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Marina Malavasi, Ensemble vocale Speculum Musicae - Costanzo Porta: Requiem a Cinque Voci (2003)

Posted By: ArlegZ

Date: 5 Sep 2024 20:40:20

Costanzo Porta (1528 or 1529 – 19 May 1601) was an Italian composer Renaissance, and a representative of what is known today as the Venetian School. He was highly praised throughout his life both as a composer and a teacher, and had a reputation especially as an expert contrapuntist.
Most of Porta's output is sacred music, especially motets. He published at least eight books of motets, one of which is known to be lost, as well as books of masses, introits, and a huge cycle of hymns for Vespers.
Porta's music is even more polyphonic than that of Gombert, and he showed a liking for academic, even severe contrapuntal devices, although they are used so skillfully that the text can always be clearly understood. Often his music uses strict canons; one motet from his book of 52 motets from 1580, in seven voices, has no less than four of the voices entirely derived canonically. Another motet from this same book is a mensuration canon, that most difficult of all contrapuntal forms to carry off. While many composers were reacting to the strictures of the Council of Trent against excessive polyphonic practice, Porta evidently felt unobliged to follow them; perhaps he had sufficient confidence in his skill in conveying the text. His music is as carefully controlled as that of Palestrina, with cautious use of dissonance and chromaticism, while displaying polyphonic virtuosity to a degree uncommon in other composers of sacred music at the end of the 16th century.
Some of the later motets use polychoral writing extensively. Although Porta was not in Venice in the late part of the century, where this style had become famous (see Venetian polychoral style), he had spent years there as a student studying with Willaert, and the influence clearly lasted throughout his life. Most likely he was familiar with the current practice in Venice, and adopted some of the innovations which worked best with his highly learned style.
Porta also wrote madrigals. Many of these were clearly intended for specific occasions, such as weddings and large social events in the families of his employers; they are in a much simpler style than his sacred works, much in keeping with contemporary practice.

Performer:
Ensemble vocale Speculum Musicae
Marina Malavasi, direzione

Tracklist:
Costanzo Porta (1529-1601)
Requiem a cinque voci
01. Introitus: Requiem aeternam
02. Kyrie
03. Sequential: Dies irae
04. Offertorium: Domine Jesu Christe
05. Sanctus, Benedictus
06. Agnus Dei
07. Communio: Lux aeterna
08. Memento Domine David (Salmo a otto voci)
09. Deus in adiutorium (Salmo a sei voci)

EAC LOG

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 24. February 2024, 13:05

Ensemble vocale Speculum Musicae, Marina Malavasi / Porta . Requiem a cinque voci . Malavasi

Used drive : HL-DT-STDVD+-RW GT10N Adapter: 1 ID: 1

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Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

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Range status and errors

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Filename C:\_RIPs\Porta . Requiem a cinque voci . Malavasi\Porta-Requiem-Malavasi.wav

Peak level 100.0 %
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Test CRC A22A4E8E
Copy CRC A22A4E8E
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No errors occurred

AccurateRip summary

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All tracks accurately ripped

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–– CUETools DB Plugin V2.1.6

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Submit result: BOxgFJNk4XvrphcccGpdA3D5Z.c- has been confirmed
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==== Log checksum 250C246C0798D6150CF80114D3FF06FEF3669C82F48B496066CA5370E5FB90BE ====

Thanks to the original releaser

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Costanzo Porta Sacred Classical Music Lossless FLAC Image Renaissance 2003