Sara Mingardo, Rinaldo Alessandrini, Concerto Italiano - Vivaldi: Stabat Mater (2002)
Sara Mingardo, Rinaldo Alessandrini, Concerto Italiano - Vivaldi: Stabat Mater (2002)
EAC | FLAC | Image (Cue & Log) ~ 356 Mb | Total time: 70:30 | Scans included
Classical | Label: Naïve | # OP 30367 | Recorded: 1999
EAC | FLAC | Image (Cue & Log) ~ 356 Mb | Total time: 70:30 | Scans included
Classical | Label: Naïve | # OP 30367 | Recorded: 1999
Conductor Rinaldo Alessandrini's historical-instrument recordings of Vivaldi and other Italian Baroque composers, originally recorded around the turn of the millennium for the Opus 111 label, are being reissued on Naïve, complete with the fashion-forward graphics for which that label is known. Any and all remain completely distinctive, but this all-Vivaldi disc makes perhaps the ideal place to start. It comes with a pretty substantial booklet essay (in French, English, and Italian, although the texts of the vocal pieces are only in Latin, English, and French) by Alessandrini himself, providing the historical background for his unorthodox readings; this is highly readable and touches on such subjects as visual art and theatrical history. Alessandrini's contention, in a nutshell, is that in Vivaldi's time, even in church and in instrumental music, the musical point of reference for an Italian audience was opera. His interpretations might be called hyper-dramatic, and the second good reason to choose this Alessandrini disc is that here he has a true vocal diva to help him realize his vision: contralto Sara Mingardo, whose presence in the Stabat Mater in F minor for contralto, strings, and continuo is stunning. Alessandrini often uses an organ continuo as a sort of extra string layer, adding syncopated stabs of emotion, and when he gets into step with Mingardo the effect is very powerful even in the absence of vocal fireworks; this is a stately Stabat Mater rather than a fiery one, even in the "Fac ut ardeat cor meum" verse. The entire program builds to this point, with a little-heard alto motet and an unusual trio of church-oriented concertos with a variety of unusual solo wind instruments. Arresting from the first stroke, this is a classic of Baroque music-making.–James Manheim
Performer:
Sara Mingardo, contralto
Concerto Italiano
Rinaldo Alessandrini, conductor
Track List:
Concerto per la solennità di S Lorenzo, for 2 oboes, 2 clarinets, 2 recorders, 2 violins, bassoon, strings & continuo in C, RV 556
01. Largo - Allegro molto
02. Largo e cantabile
03. Allegro
Clarae stellae, scintillate, solo motet for voice, strings & continuo in F major, RV 625
04. (Aria) Allegro
05. Recitativo
06. (Aria) Allegro
07. (Alleluia) Allegro
Concerto for violin & organ or violin ad lib & cello, strings & continuo in C major, RV 554a
08. (Allegro)
09. (Largo)
10. Allegro
Concerto funebre, for violin, oboe, chalumeau, 3 violas all'inglese, strings & continuo in B flat major, RV 579
11. Largo
12. Allegro poco
13. Adagio - Allegro
Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621
14. Stabat Mater dolorosa. Largo
15. Cujus animam, gementem. Andante
16. O quam tristis. Andante
17. Quis est homo. Largo
18. Quis non posset. Adagissimo
19. Pro peccatis suae gentis. Andante
20. Eja Mater, fons amoris. Largo
21. Fac ut ardeat cor meum. Lento
22. Amen
Sonata à 4 al Santo Sepolcro, for 2 violins, viola & continuo in E flat major, RV 130
23. Largo molto
24. Allegro ma poco
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 26. March 2019, 20:17
Sara Mingardo, Rinaldo Alessandrini / Vivaldi - Stabat Mater
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==== Log checksum 020BCBBDB26865C7DE63D9B4CFF854C251810B689A603DB406CF1E169F9B489F ====
Sara Mingardo, Rinaldo Alessandrini, Concerto Italiano - Vivaldi: Stabat Mater (2002)
Thanks to the original releaser