Pentangle - The Time Has Come 1967-1973 (2007) REPOST
Pentangle - The Time Has Come 1967-1973 (2007)
Folk Rock | 4cd | EAC Rip | Flac + Cue + Log | covers
Castle Music CMXBX664 | rel: 2007 | 1740Mb
Folk Rock | 4cd | EAC Rip | Flac + Cue + Log | covers
Castle Music CMXBX664 | rel: 2007 | 1740Mb
Along with the Incredible String Band and Fairport Convention, Pentangle was one of the major pioneering forces to first put British folk-rock on the map in the 1960s, and their distinctive hybrid of folk, blues, and jazz has– for better and sometimes worse– subsequently inspired countless musicians to follow their progressive trail. Despite their legion of disciples, however, their true influence has always been tempered by the fact that few groups could hope to duplicate Pentangle's unique chemistry or sheer instrumental prowess, attributes which are in lavish display on the mammoth 4xCD retrospective The Time Has Come: 1967-73.
Pentangle's music has been frequently anthologized over the years, including– confusingly enough– on two separate compilations entitled Light Flight. And while it can't be said to be entirely comprehensive, The Time Has Come does provide a balanced portrait of the freewheeling group's six-year career. Extensively illustrated and annotated, the collection features excerpts from each of their studio albums, re-mastered singles and B-sides, as well as the requisite passel of previously unreleased live tracks and rarities. Containing nearly five hours of music and packed with a variety of astonishing curios, the set ultimately manages to feel rather definitive, and does well to capture Pentangle in all their brilliance, self-indulgent excess, and period splendor.
By the time Pentangle formed in 1967, guitarists Bert Jansch and John Renbourn were already well-established talents on the English folk scene. The two had previously issued an album together as a duo, utilizing what became known as a "folk baroque" fingerpicking style that drew heavily upon the influence of innovative British folk guitarist Davy Graham. Joining them to round out Pentangle was vocalist Jacqui McShee, who was also an experienced performer on the folk circuit, and the veteran jazz rhythm section of double bass player Danny Thompson and drummer Terry Cox.
Once so assembled, Pentangle's core quintet were capable of an extraordinary versatility, and quickly proved themselves equally adept at covering 17th century English folk ballads, Charles Mingus' "Goodbye Pork Pie Hat", or the Jaynetts girl-group classic "Sally Go Round the Roses". Moreover, Pentangle's ability to transverse musical boundaries soon became so seamless and organic as to be almost invisible, as when Renbourn delicately weaves an exotic sitar line through the group's version of the traditional English ballad "Cruel Sister". And though many of their bold stylistic moves have since been rendered into coffeehouse cliché by lesser talents, there are still many moments of dazzling invention and surprise to be discovered all across The Time Has Come.
The collection's first two discs are assembled chronologically, interspersing album tracks with various outtakes, BBC sessions, and non-album rarities. This arrangement surely caused the set's curators to make some tough calls and quirky decisions, such as leaving off the studio versions of many of Pentangle's better known songs ("Let No Man Steal Your Thyme", "Sally Free and Easy") and drastically editing down their 1970 side-long epic "Jack Orion." Nevertheless these two discs do an admirable job illustrating the gradual evolution of Pentangle's remarkable chemistry. On early tracks "Waltz" and "Travelling Song"– both recorded at the time of Pentangle's 1968 debut album– the group sound tentative, feeling its way around incorporating its diverse sonic elements.
By the time of such 1969's Basket of Light and 1970's Cruel Sister, however, Pentangle were operating as an incomparable whole, with McShee's frequently sublime vocals perfectly complemented by Jansch and Renbourn's atmospheric guitar work. The group's easy compatibility is particularly evident on the set's live material, such as on a version of Basket of Light's "Hunting Song" which was recorded at BBC for John Peel's Top Gear.
Longtime Pentangle fans will likely have something of a mixed reaction to The Time Has Come's third disc, which consists of a live concert recorded at Royal Festival Hall in June, 1968. Twelve of the concert's songs were originally released on 1968's Sweet Child double album, and seven others were included on a 2001 re-master of the album. Here the tracks have been re-sequenced and cleaned up, with much of the between-song banter and applause removed. Though this remains a solid performance, this set might feel a tad redundant to anyone already familiar with Sweet Child, and more impatient listeners might find themselves wishing the producers had also seen fit to edit out a bass solo or two.
The Time Has Come reserves its real treasure trove for last, as the final disc is entirely filled with previously unreleased material, most of which is of an uncommonly high caliber. Several of these unearthed tracks were recorded live for various TV broadcasts between 1970-72, and find the group at their most dynamic and expansive. In fact, on some of these performances, Pentangle begin to almost resemble an British response to the Grateful Dead, an impression that is further amplified by their live version of the longtime Dead staple "Cold Rain and Snow". This comparison is likely most valid on the live, 19-minute interpretation of the group's signature "Pentangling", whose electric figures and wayfaring improvisations can sound much more in line with the Avalon Ballroom than the English countryside.
Most curious of all is the set's inclusion of not one but two title works from film soundtracks, "Tam Lin" and "Christian the Lion", that were digitally pieced together from individual verses used as in the films as a narrative device. Needless to say, the practice of using ethereal folk songs as a cinematic framing device is one that has sadly gone out of fashion, and the presence of these offbeat tracks reinforces the impression of Pentangle as a group who were wholly and intrinsically of their time. And though echoes of the group's artistic legacy still resonate in Jansch's current solo work, and in the music of such younger artists as Espers, Devendra Banhart, and Vetiver, The Time Has Come should stand as further evidence that we'll not soon see Pentangle's like again. ~Pitchfork
Track listing
cd1 - studio 1967-69:
1 Mirage
2 Waltz
3 Poison
4 Travelling Song
5 Forty-Eight
6 Koan
7 In Your Mind (John Peel's "Top Gear" BBC Radio One Session)
8 Sovay (John Peel's "Top Gear" BBC Radio One Session)
9 In Time
10 Sweet Child
11 The Trees They Do Grow High (alternate take)
12 Moon Dog
13 Light Flight
14 Once I Had a Sweetheart
15 I Saw an Angel
16 Springtime Promises
17 Cold Mountain
18 Train Song
19 (BBC Radio One session)
cd2 - studio 1970-73:
1 Lord Franklin
2 Jack Orion (instrumental edit)
3 Cruel Sister
4 Helping Hand From Reflection
5 Faro Annie
6 Reflection
7 So Clear (aka John's Song)
8 The Snows
9 Jump Baby Jump
10 Yarrow
11 Tam Lin
12 The Best Part of You
13. Green Willow
cd3 - live: Royal Festival Hall, June 29, 1968:
1 Waltz
2 Way Behind the Sun
3 The Time Has Come
4 Let No Man Steal Your Thyme
5 So Early in the Spring
6 Hear My Call
7 No More My Lord
8 Three Dances: Brentzal Gay/La Rotta/the Earle of Salisbury
9 Market Song
10 Bruton Town
11 A Woman Like You
12 No Exit
13 Haitian Fight Song
14 Goodbye Pork Pie Hat
15 Bells
16 John Donne Song
17 Watch The Stars
18 Turn Your Money Green
19 Travelling Song
cd4 - live & rarities 1970-73:
1 Pentangling
2 Sally Go Round the Roses (from "The Two Brewers")
3 Sarabande (from "The Two Brewers")
4 Sally Free and Easy (from "The Two Brewers")
5 Wondrous Love (from "LWT Journey Into Love")
6 Sweet Child (from "LWT Journey Into Love)
7 Willy O' Winsbury (from "Set of Six")
8 Rain and Snow (from "Set of Six")
9 No Love Is Sorrow (from "Set of Six")
10 Wedding Dress (from "RTBF")
11 The Furniture Store (from "Christian the Lion")
12 Christian the Lion (from "Christian the Lion")
13 Reflection (from "RTBF")
14 People on the Highway (from "RTBF")
Personnel
- Bert Jansch / guitar, banjo vocals
- John Renbourn / guitars, sitar, vocals
- Jacqui Mc Shee / vocals
- Danny Thomson / double bass
- Terry Cox / drums, percussion, glockenspiel, vocals
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
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Pentangle / The Time Has Come
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Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
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Pentangle / The Time Has Come 02
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Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 22. July 2008, 19:49
Pentangle / The Time Has Come
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Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 22. July 2008, 22:18
Pentangle / The Time Has Come
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09 [809645e6|5d22d27f] (14+11/33) Accurately ripped
10 [3eaedce5|c5d65648] (14+11/33) Accurately ripped
11 [193a5440|88c56d10] (14+11/33) Accurately ripped
12 [ea1f50d0|9128f265] (14+11/33) Accurately ripped
13 [4750dfb3|eee52672] (14+10/32) Accurately ripped
14 [a19128e6|c94563ad] (14+10/32) Accurately ripped
15 [845432ca|bccb1cac] (14+11/33) Accurately ripped
16 [44cc038f|408076ec] (14+10/32) Accurately ripped
17 [a29ac28c|1ccbc1b7] (14+10/32) Accurately ripped
18 [4bb54244|ba1ab434] (14+10/32) Accurately ripped
19 [e7b3e192|0a0e7f6c] (14+10/32) Accurately ripped
Offsetted by -664:
01 [a6624688] (03/33) Accurately ripped
02 [e77156d8] (03/33) Accurately ripped
03 [271e1da6] (03/33) Accurately ripped
04 [e07cd7fb] (03/33) Accurately ripped
05 [e6f3b84e] (03/33) Accurately ripped
06 [c64030fd] (03/33) Accurately ripped
07 [8e9c95e2] (03/33) Accurately ripped
08 [d765f492] (03/33) Accurately ripped
09 [fd88649e] (03/33) Accurately ripped
10 [2a241715] (03/33) Accurately ripped
11 [bc9e3440] (03/33) Accurately ripped
12 [ba2df430] (03/33) Accurately ripped
13 [fe0c60fb] (03/32) Accurately ripped
14 [6451558e] (03/32) Accurately ripped
15 [8f475cea] (03/33) Accurately ripped
16 [356a20e7] (03/32) Accurately ripped
17 [cb34fb64] (03/32) Accurately ripped
18 [25ea8514] (03/32) Accurately ripped
19 [167321fa] (03/32) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 97,7 [C2518313] [709FDE14] CRC32
01 83,1 [AAF7E257] [DE1A4818]
02 83,1 [4F6591D1] [8B0995D9]
03 92,8 [2E447CBB] [B377EC2D]
04 70,5 [1A198367] [79F56BED]
05 50,6 [2ABBAB57] [B81C40B6]
06 93,3 [A662478E] [703DB144]
07 97,7 [9FE44A3D] [46172599]
08 86,1 [143B0875] [E12A51E7]
09 97,7 [A2679642] [224218D4]
10 87,9 [BF5112B8] [86F1635C]
11 85,1 [FFF27FAD] [E6D9684C]
12 67,9 [08A5EEE2] [5DC94218]
13 70,6 [E1EC840F] [5FA2AEDF]
14 80,3 [5753B4F8] [F7191D99]
15 62,2 [C3B4864F] [6583565F]
16 82,1 [A18D1212] [1C691B08]
17 75,4 [212A2143] [50CB202F]
18 73,5 [BC49F3FB] [14AE0B0B]
19 83,1 [A441BFEF] [CD5E17F7]
––––-
[CUETools log; Date: 2014.01.31. 11:06:01; Version: 2.1.4]
[CTDB TOCID: wca_ZftPQOufiadPcbNPnO3KllA-] found.
Track | CTDB Status
1 | (4/4) Accurately ripped
2 | (4/4) Accurately ripped
3 | (4/4) Accurately ripped
4 | (4/4) Accurately ripped
5 | (4/4) Accurately ripped
6 | (4/4) Accurately ripped
7 | (4/4) Accurately ripped
8 | (4/4) Accurately ripped
9 | (4/4) Accurately ripped
10 | (4/4) Accurately ripped
11 | (4/4) Accurately ripped
12 | (4/4) Accurately ripped
13 | (4/4) Accurately ripped
14 | (4/4) Accurately ripped
[AccurateRip ID: 002986d8-019d640f-cf11320e] found.
Track [ CRC | V2 ] Status
01 [ee32dbe9|85da385f] (14+10/33) Accurately ripped
02 [216fcd78|38c74f52] (14+10/33) Accurately ripped
03 [d584aca2|18a8f597] (14+10/33) Accurately ripped
04 [a998bf26|3c835d0f] (14+10/33) Accurately ripped
05 [4785c942|03924f72] (14+10/33) Accurately ripped
06 [c6f99a15|706cd926] (14+10/33) Accurately ripped
07 [becb204e|5b7db455] (14+10/33) Accurately ripped
08 [1b821a4a|29e79705] (14+11/34) Accurately ripped
09 [5b5c1ee6|7073c7b4] (14+10/33) Accurately ripped
10 [16bb2047|4c4a4bd9] (14+10/33) Accurately ripped
11 [74ec367b|6fa500c3] (14+10/33) Accurately ripped
12 [f5ff4b09|572a8044] (14+10/33) Accurately ripped
13 [6c606249|c7343f23] (14+10/33) Accurately ripped
14 [d991e129|a8e9a096] (14+10/33) Accurately ripped
Offsetted by -664:
01 [68ad5da1] (03/33) Accurately ripped
02 [3bba4ea0] (03/33) Accurately ripped
03 [804309fa] (03/33) Accurately ripped
04 [3e62d48e] (03/33) Accurately ripped
05 [491c7c82] (03/33) Accurately ripped
06 [04b478ad] (03/33) Accurately ripped
07 [a728a5b6] (03/33) Accurately ripped
08 [b4558222] (03/34) Accurately ripped
09 [19506746] (03/33) Accurately ripped
10 [65fe6177] (03/33) Accurately ripped
11 [809695fb] (03/33) Accurately ripped
12 [f5582149] (03/33) Accurately ripped
13 [2dc36fe1] (03/33) Accurately ripped
14 [6d7ddb11] (03/33) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 99,8 [1681243B] [00929C4E] CRC32
01 96,6 [49B216C8] [760FE0E1]
02 96,6 [877169CC] [C02AF007]
03 84,1 [FAE73447] [FBEB3B0A]
04 99,1 [4D8455B6] [29B037FD]
05 94,3 [203CB8A6] [7E01C12E]
06 97,8 [91C5464A] [5ED9B341]
07 96,0 [6D54955F] [B86FD94E]
08 91,1 [4E8B2FD8] [A2DA165A]
09 96,2 [50C1FCB0] [3ADCF820]
10 88,3 [8BDDC417] [FDCFCA8B]
11 80,7 [726E84D2] [42EA55C8]
12 99,8 [5C3A8CEF] [AC4F64C2]
13 97,5 [CE032A44] [BE92817C]
14 99,8 [FEC686DE] [4839C300]
Thx to freakout