Roger Norrington, The English Chamber Orchestra, Janet Baker - George Frideric Handel: Radamisto (2007)
Roger Norrington, The English Chamber Orchestra, Janet Baker - George Frideric Handel: Radamisto (2007)
EAC | FLAC | Image (Cue & Log) ~ 994 Mb | Total time: 75:54+79:03+79:44 | Scans included
Classical | Label: Ponte | # PO-1054 | Recorded: 1984
EAC | FLAC | Image (Cue & Log) ~ 994 Mb | Total time: 75:54+79:03+79:44 | Scans included
Classical | Label: Ponte | # PO-1054 | Recorded: 1984
The performance of Radamisto is notable for an array of vocal talent headed by Janet Baker. Every name is familiar and admired. The ECO was a vibrant presence in the Handel operatic and oratorio market at this time and Norrington at the helm ensures that period practices are helpfully integrated into the fabric of a modern instrument performance – recitatives for instance, once the bane of some 1960s and 70s performances, move fluidly and intelligently, highly responsive to textual meaning and dramatic implications. Note Act I’s Reina, infausto avviso when Tigrane and Polissena’s recitative embodies fine pacing, telling rubato, and appropriately coloured accompaniment. Some cuts though were clearly necessary to accommodate the length of the production.
Eiddwen Harrhy as Polissena has a vital role to play. She’s given some wickedly taxing writing early on both in her Act I Cavatina and in Scene II’s aria Tu vuoi ch’io parta. By the latter she’s settled down, after earlier initial stridency, and she manages the slow aria with real eloquence. Lynda Russell has a less dramatic voice than Harrhy’s though as she shows in Deh, fuggi un traditore it’s more rounded an instrument as well.
Martyn Hill’s youthful, eager and sometimes suave voice makes listening to his Tiridate a pleasure and he brings the same qualities of intimacy and textual awareness to bear as he does in his recitals of English Song. He’s shadowed by an especially fine principal trumpet in Stragi, morti and he dispatches Act III’s Alzo al volo di mia fama with lyric warmth and vitality. It’s an aria that combines the martial command of Arm, arm ye brave from Judas Maccabeus with the limpid generosity of Acis and Galatea’s Love in her eyes sits playing. Zenobia is taken by Della Jones whose fiery impersonation and telling chest voice bring a whiff of gunpowder to the proceedings. Malcolm King proves a fine, evenly sung and technically impressive Farasmane, whose aria Son lievi le catene brings out the best in him. Patrizia Kwella’s appearance ensures a light, tightly focused and adept voice for Fraarte.
Baker enters with an especially imposing Cara sposa, amato bene. Her Act II aria Ombra cara di mia sposa is a kind of microcosm of Handel’s melodic self-borrowing and prefiguring. It evokes both Ombra mai fu and also Cara sposa, amante cara from Rinaldo. She tosses off one of Handel’s characteristic “ingrate” arias – in this case Act II’s Vanne, sorella ingrata - with fearless aplomb, managing the divisions with equal control. And of course she brings moving depth and directness to the great Act III Scene VII aria Qual nave smarrita.
This isn’t the opera for extensive duets but there’s one in the final scene of Act II – Se teco vive il cor – and here Baker and Jones ensure that their tones blend and differ timbrally wherever necessary.
Baker was long associated with Handelian performance but her Schoenberg is another matter. She gives here an undated recital with Paul Hamburger of eight songs taken from Opp. 2, 3, 6 and 14. Recently a BBC Legends reissue has given us a Baker-Hamburger recital of songs by Schubert, Schumann, Strauss and Wolf, which was recorded in London in 1968. Baker discographers will doubtless know better than I whether this Schoenberg recital comes from the same year though it’s presumably from the same period. There’s certainly tape hiss but otherwise reasonable sound quality. The songs all occupy a late Romantic hinterland and were written within a decade. Baker and Hamburger find Brahmsian warmth in Erwartung and excavate light wit alternating with more florid expression in the splendid Waldsonne. Baker saves her imperious best for Am Wegrand.
The third piece in this three CD set is Elgar’s Sea Pictures. Apart from the Barbirolli a Handley-conducted Baker version has emerged from much later, 1984, which is the same year that Baker sang it in Chicago with Solti. There are some marvellous things here. Solti’s conducting is terrifically exciting. Baker’s voice has depended since the famous recording and there are, invariably, changes of emphasis within a broadly similar frame. For example she elucidates the text of Where Corals Lie with more considered emphasis than before. Solti goes like the clappers in The Swimmer and the end is really grand. That’s where the good news ends. There’s considerable flutter and distortion on high notes and listening is annoying because of it.
Despite the doubts over provenance, dating and uneven sound quality this will be an enticing prospect for Baker admirers. The essay includes biographical details of her career and also potted biographies of her fellow cast members.–Jonathan Woolf
Performer:
Radamisto - Janet Baker (mezzo-soprano)
Farasmane - Malcolm King (bass)
Zenobia - Della Jones (mezzo-soprano)
Tiridate - Martyn Hill (tenor)
Polissena - Eiddwen Harrhy (soprano)
Tigrane - Lynda Russell (soprano)
Fraarte - Patrizia Kwella (soprano)
The English Chamber Orchestra
Conductor - Roger Norrington
Tracklist:
George Frideric Handel (1685-1759)
Radamisto, HWV 12a
CD1:
01. Ouverture
Atto I
02. Scene 1. Cavatina. Sommi Dei
03. Scene 1. Recitativo. Reina, infausto avviso
04. Scene 1. Aria. Deh, fuggi un traditore
05. Scene 2. Recitativo. Ecco l'infido sposo
06. Scene 2. Aria. Tu vuoi ch'io parta Listen
07. Scene 3. Recitativo. Il crudel odio tuo Listen
08. Scene 3. Aria. Stragi, morti, sangue ed armi / Scene 4. Recitativo. Ove seguir mi vuoi
09. Scene 4. Aria. Cara sposa, amato bene
10. Scene 5. Recitativo. Ver le nemiche mura
11. Scene 5. Aria. Son contenta di morire
12. Scene 6. Recitativo. Seguila, o figlio!
13. Scene 6. Aria. Ferite, uccidete, o numi del ciel
14. Scene 7. Recitativo. Fraarte, omai quel ferro
15. Scene 7. Aria. Son lievi le catene
16. Scene 8. Recitativo. Coraggio, amici; all'armi! / Sinfonia (Battle Symphony)
17. Scene 9-10. Recitativo. Già, già vinto è il nemico
18. Scene 9-10. Aria. Segni di crudeltà
19. Scene 11-13. Recitativo. Che fo?
20. Scene 11-13. Aria. Dopo l'orride procelle
Atto II
21. Scene 1-2. Recitativo. Sposo, vien meno il piè
22. Scene 1-2. Cavatina. Quando mai, spietata sorte
23. Scene 1-2. Recitativo. O crudo ciel!
24. Scene 1-2. Aria. Ombra cara di mia sposa
CD2:
01. Scene 3. Recitativo. Mitiga il grave affanno
02. Scene 3. Aria. Già che morir non posso
03. Scene 4. Recitativo. Benché al campo di Marte
04. Scene 4. Aria. Vaga e bella ogn'or vedrai
05. Scene 5. Recitativo. Eccomi a te davante
06. Scene 5. Aria. Sì, che ti renderai
07. Scene 6. Recitativo. Nulla più di speranza
08. Scene 6. Aria. Troppo sofferse già questo mio petto
09. Scene 6. Recitativo. Parte l'idolo mio
10. Scene 6. Aria. Spero placare
11. Scene 7. Recitativo. Questo vago giardin
12. Scene 7. Aria. La sorte, il ciel, amor
13. Scene 8. Recitativo. Adorato german, quanto più lieta
14. Scene 8. Aria. Vanne, sorella ingrata
15. Scene 9. Aria. Non sarà quest'alma mia
16. Scene 10-12. Recitativo. Due seggi, olà!
17. Scene 10-12. Cavatina. Empio, perverso cor!
18. Scene 10-12. Recitativo. Ascolta Ismen
19. Scene 10-12. Duetto. Se teco vive il cor
Atto III
20. Scene 1. Recitativo. Stanco di più soffrir
21. Scene 1. Aria. S'adopri il braccio armato
22. Scene 2. Recitativo. So ben che nel moi amore
23. Scene 2. Aria. Con vana speranza
24. Scene 3. Aria. Dolce bene di quest'alma
25. Scene 4-5. Recitativo. O della Tracia, a dell'Armenia
26. Scene 4-5. Aria
CD3:
01. Scene 6. Recitativo. Farasmane la segua
02. Scene 6. Aria. Alzo al volo di mia fama
03. Scene 7. Recitativo. Di Radamisto il capo?
04. Scene 7. Aria. Deggio dunque, oh Dio, lasciarti
05. Scene 7. Recitativo. Oh Dio, parte Zenobia
06. Scene 7. Aria. Qual nave smarrita
07. Scene 8-10. Recitativo. In questo tempio
08. Scene 8-10.Aria
09. Scene 11. Recitativo. Festeggi omai la reggia
10. Scene 11.Coro: Un di più felice
BONUS TRACKS
Dame Janet Baker sing Arnold Schoenberg (Paul Hamburger, piano)
11. Freibold
12. Edwartung
13. Waldsonne
14. Traumleben
15. Am Wegrand
16. Der Wanderer
17. Ich darf nicht dankend
18. In diesen Wintertagen
Dame Janet Baker sing Edward Elgar: Sea Pictures, opus 37
19. No. 1. Sea Slumber Song
20. No. 2. In Haven (Capri)
21. No. 3. Sabbath Morning at Sea
22. No. 4. Where Corals Lie
23. No. 5. The Swimmer
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 20. June 2019, 10:07
Janet Baker, Malcolm King, Della Jones, Martyn Hill, Eiddwen Harrhy, Lynda Russell, Patrizia Kwella / Handel - Radamisto (Disc 1)
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Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 20. June 2019, 13:48
Janet Baker, Malcolm King, Della Jones, Martyn Hill, Eiddwen Harrhy, Lynda Russell, Patrizia Kwella / Handel - Radamisto (Disc 2)
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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
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[CTDB TOCID: OOBNsdFGQNxd5zbEOvpt6Qq1.1k-] disk not present in database
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Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 20. June 2019, 15:39
Janet Baker, Malcolm King, Della Jones, Martyn Hill, Eiddwen Harrhy, Lynda Russell, Patrizia Kwella / Handel - Radamisto (Disc 3)
Used drive : ATAPI iHAS124 F Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
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Peak level 100.0 %
Extraction speed 10.0 X
Range quality 100.0 %
Test CRC EA064F41
Copy CRC EA064F41
Copy OK
No errors occurred
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Track 12 accurately ripped (confidence 3) [6F0E0272] (AR v2)
Track 13 accurately ripped (confidence 3) [5C11BEA4] (AR v2)
Track 14 accurately ripped (confidence 3) [A3DEEA6F] (AR v2)
Track 15 accurately ripped (confidence 3) [1E0BC074] (AR v2)
Track 16 accurately ripped (confidence 3) [659D4201] (AR v2)
Track 17 accurately ripped (confidence 3) [38AABDDC] (AR v2)
Track 18 accurately ripped (confidence 3) [6489DD13] (AR v2)
Track 19 accurately ripped (confidence 3) [4098EE7B] (AR v2)
Track 20 accurately ripped (confidence 3) [732B20BF] (AR v2)
Track 21 accurately ripped (confidence 3) [42777B51] (AR v2)
Track 22 accurately ripped (confidence 3) [5ED6CCA7] (AR v2)
Track 23 accurately ripped (confidence 3) [D6FC410B] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: PKKlQL3zTNJXNV7OKlr2T0dXiVk-] disk not present in database
Submit result: PKKlQL3zTNJXNV7OKlr2T0dXiVk- has been uploaded
==== Log checksum F7F60B782F6B4E5483DC86DAA218F4FEEB39EECC229055BF34966473B435A583 ====
Roger Norrington, The English Chamber Orchestra, Janet Baker - George Frideric Handel: Radamisto (2007)
Thanks to the original releaser