Rinaldo Alessandrini, Concerto Italiano - Antonio Vivaldi: Vespri per l'Assunzione di Maria Vergine (2008)
Rinaldo Alessandrini, Concerto Italiano - Antonio Vivaldi: Vespri per l'Assunzione di Maria Vergine (2008)
EAC | FLAC | Image (Cue & Log) ~ 727 Mb | Total time: 76:42+76:24 | Scans included
Classical | Label: Naïve | # OP 30543 | Recorded: 2003
EAC | FLAC | Image (Cue & Log) ~ 727 Mb | Total time: 76:42+76:24 | Scans included
Classical | Label: Naïve | # OP 30543 | Recorded: 2003
This isn't the 'Vivaldi Vespers', or even a reconstruction of a specific event, but a kind of 'sacred concert' in Vespers form, of the sort that Venetian churches in Vivaldi's time would mount in the name of worship.
Whether he ever supplied all the music for any such occasion isn't clear, but he certainly set plenty of Vespers texts, enough at any rate for Rinaldo Alessandrini and scholar Frédéric Delaméa to put together this rich programme. So this is music for a Vespers for the Feast of the Assumption as it might have been heard in one of Venice's more important churches, made up of Vivaldi's settings of the five Vespers psalms, a Magnificat, a Salve Regina, a solo motet (Ascende in laeta) and a couple of orchestral concertos. Unmistakably Vivaldian in almost every bar, these pieces nevertheless show considerable variety; the psalms range from the opulence of Dixit Dominus for five soloists, two choirs and two choirs, to the expressive solo settings of Laudate pueri and Nisi Dominus, to the breezily functional choral treatments of Laetatus sum and Lauda Jerusalem; Ascende in laeta is a virtuoso showpiece for soprano, and the Salve Regina a sombre vehicle for contralto. The liturgical thread is supplied by plainchant antiphons, prettily rendered in a fascinating conjectural imitation of the 18th century's 'corrupt' manner, which is to say, with organ accompaniment and unabashed ornamentation. Alessandrini's reading has an energy which is both forthright and controlled. His solo singers are of high quality; Roberta Invernizzi and Sara Mingardo are from the front rank of Italian Baroque singers, capable of expressive lyricism and thrilling virtuosity, but Gemma Bertagnolli is no less effective. The orchestra plays with inspiriting precision and life, but the choir could be improved on, and is poorly favoured in the recorded balance. Indeed, the recorded sound as a whole is a bit noisy, in places suffering a distant mechanical whir. Still, the overall effect is what counts most in a recording like this: the music has a vital sense of direction, resulting in two and a half hours of invigorating listening.–Gramophone Classical Music Guide
Performer:
Gemma Bertagnolli, soprano
Roberta Invernizzi, soprano
Anna Simboli, soprano
Sara Mingardo, contralto
Gianluca Ferrarini, tenore
Matteo Bellotto, baritono
Antonio De Secondi, violino
Concerto Italiano ensemble vocale e strumentale
Rinaldo Alessandrini, conductor
Tracklist:
Antonio Vivaldi (1678-1741)
Vespri per l'Assunzione di Maria Vergine
CD1:
01. Concerto in fa maggiore in due cori, RV 584: Allegro non molto
02. Intonatio: Deus in adiutorium
Responsorio: Domine ad adiuvandum me festina RV 593
03. Domine ad adiuvandum me festina: Allegro
04. Gloria Patri: Andante molto
05. Sicut erat in principio: Andante - Allegro
Ascende laeta, RV 635
06. Aria: Ascende laeta: Allegro
07. Recitativo: Quam pulchri, quam formosi
08. Aria: Sternite, Angeli: Presto
Salmo 109 Dixit Dominus, RV 594
09. Dixit Dominus: Allegro
10. Donec ponam inimicos tuos: Largo
11. Virgam virtutis tuae: Allegro
12. Tecum principum: Andante
13. Juravit Dominus: Adagio - Allegro
14. Dominus a Dextris tuis: Allegro
15. Judicabit in nationibus: Largo
16. De torrente in via: Andante
17. Gloria Patri: Allegro
18. Sicut erat in principio: Allegro
19. Antifona Assumpta est Maria in caelo
20. Antifona al Laudate pueri: Maria Virgo assumpta est
Salmo 112 Laudate pueri, RV 600
21. Laudate pueri: Allegro
22. Sit nomen Domini: Largo
23. A solis ortu: Allegro
24. Excelsus super omnes: Andante
25. Quis sicut Dominus: Largo
26. Suscitans a terra: Presto - Adagio - Andante
27. Ut collocet eum: Allegro
28. Gloria: Largo
29. Sicut erat: Allegro
30. Amen: Allegro
31. Antifona Maria Virgo assumpta est
32. Antifona al Laetatus sum : In odorem unguentorum
33. Salmo 121 Laetatus sum, RV 607: Allegro
34. Antifona In odorem unguentorum
CD2:
01. Antifona al Nisi Dominus: Benedicta filia tua Domino
Salmo 126 Nisi Dominus, RV 608
02. Nisi Dominus: Allegro
03. Vanum est vobis: Largo
04. Surgite postquam sederitis: Presto - Adagio
05. Cum dederit: Andante
06. Sicut sagittae: Allegro
07. Beatus Vir: Andante
08. Gloria Patri: Larghetto
09. Sicut erat: Allegro
10. Amen: Allegro
11. Antifona Benedicta filia tua Domino
12. Antifona al Lauda Jerusalem : Pulchra es et decora
13. Salmo 147 Lauda Jerusalem, RV 609: Allegro
14. Antifona Pulchra es et decora
15. Ave Maris stella
16. Antifona al Magnificat
Magnificat RV 610a
17. Magnificat: Adagio
18. Et exultavit: Allegro
19. Et misericordia: Andante molto
20. Fecit potentiam: Presto
21. Deposuit potentes: Allegro
22. Esurientes implevit bonis: Allegro
23. Suscepit Israel: Largo - Allegro - Adagio
24. Sicut locutus: Allegro ma poco
25. Gloria Patri: Lardo - Andante - Allegro
Concerto in do maggiore per la SS. Assunzione di Maria Vergine, RV 581
26. Adagio e staccato - Allegro ma poco poco
27. Largo
28. Allegro
Antifona Salve Regina, RV 616
29. Salve Regina: Andante
30. Ad te clamamus: Allegro
31. Ad te suspiramus: Larghetto
32. Eja ergo: Allegro
33. Et Jesum: Allegro molto
34. O clemens: Andante
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EAC extraction logfile from 16. October 2022, 13:50
Rinaldo Alessandrini, Concerto Italiano / Vivaldi: Vespri per l'Assunzione di Maria Vergine CD2
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==== Log checksum 8675581E15BDB9EFCDA5E4E315F81A6CA8A8757A5B81F0619AF381F68B043AA8 ====
Rinaldo Alessandrini, Concerto Italiano - Antonio Vivaldi: Vespri per l'Assunzione di Maria Vergine (2008)
