Ardenne
Concerto Italiano
Rinaldo Alessandrini, conductor
Tracklist:
Antonio Vivaldi (1678-1741)
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621:
01. Stabat Mater dolorosa. Largo
02. Cujus animan gementem. Adagissimo
03. O quam tristis. Andante
Cessate, omai cessate (I), cantata for voice, strings & continuo, RV 684:
04. Recitativo: Cessate, omai cessate
05. Aria: Ah, ch'infelice sempre
06. Nell'orrido albergo
Giovanni Battista Pergolesi (1710-1736)
Stabat mater, for soprano, alto, strings & organ in F major:
07. Stabat Mater dolorosa a due. Grave
08. Stabat mater, for soprano, alto, strings & organ in F major: Eia Mater. Andantino
Alessandro Scarlatti (1660-1725)
Stabat Mater, for soprano, alto, 2 violins & continuo:
09. Qui non posset contrisarti. Andantino
10. Sancta Mater. Andante moderazo
11. Juxta crucem. Andante smorzato
Antonio Vivaldi
12. Concerto for strings & continuo in C major, RV 117: Allegro alla francese
Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & continuo in D major, RV 589:
13. Domine
14. Qui tol
15. Qui sed
16. Quoniam
Magnificat, for 2 vocal soloists, chorus, strings & continuo in G minor (Venice Version), RV 611:
17. Esurientes
18. Suscepit Israel
George Frederick Handel (1685-1759)
Il trionfo del Tempo e del Disinganno, oratorio, HWV 46a:
19. Arie del Disenganno: Se la bellezza perde vaghezza…
20. Arie del Disenganno: Crede l'oum ch'egli riposi
21. Arie del Disenganno: Crede l'oum ch'egli riposi
Antonio Vivaldi
22. L'Olimpiade, opera in 3 acts, RV 725: Mentre dormi
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 9. October 2019, 18:20
Sara Mingardo / Sara Mingardo, Contralto
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Range status and errors
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Filename C:\EACRip\RÓŻNE\Pergolesi, Scarlatti, Vivaldi, Handel - Sara Mingardo, Contralto & Rinaldo Alessandrini (2004 [1997-2002])\Pergolesi, Scarlatti, Vivaldi, Handel - Sara Mingardo, Rinaldo Alessandrini.wav
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Extraction speed 8.9 X
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Test CRC 5A0AA31E
Copy CRC 5A0AA31E
Copy OK
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==== Log checksum 1F27CFD12B46A9F46DDCF739EFE7208F5145E7A31D4EB2D58C7499C90AF2B3F0 ====
Sara Mingardo - Contralto: Pergolesi, Scarlatti, Vivaldi, Handel (2004)
Thanks to the original releaser