Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz - Dmitri Shostakovich: The Bedbug; Love and Hate (2019)
Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz - Dmitri Shostakovich: The Bedbug; Love and Hate (2019)
EAC | FLAC | Image (Cue & Log) ~ 232 Mb | Total time: 58:54 | Scans included
Classical | Label: Naxos | 8.574100 | Recorded: 2019
EAC | FLAC | Image (Cue & Log) ~ 232 Mb | Total time: 58:54 | Scans included
Classical | Label: Naxos | 8.574100 | Recorded: 2019
Shostakovich's film music, and before that his incidental music for the stage, has gotten a bad rap as unadventurous music he wrote when he needed to ingratiate himself with the Communist regime. For some of it, the characterization rings true, but not for all of it, and these early works – one a set of stage incidental music and one a film score of 1935 – are delightful. Both are world premieres, although a suite from The Bedbug, Op. 19 was performed by Gennady Rozhdestvensky and the USSR Ministry of Culture Symphony Orchestra many years ago. It's a biting, bumptious, satirical work straight out of the highly creative early Soviet scene that Stalin brutally stamped out. Perhaps historical-instrument specialists could organize performances of neglected plays with their original instrumental music; this one would be ideal. The score to Love and Hate, Op. 28 (1934), a broad tale of the 1919 Russian civil war, is more variegated and perhaps less successful as a stand-alone score than the Bedbug music; it consists of almost two dozen short cuts. However, it has plenty to interest the Shostakovich fan, including passages that look forward to his more Romantic, safer, middle-period idiom. The score was reconstructed by the conductor here, Mark Fitz-Gerald, who is a specialist in both Shostakovich and silent film music; there surely wasn't a better person for the job. He worked not only from piano scores but from copies of the film itself. The performances by Fitz-Gerald and the Deutsche Staatsphilharmonie Rheinland-Pfalz are fine; there is room for a recording by a crack symphony orchestra that gets more of the music's edge, but Fitz-Gerald is to be commended for bringing this and other unknown Shostakovich works to the world's attention.–James Manheim
Performer:
Mannheim Opera Choir
Deutsche Staatsphilharmonie Rheinland-Pfalz
Mark Fitz-Gerald, conductor
Tracklist:
Dmitri Shostakovich (1906-1975)
The Bedbug, Op. 19
Part One - The Year 1929
01. March
02. Foxtrot
03. Galop
04. Waltz No. 1
05. Intermezzo
06. Wedding Scene
07. Fire
08. Fire Signals 1-2-3-4
09. Firemen's Choir
Part Two - Fifty Years Later: The Year 1979
10. Scene in the Public Garden
11. March of the Pioneers
12. Flourish
13. March of the City Elders
14. Waltz No. 2
15. Closing March
Love and Hate, Op. 38
16. 1. Introduction
17. 2. Distribution of Arms
18. 3. Interlude
19. 4. How Long Will My Heart Ache and Moan?
20. 5. Intermezzo
21. 6. Soldiers' March
22. 7. March (Scherzando)
23. 8. How Long Will My Heart Ache and Moan?
24. 9. 78 rpm Record (Waltz)
25. 10. Interlude
26. 11. Morning March
27. 12. Drunken Soldier
28. 13. Domestic Mayhem
29. 14. A Team of Women
30. 15. Soldier's Murder
31. 16. Women Go Down the Mine
32. 17. Death in the Mines
33. 18. The Funeral
34. 19. Dramatic Chords
35. 20. Passing the Time
36. 21. Greeting the Red Army Men
37. 22. Fanfare
38. 23. Finale
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 29. June 2020, 23:08
Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald / Shostakovich - The Bedbug; Love and Hate
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==== Log checksum 165DFFD01F799CA98BE16DDC0E5138E5AAA97A3C0B739231E2833000C660C3DD ====
Mark Fitz-Gerald, Deutsche Staatsphilharmonie Rheinland-Pfalz - Dmitri Shostakovich: The Bedbug; Love and Hate (2019)
Thanks to the original releaser