Quartetto Maurice - 4 + 1 (2019)
WEB FLAC (tracks) | Tracks: 4 | 52:28 min | 217 MB
Style: Classical | Label: Stradivarius
WEB FLAC (tracks) | Tracks: 4 | 52:28 min | 217 MB
Style: Classical | Label: Stradivarius
Those who have seen the Quartetto Maurice play live have seen this on their faces, in their gestures: the long sweetness and the angry acceleration, the smile and the serenity, the eurhythmy and the euphoria. The latter has often accompanied their wish that everything should change. We know that when we want everything to change, we evoke fire. Flame, Bachelard writes in an essay, is of all the objects that evoke reverie, one of the greatest operators of images: flame forces us to imagine. This is a truth that Fausto Romitelli knew well. Referring precisely to the synthetic work Natura morta con fiamme (1991), for string quartet and electronics, he explicitly refers to an imaginary scale, to an extremity which has a language without words, purely of relations, of which the essential elements are conventional and abstract, implemented by algebraic and combinatory processes.
Dedicated to the memory of Fausto Romitelli, the piece by Mauro Lanza, The 1987 Max Headroom Broadcast Incident (2017), for augmented string quartet, reflects precisely on what lies beyond what we always see on the eye forced to watch and the ear forced to listen we could almost say on the reverie that admires interference. Andrea Agostini conceived Legno, sabbia, vetro, cenere (2009-10), for quartet and electronics. The composer formed the idea of using additive and deferred synthesis a technique that the composer is pleased to describe as very old to pursue an ideal he never then abandoned. This was writing electronics with a degree of control over detail and articulation of sound that aspires, one could say, to a very marked musical determinism. Silvia Borzelli searches for a profound explanation with Earwitness (familiar 2) (2017), for string quartet and stereo soundtracks. The earwitness of the title is the person described by Elias Canetti in that strange collection of stories that take their name exactly from the story of that name.
Tracklist:
1. Natura morta con fiamme 09:14
2. The 1987 Max Headroom Broadcast Incident 10:40
3. Legno sabbia vetro cenere 17:33
4. Earwitness (Familiar 2) 14:56
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
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FILE: 04. Earwitness (Familiar 2).flac
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Conclusion: CDDA 99%
Signature: 131DAE3CFBDEE1D573C51FEA3A2FCA696D8EE373
Copyright © 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
FILE: 01. Natura morta con fiamme.flac
Size: 43210144 Hash: 632D0190E1616F40BFC013C435C32A06 Accuracy: -m0
Conclusion: CDDA 100%
Signature: DAB4221CA30335C200510A4E16D1790779CFC400
FILE: 02. The 1987 Max Headroom Broadcast Incident.flac
Size: 48180417 Hash: 46D1FCD50B616C6CC8147A46423B05F8 Accuracy: -m0
Conclusion: CDDA 99%
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Conclusion: CDDA 100%
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FILE: 04. Earwitness (Familiar 2).flac
Size: 64972575 Hash: D5E496FD0F6D0370AC9313508E27354C Accuracy: -m0
Conclusion: CDDA 99%
Signature: 131DAE3CFBDEE1D573C51FEA3A2FCA696D8EE373