Manfred Cordes, Weser-Renaissance - Heinrich Schütz: Secular Works (1997)
Manfred Cordes, Weser-Renaissance - Heinrich Schütz: Secular Works (1997)
EAC | FLAC | Image (Cue & Log) ~ 320 Mb | Total time: 70:52 | Scans included
Classical | Label: CPO | # 999 518-2 | Recorded: 1997
EAC | FLAC | Image (Cue & Log) ~ 320 Mb | Total time: 70:52 | Scans included
Classical | Label: CPO | # 999 518-2 | Recorded: 1997
Here we have the type of disc that fills in the cracks, a discovery of several unrecorded byways of Schutz’s miscellaneous secular oeuvre. Of course, the seventeenth century being what it is, secular and sacred are deliberately dovetailed into a cultural pea soup: these works – so different from the thoroughly Mediterranean Op. 1 Madrigals – are embedded in the literary morality of the age (how typical and reverently set is the text of Haus und Guter: “house and goods are inherited from one’s parents, but a pious and virtuous wife is from the Lord. He who finds a wife, he finds something good and receives blessings from the Lord”) and are not entirely profane.
Weser-Renaissance Bremen under Manfred Cordes are quite admirable in capturing the essential Affekt of the movement. There is a pleasing lightness of touch from the soloists (especially the soprano) and the instrumental consort does not attempt, as is so mistakenly regarded these days as the ideal, to ape the vocal lines at every turn in a wash of homogeneity; there are many distinctive virtuosic commentaries, as in Tugend ist der beste Freund, which Cordes (enhanced by the excellent recorded sound) allows to breathe naturally. Noble intensity and harmonius accord are the order of the day in the splendidly uplifting concerto Teutoniam dudum, which through its extraordinary structural clarity immediately delights the listener with a celebration of the cessation of hostilities after the miserable Thirty Years’ War. Most impressive, though, is the sympathetic and gentle treatment of the words from Weser-Renaissance, beautifully complemented by the soft articulation of the winds, especially in Siehe, wie fein and the domestic charm of Wohl dem, der ein Tugendsam. This is chamber music-making from the heart, tempered convincingly by the intellect and affectionately delivered.–Jonathan Freeman-Attwood
Performer:
Weser-Renaissance
Manfred Cordes, direction
Track List:
01. Freue dich des Weibes deiner Jugend, SWV 453
02. Liebster, sagt in süßem Schmerzen, SWV 441
03. Nachdem ich lag in meinem öden Bette, SWV 451
04. Glück zu dem Helikon, SWV 96
05. Haus und Güter erbet man von Eltern, SWV 21
06. Tugend ist der beste Freund, SWV 442
07. Teutoniam dudum belli, SWV 338
08. Wie wenn der Adler sich aus seiner Klippe schwingt, SWV 434
09. Siehe wie fein und lieblich ists, SWV 48
10. Vier Hirtinnen, gleich jung, gleich schön
11. Lässt Salomon sein Bette nicht umgeben, SWV 452
12. Die Erde trinkt für sich, SWV 438
13. Wohl dem der ein tugendsam Weib hat, SWV 20
14. Itzt blicken durch des Himmels Saal, SWV 460
15. Syncharma Musicum, SWV 49
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 12. February 2022, 9:55
Weser-Renaissance, Manfred Cordes / Heinrich Schütz - Secular Works
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==== Log checksum E7B2B9D0A39F673FD9A88EF03DA71607EBE81713676EE97F9286E67A70093FCB ====
Manfred Cordes, Weser-Renaissance - Heinrich Schütz: Secular Works (1997)
Thanks to the original releaser