Martin Gester, Arte dei Suonatori - Georg Philipp Telemann: Ouvertures pittoresques (2013)
Martin Gester, Arte dei Suonatori - Georg Philipp Telemann: Ouvertures pittoresques (2013)
EAC | FLAC | Image (Cue & Log) ~ 433 Mb | Total time: 77:12 | Scans included
Classical | Label: BIS Records | # BIS-1979 SACD | Recorded: 2012
EAC | FLAC | Image (Cue & Log) ~ 433 Mb | Total time: 77:12 | Scans included
Classical | Label: BIS Records | # BIS-1979 SACD | Recorded: 2012
Throughout a long and extremely productive career, Georg Philipp Telemann harboured a great affection for the overture-suite, consisting of a French overture followed by a number of dances and character movements. Tempering the rigid model inherited from the French tradition with his own rich powers of invention and playfulness, he remained true to the form long after it had gone out of fashion.
One variant of which he was particularly fond was the ouverture pittoresque, which offered a welcome opportunity to revel in tone-painting and characterization: ‘Nobody paints with stronger brushstrokes than him’ was the verdict by one of Telemann’s contemporaries. Instances here are the so-called ‘Völker-Ouvertüre’ where we are introduced to different nationalities (Turks, Swiss and Muscovites), and the Ouverture, jointes d'une Suite tragi-comique, in which Telemann depicts various ailments (hypochondria and gout being two of them) and their possible remedies. Another early influence was folk music, and specifically the Polish folk music of the Cracow region, where Telemann spent time in his youth, as Hofkapellmeister to Count Erdmann von Promnitz. In an early example of cross over, he experimented with clothing this music of a ‘true barbaric beauty’ in ‘Italian dress’. One result was the two ‘Polish’ concertos for strings, in which Telemann’s passion for Polish music can be felt from the very first note. Dignified, festive polonoises with chromatically tinged melodic twists begin both concertos, while the fast movements include many examples of Polish colours, such as drone-like effects reminiscent of the dudy, or Polish bagpipes.
With a number of highly praised recordings, the Polish band Arte dei Suonatori is firmly established as a leading ensemble performing on authentic instruments. Among the group’s recordings for BIS is a previous collaboration with Martin Gester: the set of Handel's Concerti grossi, Op.6, which was selected as ‘Orchestral Disc of the Month’ in BBC Music Magazine, and described as ‘a model of authentic Handel performance’ in the German early music magazine Toccata.
Performer:
Arte dei Suonatori
Martin Gester, conductor
Track List:
Ouverture in D major, TWV55:D15
01. Ouverture
02. Prélude. Très viste
03. Gigue
04. Menuet I / Menuet II
05. Harlequinade
06. Loure
07. Rondeau
08. Réjouissance
Ouverture in B flat major, TWV55:B5 (‘Völker-Ouvertüre’)
09. Ouverture
10. Menuet I / Menuet II. Doucement
11. Les Turcs
12. Les Suisses. Grave – Viste
13. Les Moscovites
14. Les Portugais. Grave – Viste
15. Les Boiteux
16. Les Coureurs
Concerto polonois in B flat major, TWV43:B3
17. Polonoise
18. Allegro
19. Largo
20. Allegro
Concerto polonois in G major, TWV43:G7
21. Allegro moderato
22. Allegro vivace
23. Largo
24. Allegro
Ouverture, jointes d’une Suite tragi-comique in D major, TWV55:D22
25. Ouverture
26. Le Podagre. Loure
27. Remède expérimenté: La Poste et la Dance. Menuet en Rondeau
28. L’hypocondre. Sarabande/Gigue
29. Remède: Souffrance héroïque. Marche
30. Le Petit-Maître
31. Remède: Petite-maison. Furies
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 9. March 2021, 3:45
Martin Gester / Ouvertures pittoresques
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Filename C:\EACRip\Arte Dei Suonatori\Telemann - Ouvertures pittoresques (Martin Gester, Arte dei Suonatori) (2012)\Telemann - Ouvertures pittoresques - Martin Gester, Arte dei Suonatori.wav
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==== Log checksum 572F8FE7E6F56E7C7E9B9BEB70C015A7C0B60D226E5B148B93FB39872BF713B8 ====
Martin Gester, Arte dei Suonatori - Georg Philipp Telemann: Ouvertures pittoresques (2013)
Thanks to the original releaser