Rachel Yakar, Kenneth Gilbert - Louis-Nicolas Clérambault: Orphée, Médée, Suites pour clavecin Nos.1 & 2 (1992)
Rachel Yakar, Kenneth Gilbert - Louis-Nicolas Clérambault: Orphée, Médée, Suites pour clavecin Nos.1 & 2 (1992)
EAC | FLAC | Image (Cue & Log) ~ 324 Mb | Total time: 67:19 | Scans included
Classical | Label: Archiv Produktion | # 437 085-2 | Recorded: 1979, 1981
EAC | FLAC | Image (Cue & Log) ~ 324 Mb | Total time: 67:19 | Scans included
Classical | Label: Archiv Produktion | # 437 085-2 | Recorded: 1979, 1981
Der französische Komponist und Organist Louis-Nicolas Clérambault war auch ein guter Geiger und entstammte einer musikalischen Dynastie. Sein Stil war von den großen italienischen Komponisten seiner Zeit geprägt, vor allem von Corelli. Und so schrieb er eigene Werke mit italienischem Flair in französischen Stil.
1705 kam Clérambault als 29jähriger in den höfischen Dienst, gab Konzerte und schrieb Kantaten. Nachdem Ludwig XIV. 1715 gestorben war, ging der Hof nach Paris. Clérembault war dort bei den Demoiselles de Maintenon an der königlichen Einrichtung Maison de Saint-Louis in Saint-Cyr-l'École tätig, einem Hort für Töchter aus in Not geratenem Adel. Die Schule wurde von Madame de Maintenon, der Mätresse und späteren Ehefrau des Königs ins Leben gerufen. Dort gab Clérambault Musikunterricht, war Organist und dirigierte den Chor. Als Komponist formte er während dieser Zeit die charakteristische französische Kantate, die bei Clérambault zu einer Art Miniaturoper wurde, fast immer für Gesangsstimme mit Cembalo und Gambenbegleitung, manchmal auch mit Violine und Flöte. Die Themen kamen vorwiegend, ganz nach dem Geschmack der Zeit, aus der griechischen Mythologie. Die Orpheus- und Medea-Sagen klingen hier wie idyllische Bekenntnisse, entrückt, sphärisch und mit wunderbarem Schwung in den Melodien.
Die ausübenden Musiker sind in dieser Zusammensetzung mit diesen Werken eine stille Sensation.
Performer:
Rachel Yakar, soprano (1-8)
Reinhard Goebel, violin (1-8)
Wilbert Hazelzet, flute ( 1-8)
Charles Medlam, viola da gamba (1-8)
Alan Curtis, harpsichord ( 1-8)
Kenneth Gilbert, harpsichord (9-21)
Tracklist:
Louis-Nicolas Clérambault (1676-1749)
Orphée
01. Récitatif: "Le fameux chantre de la Thrace" - Air: "Fidèles Echos de ces bois"
02. Récitatif: "Mais que sèrt à mon désespoir" - Air : "Allez Orphée"
03. Récitatif: "Cependant le Héros arrive" - Air: "Monarque redouté"
04. Récitatif: "Pluton surpris" - Air: "Chantez la victoire éclatante"
Médée
05. Récitatif: "L'Amante de Jason" - Prélude: "Non, non, n'écoutons plus" - Air: "Courons, courons à la vengeance"
06. Récitatif: "Que dis-je?" - Air: "L'Amour dans ses fers"
07. Récitatif: "Mais quelle est mon erreur" - Invocation: "Cruelle fille des Enfers"
08. Récitatif: "Le charme est fait" - Air: "Volez Démons"
Suite N° 1 en ut majeur
09. 1. Prélude
10. 2. Allemande - Gay - Double
11. 3. Courante
12. 4. 1ère Sarabande - Fort - Grave
13. 5. 2ème Sarabande
14. 6. Gavotte - Double
15. 7. Gigue. Gay
16. 8. Menuet I/II
Suite N° 2 en ut mineur
17. 1. Prélude - Fort Tendrement
18. 2. Allemande - Lentement
19. 3. Courante
20. 4. Sarabande - Grave
21. 5. Gigue - Vite
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 16. June 2024, 17:30
Charles Medlam / Louis-Nicolas Clérambault: Orphée-Médée
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Range status and errors
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Filename D:\Rips\[CA15] Clérambault - Orphée, Médée - Yakar, Gilbert\Charles Medlam - Louis-Nicolas Clérambault- Orphée-Médée.wav
Peak level 96.8 %
Extraction speed 2.2 X
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Copy CRC 23ED34AE
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==== Log checksum D062ACDE2F2CE6C4F7F5B7F539753C649C2DFE2EB171082D85E6178A7202388B ====
Rachel Yakar, Kenneth Gilbert - Louis-Nicolas Clérambault: Orphée, Médée, Suites pour clavecin Nos.1 & 2 (1992)
Thanks to the original releaser