Montserrat Caballé - The Art of Montserrat Caballé (2020)
Montserrat Caballé - The Art of Montserrat Caballé (2020)
WEB FLAC (tracks) - 1.1 GB | Tracks: 52 | 4:26:10
Style: Classical | Label: Deutsche Grammophon
WEB FLAC (tracks) - 1.1 GB | Tracks: 52 | 4:26:10
Style: Classical | Label: Deutsche Grammophon
Montserrat Caballé's career, which began with a legendary lucky break, would eventually make her one of Spain's greatest sopranos – equaled in status and reputation only by fellow Barcelonian Victoria de los Angeles.
Her full birth name was Maria de Montserrat Viviana Concepción Caballé i Folch. She was named after the famous Catalan monastery of Montserrat. It is said that her parents feared that they would lose her and vowed that if she were born alive and well they would christen her with the monastery's name. She learned singing at her convent school; at the age of eight, she entered the Conservatorio del Liceo in Barcelona. Her most important teachers were Eugenia Kenny, Conchita Badea, and Napoleone Annovazzi. When she graduated in 1954, she won the Liceo's Gold Medal.
Caballé made her professional debut in Madrid in the oratorio El pesebre (The Manger) by the great Catalan cellist Pau (Pablo) Casals. She then went to Italy, where she received a few minor roles at various houses. In 1956, she joined the Basel Opera; she was working her way through the smaller roles when one of the principal singers took ill and she took over the role of Mimì in Puccini's La Bohéme. Her unqualified success in that part led to promotion to starring roles, including Pamina (The Magic Flute), Puccini's Tosca, Verdi's Aïda, Marta in Eugene d'Albert's Tiefland, and the Richard Strauss roles of Arabella, Chrysothemis (Elektra), and Salome. She steadily gained a European reputation, singing in Bremen, Milan, Vienna, Barcelona, and Lisbon, taking such diverse roles as Violetta (La Traviata), Tatiana (Yevgeny Onegin), Dvorák's Armida and Rusalka, and Marie in Berg's Wozzeck. She debuted at La Scala in 1960 as a Flower Maiden in Parsifal. She sang in Mexico City in 1964 as Massenet's Manon.
In April 20, 1965, on extremely short notice, she substituted for the indisposed Marilyn Horne in a concert performance in Donizetti's Lucrezia Borgia, achieving a thunderous success and "overnight" superstardom. She became one of the leading figures in the revival of interest in the bel canto operas of Bellini and Donizetti, many of which were staged especially for her. Caballé's performances as Elizabeth I (Roberto Devereux) and that monarch's rival Mary Queen of Scots (Maria Stuarda) are legendary. In 1971, she sang a memorable concert performance of Maria Stuarda in which her fellow Barcelonian José Carreras made his London debut, and after that she helped advance his career. She made her Metropolitan Opera debut in 1965 as Marguerite in Faust. Caballé's career centered around Verdi's important dramatic roles, but also embraced the Marschallin (Der Rosenkavalier), the Countess (Marriage of Figaro), and Queen Isabella (in the premiere of Leonardo Balada's Cristobál Colón in Barcelona in 1989).
BarcelonaCaballé had unusual crossover success. In addition to singing on two tracks on an album by new age composer Vangelis, she was famous for collaborating with Freddie Mercury of the rock group Queen, who wrote Exercises in Free Love for her. She appeared on his hit album Barcelona. That album and its primary single rose high on the pop charts.
In 1964, she married Spanish tenor Bernabé Marti. They had two children, Bernabé Marti, Jr. and Montserrat Marti, who is herself a successful soprano. In 1997, Caballé co-founded an important annual vocal competition in the Principality of Andorra, the Concurs Internacional de Cant Montserrat Caballé. She conducted master classes in conjunction with that competition. Caballé gave her last performance in 2014. She died on October 6, 2018, a few weeks after being admitted to the hospital. ~ Joseph Stevenson
Tracklist:
01. Roméo et Juliette / Act 1 : "Ah, je veux vivre"
02. 4 Lieder, Op.27, TrV 170 : 2. Cäcilie
03. 5 Lieder, Op.41, TrV 195 : 1. Wiegenlied
04. Sechs Lieder, Op.37, TrV 187 : 2. Ich liebe dich
05. 8 Gedichte aus "Letzte Blätter", Op.10, TrV 141 : 1. Zueignung
06. 4 Lieder, Op.27, TrV 170 : 4. Morgen
07. Les Huguenots / Act 2 : O beau pays de la Touraine
08. Carmen / Act 3 : Récitatif: "C´est des contrabandiers le refuge ordinaire"
09. Louise / Act 3 : "Depuis le jour"
10. Thaïs : Ah, me voilà seule/O mon miroir fidèle
11. Manon Lescaut / Act 2 : Tu, tu, amore? tu?
12. Mireille / Act 4 : Voice la vaste plaine (Air de la Crau)
13. Faust / Act 3 : No.14 "Il était un roi de Thulé" / "Ah! Je ris de ma voir si belle en ce miroir!"
14. Salome, Op.54, TrV 215 / Scene 4 : "Es ist kein Laut zu vernehmen"
15. Salome, Op.54, TrV 215 / Scene 4 : Salome's Dance Of The Seven Veils
16. Symphony No.3 "Kaddish" : 2. "Kaddish 2": Andante con tenerezza
17. Symphony No.3 "Kaddish" : 3. "Kaddish 3": Allegro vivo, con gioia
18. Luisa Miller / Act 2 : Tu puniscimi, O Signore
19. Luisa Miller / Act 3 : "Padre, ricevi l'estremo addio"
20. Norma / Act 1 : Sgombra è la sacra
21. Norma / Act 1 : Deh! proteggimi, o Dio!
22. Norma / Act 1 : Eccola! va, mi lascia, ragion non odo
23. Norma / Act 1 : Va, crudele, al Dio spietato
24. Mefistofele / Act 4 : Notte cupa, truce
25. Mefistofele / Act 4 : O incantesimo! parla! parla!
26. Turandot / Act 1 : "Signore, ascolta"
27. Turandot / Act 3 : "Tu che di gel sei cinta"
28. Andrea Chénier / Act 3 : La mamma morta
29. Andrea Chénier / Act 4 : Vicino a te
30. Andrea Chénier / Act 4 : La nostra morte è il trionfo dell'amor
31. La Gioconda / Act 2 : E un anatema!
32. La Gioconda / Act 2 : Il mio braccia t'afferra!
33. La Gioconda / Act 4 : Suicidio!
34. La Gioconda / Act 4 : La barca s'avvicina
35. Così fan tutte ossia La scuola degli amanti, K.588 - Act 1 : "Temerari! Sortite!" - "Come scoglio!"
36. Così fan tutte / Act 2 : "Ei parte… senti… ah no!"
37. Così fan tutte / Act 2 : "Per pietà, ben mio, perdona"
38. Il Corsaro - Act 2 : "Né sulla terra creatura alcuna…Vola talor dal carcere…Seide celebra non gioia e festa"
39. Il Corsaro - Act 2 : "Ah conforto è sol la speme"
40. Il Corsaro - Act 3 : "La terra, il ciel m'abborino…"
41. I Masnadieri / Act 1 : "Venerabile o padre"
42. I Masnadieri / Act 1 : "Lo sguardo avea degli angeli"
43. I Masnadieri / Act 3 : "Qual mare, qual terra"
44. Elisabetta, Regina d'Inghilterra / Act 1 : "Quant'è grato all'alma mia"
45. Elisabetta, Regina d'Inghilterra / Act 1 : "Questo cor ben lo comprende"
46. Un ballo in maschera / Act 2 : "Ecco l'orrido campo"
47. Un ballo in maschera / Act 2 : "Ma dall'arido stelo divulsa"
48. Un ballo in maschera / Act 2 : "M'ami, m'ami"
49. Tosca / Act 2 : "Vissi d'arte, vissi d'amore"
50. Lucia di Lammermoor / Act 1 : "Verranno a te sull'aure"
51. Lucia di Lammermoor / Act 3 : "Il dolce suono"
52. Lucia di Lammermoor / Act 3 : "Ardon gl'incensi"
FILE: 01. Roméo et Juliette _ Act 1 _ _Ah, je veux vivre_.flac
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FILE: 02. 4 Lieder, Op.27, TrV 170 _ 2. Cäcilie.flac
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FILE: 03. 5 Lieder, Op.41, TrV 195 _ 1. Wiegenlied.flac
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FILE: 04. Sechs Lieder, Op.37, TrV 187 _ 2. Ich liebe dich.flac
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FILE: 05. 8 Gedichte aus _Letzte Blätter_, Op.10, TrV 141 _ 1. Zueignung.flac
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FILE: 06. 4 Lieder, Op.27, TrV 170 _ 4. Morgen.flac
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FILE: 07. Les Huguenots _ Act 2 _ O beau pays de la Touraine.flac
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FILE: 08. Carmen _ Act 3 _ Récitatif_ _C´est des contrabandiers le refuge ordinaire_.flac
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FILE: 09. Louise _ Act 3 _ _Depuis le jour_.flac
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FILE: 10. Thaïs _ Ah, me voilà seule_O mon miroir fidèle.flac
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FILE: 11. Manon Lescaut _ Act 2 _ Tu, tu, amore_ tu_.flac
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FILE: 12. Mireille _ Act 4 _ Voice la vaste plaine (Air de la Crau).flac
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FILE: 13. Faust _ Act 3 _ No.14 _Il était un roi de Thulé_ _ _Ah! Je ris de ma voir si belle en ce miroir!_.flac
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FILE: 14. Salome, Op.54, TrV 215 _ Scene 4 _ _Es ist kein Laut zu vernehmen_.flac
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FILE: 15. Salome, Op.54, TrV 215 _ Scene 4 _ Salome's Dance Of The Seven Veils.flac
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FILE: 16. Symphony No.3 _Kaddish_ _ 2. _Kaddish 2__ Andante con tenerezza.flac
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FILE: 17. Symphony No.3 _Kaddish_ _ 3. _Kaddish 3__ Allegro vivo, con gioia.flac
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FILE: 18. Luisa Miller _ Act 2 _ Tu puniscimi, O Signore.flac
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FILE: 19. Luisa Miller _ Act 3 _ _Padre, ricevi l'estremo addio_.flac
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FILE: 20. Norma _ Act 1 _ Sgombra è la sacra.flac
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FILE: 21. Norma _ Act 1 _ Deh! proteggimi, o Dio!.flac
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FILE: 22. Norma _ Act 1 _ Eccola! va, mi lascia, ragion non odo.flac
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FILE: 23. Norma _ Act 1 _ Va, crudele, al Dio spietato.flac
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FILE: 24. Mefistofele _ Act 4 _ Notte cupa, truce.flac
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FILE: 25. Mefistofele _ Act 4 _ O incantesimo! parla! parla!.flac
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FILE: 26. Turandot _ Act 1 _ _Signore, ascolta_.flac
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FILE: 27. Turandot _ Act 3 _ _Tu che di gel sei cinta_.flac
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FILE: 28. Andrea Chénier _ Act 3 _ La mamma morta.flac
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FILE: 29. Andrea Chénier _ Act 4 _ Vicino a te.flac
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FILE: 30. Andrea Chénier _ Act 4 _ La nostra morte è il trionfo dell'amor.flac
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FILE: 31. La Gioconda _ Act 2 _ E un anatema!.flac
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FILE: 32. La Gioconda _ Act 2 _ Il mio braccia t'afferra!.flac
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FILE: 33. La Gioconda _ Act 4 _ Suicidio!.flac
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FILE: 34. La Gioconda _ Act 4 _ La barca s'avvicina.flac
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FILE: 36. Così fan tutte _ Act 2 _ _Ei parte… senti… ah no!_.flac
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FILE: 37. Così fan tutte _ Act 2 _ _Per pietà, ben mio, perdona_.flac
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FILE: 38. Il Corsaro - Act 2 _ _Né sulla terra creatura alcuna…Vola talor dal carcere…Seide celebra non gioia e festa_.flac
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FILE: 39. Il Corsaro - Act 2 _ _Ah conforto è sol la speme_.flac
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FILE: 41. I Masnadieri _ Act 1 _ _Venerabile o padre_.flac
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FILE: 42. I Masnadieri _ Act 1 _ _Lo sguardo avea degli angeli_.flac
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FILE: 43. I Masnadieri _ Act 3 _ _Qual mare, qual terra_.flac
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FILE: 48. Un ballo in maschera _ Act 2 _ _M'ami, m'ami_.flac
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FILE: 49. Tosca _ Act 2 _ _Vissi d'arte, vissi d'amore_.flac
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FILE: 50. Lucia di Lammermoor _ Act 1 _ _Verranno a te sull'aure_.flac
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FILE: 51. Lucia di Lammermoor _ Act 3 _ _Il dolce suono_.flac
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FILE: 52. Lucia di Lammermoor _ Act 3 _ _Ardon gl'incensi_.flac
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