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    Olivier Schneebeli, Les Pages et les Chantres, Musica Florea - Jean-Baptiste Lully: Grands Motets (2004)

    Posted By: ArlegZ
    Olivier Schneebeli, Les Pages et les Chantres, Musica Florea - Jean-Baptiste Lully: Grands Motets (2004)

    Olivier Schneebeli, Les Pages et les Chantres, Musica Florea - Jean-Baptiste Lully: Grands Motets (2005)
    EAC | FLAC | Image (Cue & Log) ~ 284 Mb | Total time: 52:13 | Scans included
    Classical | Label: K617 | # K617157 | Recorded: 2003

    Grands motets, requiring lavish vocal and instrumental resources, always signalled important occasions at the French court. Until the advent of public concerts in Paris in the 1720s they were performed exclusively by the king's musicians for the court. Olivier Schneebeli has assembled an admirable survey of these large-scale settings of psalm texts, which were excerpted and arranged to convey doubles entendres flattering to Louis XIV and his policies. The music employs an orchestra with a full continuo complement, a choir and a petit choeur of soloists that relies on high male voices. The only concession to modern times is the use of sopranos instead of castrati in the top part and the inclusion of girls among the pages. The survey begins with Lully's first grandmotet, the Jubilate Deo (1660), celebrating both the marriage of the king and a peace treaty. The Miserere (1663), frequently performed during Lully's lifetime, has remained his best-known work. Quare fremuerunt (1685) was composed at a difficult time, when he most needed to please the king. From first to last, one can easily hear the ways in which Lully experimented with his forces, refining the role of the orchestra, the ways in which the soloists relate to the choir, and how he was influenced by his experience of opera. The singers are attentive to Schneebeli's direction; the five soloists contribute singly, in dialogue with one another and in concert with the choir. Musica Florea's sweet sound suggests a refreshing departure from current ideas of Lullian style.
    –Gramophone Classical Music Guide

    Performer:
    Amel Brahim-Djelloul, soprano
    Damien Guillon, alto
    Howard Crook, tenor
    Hervé Lamy, tenor
    Arnaud Marzorati, bass-baritone
    Les Pages et les Chantres du Centre de Musique Baroque de Versailles
    Musica Florea de Prague
    Olivier Schneebeli, direction

    Tracklist:
    Jean-Baptiste Lully (1632-1687)
    JUBILATE DEO [LWV.77/16]
    01. Jubilate Deo omnis terra
    02. Reges terrae et omnes populi
    03. Arcum conterit
    04. Jubilate Deo omnis terra
    05. Taliter non fecit omni nationi
    06. Jubilate, in conspectu regis
    MISERERE MEI DEUS [LWV.25]
    07. Miserere mei Deus
    08. Amplius lava me
    09. Tibi soli peccavi
    10. Ecce enim veritatem dilexisti
    11. Asperges me
    12. Averte faciem tuam
    13. Ne projicias me a facie tua
    14. Docebo iniquos vias tuas
    15. Domine labia mea aperies
    16. Sacrificium Deo spiritus contribulatus
    17. Benigne fac Domine
    18. Tunc acceptabis
    QUARE FREMUERUNT GENTES [LWV.67]
    19. Quare fremuerunt gentes
    20. Dirumpamus vincula eorum
    21. Qui habitat in caelis
    22. Ego autem constitutus sum rex
    23. Postula a me
    24. Et nunc reges intelligite
    25. Apprehendite disciplinam
    26. Beati omnes qui confidunt in eo
    27. DOMINE SALVUM FAC REGEM [LWV.77/14]


    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 13. March 2019, 8:13

    Olivier Schneebeli - Les Pages & Les Chantres de la Chapelle (CMBV) / Jean-Baptiste Lully - Grands Motets

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    Range status and errors

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    ==== Log checksum 416B0098C9FAB5BB8FB125AC825F3A19B5049D3F0DC2592EA59D99973D7DB1BC ====

    Olivier Schneebeli, Les Pages et les Chantres, Musica Florea - Jean-Baptiste Lully: Grands Motets (2004)

    Thanks to the original releaser