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Paul McCartney - Memory Almost Full (2007) {US Press}

Posted By: popsakov

Date: 27 Jan 2024 19:09:28

Paul McCartney - Memory Almost Full (2007) {US Press}
EAC Rip | FLAC (Img) + Cue + Log ~ 330 Mb | MP3 CBR320 ~ 127 Mb
Full Scans | 00:42:06 | RAR 5% Recovery
Pop Rock | Hear Music / MPL #HMCD-30348

Memory Almost Full is the fourteenth solo studio album by English musician Paul McCartney. It was released in the United Kingdom on 4 June 2007 and in the United States a day later. The album was the first release on Starbucks' Hear Music label. It was produced by David Kahne and recorded at Abbey Road Studios, Henson Recording Studios, AIR Studios, Hog Hill Mill Studios and RAK Studios between October 2003, and from 2006 to February 2007. In between the 2003 and 2006 sessions, McCartney was working on another studio album, Chaos and Creation in the Backyard (2005), with producer Nigel Godrich. Memory Almost Full reached the Top 5 in both the UK and US, as well as Denmark, Sweden, Greece, and Norway. The Grammy-nominated album has sold over 2 million copies worldwide and has been certified gold for shipments of over 500,000 copies just in the United States.

Allusion to the digital world though it may be, there's a sweet, elegiac undercurrent to the title of Paul McCartney's Memory Almost Full, an acknowledgement that it was written and recorded when McCartney was 64, the age he mythologized on Sgt. Pepper's Lonely Hearts Club Band, released almost exactly 40 years before Memory. Certainly, McCartney has mortality on the mind, but this isn't an entirely unusual occurrence for him in this third act of his solo career. Ever since his wife Linda's death from cancer in 1998, he's been dancing around the subject, peppering Flaming Pie with longing looks back, grieving by throwing himself into the past on the covers album Run Devil Run, slowly coming to terms with his status as the old guard on the carefully ruminative Chaos and Creation in the Backyard. But if that previous record was precise, bearing all the hallmarks of meticulous producer Nigel Godrich, Memory Almost Full is startlingly bright and frequently lively, an album that embraces McCartney's unerring gift for melody. Yet for as pop as it is, this is not an album made with any illusion that Paul will soon have a succession of hit singles: it's an art-pop album, not unlike either of the McCartney albums. Sometimes this is reflected in the construction –- the quick succession of short songs at the end, uncannily (and quite deliberately) sounding like a suite – sometimes in the lyrics, but the remarkable thing is that McCartney never sounds self-consciously pretentious here, as if he's striving to make a major statement. Rather, he's quietly taking stock of his life and loves, his work and achievements. Unlike latter-day efforts by Johnny Cash or the murky Daniel Lanois-produced albums by Bob Dylan, mortality haunts the album, but there's no fetishization of death. Instead, McCartney marvels at his life – explicitly so in the disarmingly guileless "That Was Me," where he enthuses about his role in a stage play in grammar school with the same vigor as he boasts about playing the Cavern Club with the Beatles – and realizes that when he reaches "The End of the End," he doesn't want anything more than the fond old stories of his life to be told.

This matter-of-fact acknowledgement that he's in the last act of his life hangs over this album, but his penchant for nostalgia – this is the man who wrote the sepia-toned music hall shuffle "Your Mother Should Know" before he was 30, after all – has lost its rose-tinted streak. Where he once romanticized days gone by, McCartney now admits that we're merely living with "The Ever Present Past," just like how although we live in the present, we still wear "Vintage Clothes." He's no longer pining for the past, since he knows where the present is heading, yet he seems disarmingly grateful for where his journey has taken him and what it has meant for him, to the extent that he slings no arrows at his second wife, Heather Mills, he only offers her "Gratitude." Given the nastiness of the coverage of his recent divorce, Paul might be spinning his eternal optimism a bit hard on this song, but it isn't forced or saccharine – it fits alongside the clear-eyed sentiment of the rest of Memory Almost Full. It rings true to the open-heartedness of his music, and the album delivers some of McCartney's best latter-day music. Memory Almost Full is so melodic and memorable, it's easy to take for granted his skill as a craftsman, particularly here when it feels so natural and unforced, even when it takes left turns, which it thankfully does more than once. Best of all, this is the rare pop meditation on mortality that doesn't present itself as a major statement, yet it is thematically and musically coherent, slowly working its way under your skin and lodging its way into your cluttered memory. On the surface, it's bright and accessible, as easy to enjoy as the best of Paul's solo albums, but it lingers in the heart and mind in a way uncommon to the rest of his work, and to many other latter-day albums from his peers as well.

~ Stephen Thomas Erlewine, All Music

Discogs

***************

Track List:

01. Dance Tonight [2:55]
02. Ever Present Past [2:58]
03. See Your Sunshine [3:21]
04. Only Mama Knows [4:18]
05. You Tell Me [3:16]
06. Mr Bellamy [3:40]
07. Gratitude [3:20]
08. Vintage Clothes [2:23]
09. That Was Me [2:39]
10. Feet In The Clouds [3:25]
11. House Of Wax [5:00]
12. The End Of The End [2:58]
13. Nod Your Head [1:59]

EAC Log

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 28. January 2020, 18:05

Paul McCartney / Memory Almost Full

Used drive : ASUS DRW-24D5MT Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 2:54.70 | 0 | 13119
2 | 2:54.70 | 2:57.09 | 13120 | 26403
3 | 5:52.04 | 3:20.23 | 26404 | 41426
4 | 9:12.27 | 4:17.61 | 41427 | 60762
5 | 13:30.13 | 3:15.47 | 60763 | 75434
6 | 16:45.60 | 3:39.34 | 75435 | 91893
7 | 20:25.19 | 3:19.21 | 91894 | 106839
8 | 23:44.40 | 2:22.27 | 106840 | 117516
9 | 26:06.67 | 2:38.39 | 117517 | 129405
10 | 28:45.31 | 3:24.11 | 129406 | 144716
11 | 32:09.42 | 4:59.27 | 144717 | 167168
12 | 37:08.69 | 2:57.18 | 167169 | 180461
13 | 40:06.12 | 1:58.65 | 180462 | 189376

Range status and errors

Selected range

Filename F:\ЕАС\rwa12\Paul McCartney - Memory Almost Full.wav

Peak level 100.0 %
Extraction speed 7.1 X
Range quality 100.0 %
Test CRC EF8FECF3
Copy CRC EF8FECF3
Copy OK

No errors occurred

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==== Log checksum 260E18026139FD6B6B9885ED86DF04E79378F8D66BDB95CDE43BEBD1099917F1 ====

CUETools Log

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