Rene Clemencic, Clemencic Consort - Johann Joseph Fux: Requiem “Missa Pro Defunctis” (2001)
Rene Clemencic, Clemencic Consort - Johann Joseph Fux: Requiem “Missa Pro Defunctis” (2001)
EAC | FLAC | Image (Cue & Log) ~ 254 Mb | Total time: 59:17 | Scans included
Classical | Label: Arte Nova | # 74321 27777 2 | Recorded: 2000
EAC | FLAC | Image (Cue & Log) ~ 254 Mb | Total time: 59:17 | Scans included
Classical | Label: Arte Nova | # 74321 27777 2 | Recorded: 2000
Fux was born to a peasant family in Hirtenfeld in Styria. Relatively little is known about his early life, but likely he went to nearby Graz for music lessons. In 1680 he was accepted at the Jesuit university there, where his musical talent became apparent. From 1685 until 1688 he served as organist at St. Moritz in Ingolstadt. Sometime during this period he must have made a trip to Italy, as evidenced by the strong influence of Corelli and Bolognese composers on his work of the time.
By the 1690s he was in Vienna, and attracted the attention of Emperor Leopold I with some masses he composed; the emperor was sufficiently impressed by them to assist him with his career after this point. In 1698, Leopold hired him as court composer. Fux traveled again to Italy, studying in Rome in 1700; it may have been here that acquired the veneration for Palestrina which was so consequential for music pedagogy.
Fux served Leopold I until his death, and two more Habsburg emperors after that: Joseph I, and Charles VI, both of whom continued to employ him in high positions in the court. He was famous as a composer throughout this period, his fame being eclipsed only later in the 18th century as the Baroque style died. Although his music until recently never regained favor, his mastery of counterpoint influenced countless composers through his treatise Gradus ad Parnassum (1725). Haydn largely taught himself counterpoint by reading it and recommended it to the young Beethoven. Mozart had a copy of it that he annotated. The Baroque age in music in Austria ends with Fux.
Performer:
Clemencic Consort
René Clemencic, conductor
Track List:
01. Sonata a tre ex d per due Violini K 342 (violoncello & basso continuo)
02. Ciaccona per organo K 403/2
03. Grave from Sonata a tre ex d K 342 (2 trombones, organ, violin)
04. Media vita in morte sumus (choral)
05. De profundis K 130 (motet)
06. Adagio per organo K 400 from Sonata terza
07. REQUIEM AETERNAM K 51-53 - KYRIE ELEISON
08. DIES IRAE
09. Libera me, Domine K 54 (motet)
10. Largo from Canon a due E 66 (2 trombones, organ, violin)
11. DOMINE JESU CHRISTE
12. SANCTUS
13. Adagio K 400 from Sonata terza (2 trombones, organ, violin)
14. AGNUS DEI - LUX AETERNA - REQUIEM AETERNAM
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 7. June 2021, 20:34
René Clemencic, Clemencic Consort / Fux - Requiem "Missa Pro Defunctis" and others
Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 4:41.63 | 32 | 21169
2 | 4:42.20 | 4:53.60 | 21170 | 43204
3 | 9:36.05 | 1:03.52 | 43205 | 47981
4 | 10:39.57 | 1:20.43 | 47982 | 54024
5 | 12:00.25 | 4:08.55 | 54025 | 72679
6 | 16:09.05 | 2:01.45 | 72680 | 81799
7 | 18:10.50 | 8:43.10 | 81800 | 121034
8 | 26:53.60 | 13:25.40 | 121035 | 181449
9 | 40:19.25 | 3:45.60 | 181450 | 198384
10 | 44:05.10 | 1:01.10 | 198385 | 202969
11 | 45:06.20 | 4:43.65 | 202970 | 224259
12 | 49:50.10 | 2:52.10 | 224260 | 237169
13 | 52:42.20 | 1:09.10 | 237170 | 242354
14 | 53:51.30 | 5:16.65 | 242355 | 266119
Range status and errors
Selected range
Filename C:\ArlegZ\Fux - Requiem - Rene Clemencic.wav
Peak level 91.6 %
Extraction speed 1.9 X
Range quality 100.0 %
Test CRC 0970D185
Copy CRC 0970D185
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 59) [A06FC605] (AR v2)
Track 2 accurately ripped (confidence 59) [6BA9414B] (AR v2)
Track 3 accurately ripped (confidence 60) [67546675] (AR v2)
Track 4 accurately ripped (confidence 60) [52433CE2] (AR v2)
Track 5 accurately ripped (confidence 60) [4A170C3C] (AR v2)
Track 6 accurately ripped (confidence 60) [2473EF37] (AR v2)
Track 7 accurately ripped (confidence 60) [C48006A6] (AR v2)
Track 8 accurately ripped (confidence 60) [891A4133] (AR v2)
Track 9 accurately ripped (confidence 60) [DD6535DB] (AR v2)
Track 10 accurately ripped (confidence 60) [1F1DCD4B] (AR v2)
Track 11 accurately ripped (confidence 60) [EC8C8E8C] (AR v2)
Track 12 accurately ripped (confidence 60) [9D53F536] (AR v2)
Track 13 accurately ripped (confidence 60) [3261FBCE] (AR v2)
Track 14 accurately ripped (confidence 60) [4701EBE6] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: vmpgcaZHWv3W0ImeeBcPybZp0Tk-] found
Submit result: vmpgcaZHWv3W0ImeeBcPybZp0Tk- has been confirmed
Track | CTDB Status
1 | (154/154) Accurately ripped
2 | (154/154) Accurately ripped
3 | (154/154) Accurately ripped
4 | (154/154) Accurately ripped
5 | (154/154) Accurately ripped
6 | (154/154) Accurately ripped
7 | (154/154) Accurately ripped
8 | (154/154) Accurately ripped
9 | (154/154) Accurately ripped
10 | (154/154) Accurately ripped
11 | (154/154) Accurately ripped
12 | (154/154) Accurately ripped
13 | (154/154) Accurately ripped
14 | (154/154) Accurately ripped
==== Log checksum B4E29EE38F24051A3B83993F4872CDAED5AA835FEEBEF6D9D2C4E6236D2F1B5C ====
Rene Clemencic, Clemencic Consort - Johann Joseph Fux: Requiem “Missa Pro Defunctis” (2001)
