Roberta Invernizzi - Alessandro Scarlatti: Cantatas & Recorder Concertos (2019)
Roberta Invernizzi - Alessandro Scarlatti: Cantatas & Recorder Concertos (2019)
WEB FLAC (tracks+booklet) - 250 MB | Tracks: 25 | 55:16 min
Style: Classical | Label: Brilliant Classics
WEB FLAC (tracks+booklet) - 250 MB | Tracks: 25 | 55:16 min
Style: Classical | Label: Brilliant Classics
A new album from one of the outstanding voices of Baroque music in modern times. Having worked with countless luminaries of early-music performance over the last three decades, Roberta Invernizzi has become renowned for a crystalline soprano and an unfailing dramatic sense in Baroque and pre-Baroque music, especially from her native Italy.
Here she lends distinction to a unique collection of three cantatas and two concertos by the jewel in the crown of Baroque-era music from Naples, Alessandro Scarlatti. Bella dama di nome Santa and Ardo è ver per te d’amore are particularly brilliant examples of the cantatas written for solo voice and obbligato instrument – in this case the recorder. The violin is the instrument assigned to duet with Invernizzi in the intensely expressive Quella pace gradita, which in this case does not vie with the soprano – as it does with the recorder in the previous two Cantatas – but rather accompanies the voice.
Like the cantatas, the two concertos here date from the turn of the 17th to the 18th centuries: four-movement works of scintillating virtuosity, fully the equal of Vivaldi’s better-known examples, but laid out like a brief sonata with a brief introduction to a well-worked fugue, followed by a songful slow movement and brilliant finale.
Under the direction of its founder, Stefano Bagliano, the Collegium Pro Musica has assembled a distinguished discography on Brilliant Classics which has attracted international praise. Their album of Quantz concertos (BC95386) was reviewed in Fanfare as ‘very fine – technically accomplished, and both lively and characterful, without turning mannered.’ Of their collection of chamber concertos by Vivaldi (BC94332), Musica dei donum commented: ‘imaginative and lively, dramatic when needed, but also have intimacy, whenever the music asks for it…The virtuosic solo passages are perfectly executed.’
Tracklist:
01. Cantata "bella dama di nome santa", H.743: I. Introduzione adagio
02. Cantata "bella dama di nome santa", H.743: II. Lento alla francese
03. Cantata "bella dama di nome santa", H.743: III. Recitativo
04. Cantata "bella dama di nome santa", H.743: IV. Aria andante
05. Cantata "bella dama di nome santa", H.743: V. Recitativo
06. Cantata "bella dama di nome santa", H.743: VI. Aria vivace
07. Recorder Concerto No. 22 in A Major" I. Allegro
08. Recorder Concerto No. 22 in A Major" II. Fuga
09. Recorder Concerto No. 22 in A Major" III. Adagio
10. Recorder Concerto No. 22 in A Major" IV. Andante - Allegro
11. Cantata "ardo è ver per te d'amore", H.62: I. Recitativo
12. Cantata "ardo è ver per te d'amore", H.62: II. Aria
13. Cantata "ardo è ver per te d'amore", H.62: III. Recitativo
14. Cantata "ardo è ver per te d'amore", H.62: IV. Aria
15. Cantata "quella pace gradita": I. Andante
16. Cantata "quella pace gradita": II. Recitativo
17. Cantata "quella pace gradita": III. Aria adagio
18. Cantata "quella pace gradita": IV. Recitativo
19. Cantata "quella pace gradita": V. Aria andante
20. Cantata "quella pace gradita": VI. Recitativo
21. Cantata "quella pace gradita": VII. Aria adagio
22. Concerto No. 23 in C Major: I. Adagio
23. Concerto No. 23 in C Major: II. Fuga
24. Concerto No. 23 in C Major: III. Largo
25. Concerto No. 23 in C Major: IV. Allegro
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FILE: 07. Recorder Concerto No. 22 in A Major_ I. Allegro.flac
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FILE: 08. Recorder Concerto No. 22 in A Major_ II. Fuga.flac
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FILE: 15. Cantata _quella pace gradita__ I. Andante.flac
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FILE: 22. Concerto No. 23 in C Major_ I. Adagio.flac
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FILE: 23. Concerto No. 23 in C Major_ II. Fuga.flac
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FILE: 24. Concerto No. 23 in C Major_ III. Largo.flac
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FILE: 25. Concerto No. 23 in C Major_ IV. Allegro.flac
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