Philippe Herreweghe, La Chapelle Royale - Johann Sebastian Bach: Trauerode BWV 198 & Cantate BWV 78 (1988)
EAC | FLAC | Image (Cue & Log) ~ 242 Mb | Total time: 57:47 | Scans included
Classical | Label: Harmonia Mundi | # HMC 901270 | Recorded: 1987
EAC | FLAC | Image (Cue & Log) ~ 242 Mb | Total time: 57:47 | Scans included
Classical | Label: Harmonia Mundi | # HMC 901270 | Recorded: 1987
Recorded in 1987, this disc by Belgian conductor Philippe Herreweghe and the choral-instrumental ensemble La Chapelle Royale came in advance of most of the historical-performance recordings that have delved deeply into Bach's cantatas and their world. It was, in fact, the first digital recording of the Trauerode, BWV 198. Despite some competition, this remains an exemplary Bach performance, and it was a superb candidate for reissue in Harmonia Mundi's HM Gold greatest-hits series. The Trauerode, or Funeral Ode, is a secular work despite its theme. It was composed in 1727 for a Leipzig University memorial to Christiane Eberhardine, Electress of Saxony. The cantata is thus unusual in being both secular and serious. It is closer to the language of Bach's sacred cantatas than is, say, the Coffee Cantata, but there is something in the combination of pomp and parading pictorial effects that sets it apart. The accompanied recitatives are the soul of the work, fitting texts in which the deceased leader's virtues are extolled in lengthy constructions ("As far as the wide Vistula's reaches, along the Dniester's and the Warta's course, as far as the Elbe and the Mulde flow, town and countryside extol you"). Sample track 4, with its chilling instrumental evocation of funeral bells dying away in the air ("Let the vibrating sound of the bells awaken terror in our downcast souls…"). All the soloists catch the formal but vivid sounds of the music and text well, and they are matched by precision work from the singers and instrumentalists in the Cantata No. 78, "Jesu der du meine Seele," BWV 78. The overall interpretation is rich and rather muted, and the cantata's famed duet, "Wir eilen mit schwachen doch emsigen Schritten" (We hurry with weak but eager steps, track 12), has a diaphanous, almost evanescent quality. The original booklet, recounting not only the circumstances of these works' composition but also putting them into the wider conditions and aims of Bach's life at the time, has been retained in full, and it's a model of its kind.–James Manheim
Performer:
Ingrid Schmithusen, soprano
Charles Brett, alto
Howard Crook, ténor
Peter Kooy, basse
Chœur et Orchestre de la Chapelle Royale
Conductor - Philippe Herreweghe
Track List:
'Trauerode', Cantate BWV 198
01. Coro: Laß, Fürstin, Laß noch einen Strahl
02. Recitativo: Dein Sachsen
03. Aria: Verstummt!
04. Recitativo: Der Glocken Bebendes Getön
05. Aria: Wie starb die Heldin so vergnügt
06. Recitativo: Ihr Leben ließ die Kunst zu sterben
07. Coro: An dir, du Fürbild großer Frauen
08. Aria: Der Ewigkeit…
09. Recitativo: Was Wunder ist?
10. Chorus Ultimus: Doch, Königin!
Cantate BVW 78 'Jesu, der du meine Seele'
11. Coro: Jesu, der du meine Seele
12. Aria, Duetto: Wir eilen
13. Recitativo: Ach! ich bin ein Kind der Sünden
14. Aria: Dein Blut
15. Recitativo: Die Wunden, Nägel, Kron und Grab
16. Aria: Nun du wirst mein Gewissen stillen
17. Choral: Herr, ich glaube
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 8. November 2021, 14:57
Philippe Herreweghe, La Chapelle Royale / Bach - Trauerode BWV 198 & Cantate BWV 78
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