VA - Listening to Arnold Schoenberg (2022)
VA - Listening to Arnold Schoenberg (2022)
WEB FLAC (tracks) - 1.2 GB | MP3 CBR 320 kbps - 722 MB
5:07:50 | Classical | Label: UMG
WEB FLAC (tracks) - 1.2 GB | MP3 CBR 320 kbps - 722 MB
5:07:50 | Classical | Label: UMG
A quarter‐century after his death and a half‐century after some of his most controversial music was composed. Arnold Schoenberg still stands in the path of music like the ghost of the king in Hamlet, demanding to be heeded. Not that he is forgotten: Charles Rosen, in his remarkably pithy volume (the latest in the Modern Masters series edited by Frank Kermode) asserts that Schoenberg's 12‐tone and otherwise serialistic works “have, in a strange way, become a normal part of today's music; they are not often heard, but they are the works that have been imitated by hundreds of composers all over the world.” True enough, but that has not been enough to lay the ghost. The fact, which even Mr. Rosen's eloquent advocacy only emphasizes, is that the rigorously atonal works, composed after 1921, have never developed a public outside professional music circles, and even there the attitude is largely respect rather than love.
What Mr. Rosen does, far better than one could reasonably expect in so concise a book, is not only to elucidate Schoenberg's composing techniques and artistic philosophy but to place them in history. In outline there is nothing new here. The decline of tonality is traced, particularly after Wagner, as a logical outcome of an increasing resort to chromatic tones: Composers came to feel a compulsion to fill up the chromatic space between the “white key” notes, to saturate the‐musical texture with dissonances that had been sparingly used, for expressive effects, in the previous two or three centuries.
For, as Mr. Rosen rightly says, in Western music since the Renaissance. “the primary means of musical expres sion is dissonance.” How, then, can a piece of 12‐tone music, in which all dissonance becomes meaningless, retain any expressive content? Mr. Rosen, who has an ingenious answer, contends that “Schoenberg's music is among the most expressive ever written,” even though “the sense of dissoand resolution cannot properly be drawn out of serialism but must be imposed on it.” Schoenberg, in Mr. Rosen's view, never renounced a conception of form in which the expressive motif or melody took the central role. “Serial technique was invented to sustain this expressivity when tonality had grown so weak and so diffuse that it could produce only melodic lines as flaccid and as accommodating as those of Rachmaninoff, Pfitzner and Faure.” It was this attempt “to create melodies against the grain of serialism” that restored the necessary tension that had gone out of highly chromatic but still tonal music. “By its toughness, serialism restored expressivity at first—literally by being so difficult to use for that purpose.” So runs the Rosen argument, and it is an alluringly logical one, if faintly Procrustean.
Nevertheless, the failure or a large audience to embrace Schoenberg's later music (works predating 1921 such as “Verklarte Nacht,” “Pierrot lunaire” and even “Gurrelieder” have a foothold in the repertory) or to accept his esthetic as a necessary revolution must be faced. Mr. Rosen faces it, in an excellent chapter that discusses Vienna's famous though short‐lived Society for the Private Performance of Music. Founded by Schoenberg in 1918, it existed for three years. The stated aim was to withdraw new music from the commercial arena and let it be played by and for an elite, free of the pressures of the music business and cultural fashion. But Mr. Rosen contends that the implicit idea was that, by insuring competent performances of new music, composers could make their product acceptable to a large public, and he believes this was mis guided.
“The crisis brought on by conceiving of music as a salable commodity is not solved by making it more easily sold or by turning the public into educated buyers,” he argues. “Schoenberg's Society was a solution of despair, but it was (and is) necessary to maintain the ideal that music is performed because musicians wish to write and play it. Better performances do not make difficult music popular, but they keep music alive.” But the question remains: alive for whom, and why? Mr. Rosen seems to be rejecting the possibility of public acceptance of Schoenberg's later music, but if why bother to keep on promoting it in books, recordings and concerts intended for popular consumption? Shouldn't any music of great difficulty be content with a small, friendly public? “in any case,” Mr. Rosen gloomily remarks, “the uneasy relation of composer and public today cannot be solved by composers, who must live with it as best they can: the creation of forces far too large for musicians to do anything about.”
The author is himself a commercially salable pianist as well as a university professor, a sophisticated artist who knows this subject fro,m several sides. So he naturally draws back from advocating either a slavish accommodation to modern society by the composer or the total withdrawal of new music into tax‐ or foundation‐supported cloisters. But the legacy of Schoenberg's serial music, it seems to me, is precisely this dilemma of its audience, and, though Mr. Rosen does not presume to solve it in his thoughtful little study, he brings it into the open where it belongs.
Schoenberg himself was one of the most prolific essayists and polemicists in music history, rivaling Wagner in that respect. “Styles and Idea,” an expansion of the collection edited in 1950 under the same title by Dika Newlin, succeeds in presenting the artist and his ideas in all their cerebral brilliance, idealism, painful crankiness and rasping wit. A larger man than his disciples, the composer can say things that many of them would dismiss, from any other source, as naive. Here is Schoenberg, writing in 1934 on “Why No Great American Music?”:
“Music is only understood when one goes away singing it and only loved when one falls asleep with it in one's head, and finds it still there on waking up the next morning.”
Judged by this, his own standard, not much of Shoenberg's music composed after 1921 is understood or loved by enough people to put it in any danger of becoming a commercial commodity. But it continues to be imposing as a monument to one man's ability to divert the flow of history by his thought.
Tracklist
01 Maurizio Pollini - No. 1 - Leicht, zart
02 Orchestra of the Deutsche Oper Berlin - Ciff. 33: Ein wenig bewegt
03 Maurizio Pollini - IV. Schwungvoll. Mässige (Viertel)
04 LaSalle Quartet - III. Schwer betont
05 Christian Thielemann - Ciff. 59: In gehender Bewegung
06 Walter Levin - Part II
07 Daniel Hope - Schoenberg: Notturno for Strings and Harp
08 Orchestra of the Deutsche Oper Berlin - Heftig
09 Philharmonia Orchestra - Ciff. 43: Ein wenig bewegter
10 Maurizio Pollini - IV. Minuett: Moderato - Trio
11 Maurizio Pollini - Mässig
12 Christian Thielemann - Ciff. 55: Etwas bewegt
13 Philharmonia Orchestra - Ciff. 55: Etwas bewegt
14 Maurizio Pollini - No. 5 - Etwas rasch
15 Maurizio Pollini - No. 2 - Langsam
16 Boston Symphony Chamber Players - Etwas bewegter (T.415/Ziff. 86)
17 Maurizio Pollini - II. Sehr rasch
18 Philharmonia Orchestra - Ciff. 33: Ein wenig bewegt
19 Maurizio Pollini - I. Präludium, rasch
20 Maurizio Pollini - IIa. Gavotte. Etwas langsam, nicht hastig (attaca) Rascher. Rascher - Gavotte
21 Walter Levin - Part I
22 Philharmonia Orchestra - 3. Pesante - Grave
23 Walter Levin - 2nd Episode
24 Philharmonia Orchestra - Ciff. 16: Sehr rasch
25 Christian Thielemann - Ciff. 50: Sehr langsam
26 Walter Levin - Part III
27 Walter Levin - 1st Episode
28 Philharmonia Orchestra - 4. Adagio
29 Philharmonia Orchestra - Ciff. 50: Sehr langsam
30 LaSalle Quartet - II. Breiter
31 Boston Symphony Chamber Players - Langsam
32 Philharmonia Orchestra - Ciff. 59: In gehender Bewegung
33 Maurizio Pollini - III. Langsam
34 Boston Symphony Chamber Players - Viel langsamer, aber doch fließend (60)
35 Maurizio Pollini - No. 3 - Sehr langsame Viertel
36 Maurizio Pollini - No. 6 - Sehr langsam
37 Philharmonia Orchestra - Ciff. 62: Breit
38 LaSalle Quartet - I. Sehr langsam
39 Philharmonia Orchestra - 2. Molto rallentando
40 Philharmonia Orchestra - Die Achtel ein wenig bewegt - zögernd
41 Christian Thielemann - Ciff. 43: Ein wenig bewegter
42 Hilary Hahn - I. Poco Allegro
43 Maurizio Pollini - 4. Giocoso (moderato)
44 Maurizio Pollini - IIb. Musette: Rascher
45 Maurizio Pollini - IIc. Gavotte (da capo)
46 Maurizio Pollini - 1. Sehr mäßig
47 Boston Symphony Chamber Players - Sehr rasch (38)
48 Philharmonia Orchestra - Ciff. 36: Langsam
49 Boston Symphony Chamber Players - Viel langsamer (77)
50 Philharmonia Orchestra - Heftig
51 LaSalle Quartet - V. Sehr ruhig
52 Maurizio Pollini - I. Sehr langsam
53 Maurizio Pollini - V. Walzer
54 Maurizio Pollini - III. Bewegte Achtel
55 Maurizio Pollini - 2. Molto allegro
56 Maurizio Pollini - V. Gigue: Rasch
57 Maurizio Pollini - III. Intermezzo
58 Orchestra of the Deutsche Oper Berlin - Ciff. 36: Langsam
59 Maurizio Pollini - 3. Ruhig, fließend
60 Maurizio Pollini - Mässig langsam
61 Maurizio Pollini - I. Mäßige Viertel
62 Orchestra of the Deutsche Oper Berlin - Die Achtel ein wenig bewegt - zögernd
63 Orchestra of the Deutsche Oper Berlin - Ciff. 9: Lebhaft
64 Philharmonia Orchestra - Ciff. 9: Lebhaft
65 Philharmonia Orchestra - 5. Adagio
66 Maurizio Pollini - 1. Andante
67 Maurizio Pollini - 3. Adagio
68 Christian Thielemann - Ciff. 62: Breit
69 Maurizio Pollini - II. Mässige Achtel
70 Hilary Hahn - II. Andante grazioso
71 Philharmonia Orchestra - 1. Grave
72 Orchestra of the Deutsche Oper Berlin - Ciff. 16: Sehr rasch
73 Hilary Hahn - II. Adagio di molto
74 LaSalle Quartet - IV. Sehr breit und langsam
75 Hilary Hahn - III. Finale. Allegro
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Conclusion: CDDA 100%
Signature: 5396C9E2013BC4D996E7EC9C31690FD099F2D259
FILE: 13 Ciff. 55_ Etwas bewegt.flac
Size: 12257749 Hash: F502984390769599DA4D12BDB87FAD28 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 0FFB2D6911A64BA2CABD604068040BD0964C659B
FILE: 12 Ciff. 55_ Etwas bewegt.flac
Size: 11336155 Hash: 40A6947479FE015F4BF13F8E8493780D Accuracy: -m40
Conclusion: CDDA 100%
Signature: A5266A685CC2D6BB8E83F7B6D0476FA8836FFE27
FILE: 11 Mässig.flac
Size: 8200597 Hash: 26707CFE9457B7CFD28CE8E48B41AACA Accuracy: -m40
Conclusion: CDDA 42%
Signature: 3C5983A8635D33D83F6BF14D869F89CBC2A7612E
FILE: 10 IV. Minuett_ Moderato - Trio.flac
Size: 14422324 Hash: 094CEAF8CA81CAC917B14F3409F18BA9 Accuracy: -m40
Conclusion: CDDA 43%
Signature: 310F59AA4202C22DF82F6B1C018A9C0D3CB2B7A7
FILE: 09 Ciff. 43_ Ein wenig bewegter.flac
Size: 21798154 Hash: E759BA5670CC7DF3CEACEFB1801B889A Accuracy: -m40
Conclusion: CDDA 100%
Signature: 0F405534A78DC4CF3F587A1732403D302D3F7EFE
FILE: 08 Heftig.flac
Size: 17507934 Hash: 8F62E82C88BC122B21096073E6D7B02D Accuracy: -m40
Conclusion: CDDA 100%
Signature: EE4B6205BF685F572F2A39F5CD84887CDF745D2E
FILE: 07 Schoenberg_ Notturno for Strings and Harp.flac
Size: 14332004 Hash: 85BB1364F4AC9D808F8BEE8CFA415E33 Accuracy: -m40
Conclusion: CDDA 100%
Signature: B85D08B7861F2F9E6D395D91BF4233D8BA0C20EC
FILE: 06 Part II.flac
Size: 10866370 Hash: F2B8483515E5CD29AB70453F27C41E1A Accuracy: -m40
Conclusion: CDDA 99%
Signature: CC20BC2928955A7F728B038BF23208078B906FC4
FILE: 05 Ciff. 59_ In gehender Bewegung.flac
Size: 8695610 Hash: F10E0EFE6FE2285411E39671D617E6CE Accuracy: -m40
Conclusion: CDDA 99%
Signature: E9FB5F6BBFDA34A3EEA15273FD4BAD4CF2814B75
FILE: 04 III. Schwer betont.flac
Size: 9057926 Hash: D4B1B8ECC23F0CEC81D2D3C3C0D2B0AA Accuracy: -m40
Conclusion: CDDA 100%
Signature: 9DC3579FA435892D5E56D3A0F25FAF9DB8F3CFCA
FILE: 03 IV. Schwungvoll. Mässige (Viertel).flac
Size: 6196861 Hash: F440DA79812963B884AE8A641BEC5728 Accuracy: -m40
Conclusion: CDDA 92%
Signature: 7DAE10946975BC6833519DDD737039242D3F3C14
FILE: 02 Ciff. 33_ Ein wenig bewegt.flac
Size: 5699869 Hash: DED8566106747C9A89D07486DC6D07D6 Accuracy: -m40
Conclusion: CDDA 94%
Signature: 712299E3E8473656FA883C43B2370083C573F943
FILE: 01 No. 1 - Leicht, zart.flac
Size: 4455353 Hash: E927969076B4830137136B6EC55E852E Accuracy: -m40
Conclusion: CDDA 100%
Signature: C2424F6A3F646D779C5C3E09AFBB2B232477EE50
DON'T MODIFY THIS FILE
–––––––––––-
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright © 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
FILE: 75 III. Finale. Allegro.flac
Size: 53981243 Hash: 749DFBCC955DCA873102579A4E480969 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 481B256BE9D58349A8D79EC66C10D83952AEF696
FILE: 74 IV. Sehr breit und langsam.flac
Size: 44101467 Hash: 88741DE2C2D69ABFBEEA90D6D0849AE2 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 86B36F0FA41501E13F8F8FA53F1CA260919C6DB6
FILE: 73 II. Adagio di molto.flac
Size: 37315417 Hash: 7599946F059C06D7CA3F916B4611BD42 Accuracy: -m40
Conclusion: CDDA 99%
Signature: E677026FC80D3BB2EC5C798985D37C40A574DCD3
FILE: 72 Ciff. 16_ Sehr rasch.flac
Size: 34123386 Hash: 838F5A061039FDF1C74F9CF8C7ABCE41 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 0DB82866344696A2584DE6075EA18B740BD7E451
FILE: 71 1. Grave.flac
Size: 34489914 Hash: 892ECAD99D002AE63ABECAD3B78AA322 Accuracy: -m40
Conclusion: CDDA 99%
Signature: 7AFF9287432557A35E6CC85691B196E9F7F3B148
FILE: 70 II. Andante grazioso.flac
Size: 33799523 Hash: 44C0281EFCFC12801CD7DC09CEBFE120 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 5B16BB594B92E06376A5E491295470EEB62DAB97
FILE: 69 II. Mässige Achtel.flac
Size: 24520143 Hash: BC8E683B2561D305E2FE2940B1BBFF7F Accuracy: -m40
Conclusion: MPEG 91%
Signature: 2B4725DB256240A1371192CBC677830ED4639A50
FILE: 68 Ciff. 62_ Breit.flac
Size: 29133802 Hash: 03840E61D0B3DC20F72FDC7A29EFE5BD Accuracy: -m40
Conclusion: CDDA 100%
Signature: 689460E75E320EBFA2E174C0274E864B76F78EDE
FILE: 67 3. Adagio.flac
Size: 26233428 Hash: AB96C941BCC03AC9B23267DB2FC8585C Accuracy: -m40
Conclusion: CDDA 62%
Signature: 14B758DB761A7C3B2AC8354EC0E0CF842506218B
FILE: 66 1. Andante.flac
Size: 21025652 Hash: F28F01AF98F65BED8203F0B471EA7DBC Accuracy: -m40
Conclusion: CDDA 100%
Signature: B559504307EB9906CCA551150686471872CD6E52
FILE: 65 5. Adagio.flac
Size: 21098129 Hash: CA748A60C61F95F96F4BC5E7608F2237 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 3344EAAD5C4F5AD5B1BCB73E9B1ED103F1ED60A8
FILE: 64 Ciff. 9_ Lebhaft.flac
Size: 20508966 Hash: 3AB9429346E245EE4622D72F6347E537 Accuracy: -m40
Conclusion: CDDA 100%
Signature: E67903A1D9252A918D624E633BDFE97104D375A4
FILE: 63 Ciff. 9_ Lebhaft.flac
Size: 18455899 Hash: 2E1253812078888147FDB60640450C9C Accuracy: -m40
Conclusion: CDDA 100%
Signature: 8A4AD6E794B9F28A91C535869DB260009F12B3D0
FILE: 62 Die Achtel ein wenig bewegt - zögernd.flac
Size: 13876351 Hash: 59DAB9CC077D8DB66033C3374C5C5A16 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 62428367D058B3A256ED5A5DE98A4F6155A51209
FILE: 61 I. Mäßige Viertel.flac
Size: 13295729 Hash: 5418F9F4172C84B066BDA706597C2AA0 Accuracy: -m40
Conclusion: MPEG 100%
Signature: 109F0D9179CF4E67E34595477D0CE00EFB402D5C
FILE: 60 Mässig langsam.flac
Size: 12746856 Hash: A5DA53B8FBF323116113452440079D37 Accuracy: -m40
Conclusion: MPEG 97%
Signature: A31C7EC6169C739A8256900F46C8945C9A5CF4C4
FILE: 59 3. Ruhig, fließend.flac
Size: 9989289 Hash: F0EA6D340C66BA40E821EDB9EB68E6A1 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 7FFE4E2A6E62C60110F6FE803E7D310021492C4D
FILE: 58 Ciff. 36_ Langsam.flac
Size: 17306755 Hash: C6BF07151C23E36B4A139CA26ACFEFAD Accuracy: -m40
Conclusion: CDDA 100%
Signature: 87C31C4EA746A7A0FEE8E32B8DCCCCDFA7343DC7
FILE: 57 III. Intermezzo.flac
Size: 11775892 Hash: BA6EB317A1B8B5C11892B5B46ED0926B Accuracy: -m40
Conclusion: CDDA 85%
Signature: BF94927DAD5E777C3DE063034DBA836287C8F588
FILE: 56 V. Gigue_ Rasch.flac
Size: 10648561 Hash: 94D9A71172DD11237E31D353C0789DA0 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 075AD09A561B44B40A087458A3C3C6C6B013E3BE
FILE: 55 2. Molto allegro.flac
Size: 12692954 Hash: 2790E5B4C92F9FBC8F0A1575D9984D33 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 224670BF1DEF33D5E0A9BC68CD6AC4B2887F2FE3
FILE: 54 III. Bewegte Achtel.flac
Size: 9698609 Hash: D99729E25A78375011BC6A70F179871A Accuracy: -m40
Conclusion: CDDA 100%
Signature: DD38BDD0CD56E0DAC4ACB52724CBAE859F55C949
FILE: 53 V. Walzer.flac
Size: 9040610 Hash: 1E03349078CD764734FE7328B48C4DFB Accuracy: -m40
Conclusion: CDDA 100%
Signature: AC378F58EDC52E32AE60540D73D0D64A73C3F775
FILE: 52 I. Sehr langsam.flac
Size: 7363853 Hash: BE935B63615E5B5FEC0F4FBB1532A316 Accuracy: -m40
Conclusion: MPEG 80%
Signature: B902A26865634BCBC449A0F778545B619B8D74F8
FILE: 51 V. Sehr ruhig.flac
Size: 16217402 Hash: 2BEFD9700A918D4ED632B6718B9720C4 Accuracy: -m40
Conclusion: CDDA 92%
Signature: 9A9D322510A5EE5342EE1745F8CAA2C080A8F6BA
FILE: 50 Heftig.flac
Size: 20274958 Hash: 306A0733930934AA330BA5E06C9F1109 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 8326BE9159EE91DC70B80BD0FA01D42D225028CD
FILE: 49 Viel langsamer (77).flac
Size: 15606779 Hash: 89095D5432C5A4F1EC6DBDDCF2C64B88 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 8C1AD6C7FCA2B1D67BCAE2476DDE03535F7CAB36
FILE: 48 Ciff. 36_ Langsam.flac
Size: 19570142 Hash: 361707464E1A721CB96749272D20CCBC Accuracy: -m40
Conclusion: CDDA 100%
Signature: A7C26E503FDA6AD93BB70A0A31CB9BDC60B2F41F
FILE: 47 Sehr rasch (38).flac
Size: 9464682 Hash: C6200B2E9668A8E36A6BFF5D8A26734D Accuracy: -m40
Conclusion: CDDA 100%
Signature: EC4FAE8B52A76F9B96F4D84278415278717CFCB6
FILE: 46 1. Sehr mäßig.flac
Size: 5510571 Hash: 5EE738DDC667127066A7108E64D8AB89 Accuracy: -m40
Conclusion: CDDA 100%
Signature: A28E639E908D1AF7AA0C9C193AFED6B315591720
FILE: 45 IIc. Gavotte (da capo).flac
Size: 4490181 Hash: 3E52B88AB8BBF8E82DF840C520321929 Accuracy: -m40
Conclusion: CDDA 76%
Signature: DFD90CFA72C0F41F466D032301A37AF9B63FA9EA
FILE: 44 IIb. Musette_ Rascher.flac
Size: 4521045 Hash: E4F6183601B24D1AA2207BC77827F744 Accuracy: -m40
Conclusion: CDDA 43%
Signature: F029F600EA1499F60B5BDF3D3E4B310CC20AD1DA
FILE: 43 4. Giocoso (moderato).flac
Size: 27900975 Hash: 2C78153369E8FF189A87F050F02EA0F0 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 3FBEEA57C3FA0FC198F1C03FD80F740312382CD7
FILE: 42 I. Poco Allegro.flac
Size: 58149860 Hash: 47D12F17D6D0F9F990BE076C86ADB323 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 0E618A0D870F667995F5B6C4187609E5C8894918
FILE: 41 Ciff. 43_ Ein wenig bewegter.flac
Size: 23185485 Hash: 91FBAB2BDCF772062214F897F9ABD99B Accuracy: -m40
Conclusion: CDDA 100%
Signature: 26E28C3166E111E33789200F90C3084B240F3911
FILE: 40 Die Achtel ein wenig bewegt - zögernd.flac
Size: 16020105 Hash: AB5F207B7B9F6779EAB0641A4B201353 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 7CBCC5A986AADD8F2BCE5ECA7A724D9DFB9BA987
FILE: 39 2. Molto rallentando.flac
Size: 34650276 Hash: F11B2843706A8649C30C255B67C67CEC Accuracy: -m40
Conclusion: CDDA 100%
Signature: 8FA0C3CA3076F0A3FC8D13FA8472BFC2434E982C
FILE: 38 I. Sehr langsam.flac
Size: 27652041 Hash: 5C5C30B3C77B18A6A90FD4A35C7F5162 Accuracy: -m40
Conclusion: CDDA 100%
Signature: FE7545B75536431BBE5CA86B1E1C4DD80C2DA364
FILE: 37 Ciff. 62_ Breit.flac
Size: 32571169 Hash: BD9238CE617962553B3F77ADF38378A8 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 73215072E4FCF7DB457AD26D3B40A040B210E9B8
FILE: 36 No. 6 - Sehr langsam.flac
Size: 3780004 Hash: 7C81823D3EE3E49798EFC26DB819DBAD Accuracy: -m40
Conclusion: CDDA 85%
Signature: 05A733192E4F40C30A811C55AF5F03528281C7E7
FILE: 35 No. 3 - Sehr langsame Viertel.flac
Size: 3488262 Hash: 05F3D261A4ADB862470C5D61D63A7D88 Accuracy: -m40
Conclusion: CDDA 100%
Signature: A7FE09BD48C961C5DB6B6E05C44FA03AB3D8C986
FILE: 34 Viel langsamer, aber doch fließend (60).flac
Size: 15015449 Hash: BF76EF99618B889240D88BD88CDFB4B4 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 2C8B7FA96560ADD8723CE25B61C77FA02EFAB1EC
FILE: 33 III. Langsam.flac
Size: 9526258 Hash: 3C71882B16A69ABF963A366365B0C84F Accuracy: -m40
Conclusion: CDDA 54%
Signature: C0E9CBF2603DEDB7C3366E1EE8F7CB820ED0A378
FILE: 32 Ciff. 59_ In gehender Bewegung.flac
Size: 10774185 Hash: 5D9EA543C8920D10A4F15074E842F902 Accuracy: -m40
Conclusion: CDDA 100%
Signature: A17476004500DD9238DC8AFF06C908EFC58C4232
FILE: 31 Langsam.flac
Size: 26750425 Hash: A687C5450D4D9FCA82655B6B6CDF3974 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 857080260767AB027C0FFA65476B70E4606D08F8
FILE: 30 II. Breiter.flac
Size: 26126491 Hash: E864865764DCACE57F9920D897118128 Accuracy: -m40
Conclusion: CDDA 58%
Signature: 776E04AA3DD107C8C8CA945BC8A2F32FCA2FFECA
FILE: 29 Ciff. 50_ Sehr langsam.flac
Size: 17931014 Hash: E84A18874EEEF8E9CE3F7E1595E18AAD Accuracy: -m40
Conclusion: CDDA 100%
Signature: 4B1D053986AC065F93469778D2912E4377742210
FILE: 28 4. Adagio.flac
Size: 54001882 Hash: F8B86BF722A36071D5C9956396DC3DE3 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 8E7F8E059B96BA52804D9101A2C1A41FCA143B38
FILE: 27 1st Episode.flac
Size: 19052903 Hash: 328138FFD35860385C2E5038104D0110 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 043278D34CEDE02DA86704075CB4AB5FB358E777
FILE: 26 Part III.flac
Size: 18970209 Hash: 1816E7037FE83E546E3B41EB7D562697 Accuracy: -m40
Conclusion: CDDA 100%
Signature: CA96ECA7373D1BA8635C8EB9A92053713773B8AF
FILE: 25 Ciff. 50_ Sehr langsam.flac
Size: 17186618 Hash: 52914148C87F96A95BACCDD54BB03831 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 280209A0BBD39BFE0302507DB05ADF1BD7387A4F
FILE: 24 Ciff. 16_ Sehr rasch.flac
Size: 37918521 Hash: 6E63C19E6CD78386E853F6F474DA695B Accuracy: -m40
Conclusion: CDDA 100%
Signature: E714AA510C76D3618FBEFCD0DFA551D2252A1945
FILE: 23 2nd Episode.flac
Size: 9512557 Hash: 84DB54CB73881B5CD52D9B607DDA2870 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 53E09C3548FBE57F5FB37033DA3C8502D51CE4D9
FILE: 22 3. Pesante - Grave.flac
Size: 11474899 Hash: 0AA9E2B7393C535F2F80401AFFF00841 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 5DB955EB05F51504759AF30B4A0C9F5742A39476
FILE: 21 Part I.flac
Size: 9283185 Hash: A06791EF99682A641936F4D953D7EC4E Accuracy: -m40
Conclusion: CDDA 100%
Signature: 29C6C570E5DBF5ABF9DA43F600ED295C69515C79
FILE: 20 IIa. Gavotte. Etwas langsam, nicht hastig (attaca) Rascher. Rascher - Gavotte.flac
Size: 4164452 Hash: B6BF9B3B496EA2E1F5EC5D012F8F0027 Accuracy: -m40
Conclusion: CDDA 100%
Signature: CD8415FC39C9E5A3C1FD42A383EED05C04A8343D
FILE: 19 I. Präludium, rasch.flac
Size: 4391788 Hash: AAC81A4422472E9010683B4A93F4F724 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 54EF87B7020358072EACFCA0FDA740DF3B725579
FILE: 18 Ciff. 33_ Ein wenig bewegt.flac
Size: 7350542 Hash: CDD81D2542BABAC28357AB1CF8DDE673 Accuracy: -m40
Conclusion: CDDA 54%
Signature: 8EBBC5D76502AFAEA35493C0A57A716CBA3F95EE
FILE: 17 II. Sehr rasch.flac
Size: 5219702 Hash: 47C0BC9C0E890910FC1D2767CE564969 Accuracy: -m40
Conclusion: MPEG 99%
Signature: 0AC533529ACBF5F9C38F20A1E5B5E1A22F36E014
FILE: 16 Etwas bewegter (T.415_Ziff. 86).flac
Size: 31552782 Hash: 7CEEF0BF5AF06F6AA832DA9E25F9B3CD Accuracy: -m40
Conclusion: CDDA 100%
Signature: 345FADEE0DD106CFEDB937B75E8843D2E3DCFE39
FILE: 15 No. 2 - Langsam.flac
Size: 3018248 Hash: A41DF8165F8EF0B89AD6AD5DEC011004 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 29011BC168AA4DFFEB938474C2D0A75D050D5AA4
FILE: 14 No. 5 - Etwas rasch.flac
Size: 2117374 Hash: A17AEC6B2477CB644E510369C0943350 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 5396C9E2013BC4D996E7EC9C31690FD099F2D259
FILE: 13 Ciff. 55_ Etwas bewegt.flac
Size: 12257749 Hash: F502984390769599DA4D12BDB87FAD28 Accuracy: -m40
Conclusion: CDDA 100%
Signature: 0FFB2D6911A64BA2CABD604068040BD0964C659B
FILE: 12 Ciff. 55_ Etwas bewegt.flac
Size: 11336155 Hash: 40A6947479FE015F4BF13F8E8493780D Accuracy: -m40
Conclusion: CDDA 100%
Signature: A5266A685CC2D6BB8E83F7B6D0476FA8836FFE27
FILE: 11 Mässig.flac
Size: 8200597 Hash: 26707CFE9457B7CFD28CE8E48B41AACA Accuracy: -m40
Conclusion: CDDA 42%
Signature: 3C5983A8635D33D83F6BF14D869F89CBC2A7612E
FILE: 10 IV. Minuett_ Moderato - Trio.flac
Size: 14422324 Hash: 094CEAF8CA81CAC917B14F3409F18BA9 Accuracy: -m40
Conclusion: CDDA 43%
Signature: 310F59AA4202C22DF82F6B1C018A9C0D3CB2B7A7
FILE: 09 Ciff. 43_ Ein wenig bewegter.flac
Size: 21798154 Hash: E759BA5670CC7DF3CEACEFB1801B889A Accuracy: -m40
Conclusion: CDDA 100%
Signature: 0F405534A78DC4CF3F587A1732403D302D3F7EFE
FILE: 08 Heftig.flac
Size: 17507934 Hash: 8F62E82C88BC122B21096073E6D7B02D Accuracy: -m40
Conclusion: CDDA 100%
Signature: EE4B6205BF685F572F2A39F5CD84887CDF745D2E
FILE: 07 Schoenberg_ Notturno for Strings and Harp.flac
Size: 14332004 Hash: 85BB1364F4AC9D808F8BEE8CFA415E33 Accuracy: -m40
Conclusion: CDDA 100%
Signature: B85D08B7861F2F9E6D395D91BF4233D8BA0C20EC
FILE: 06 Part II.flac
Size: 10866370 Hash: F2B8483515E5CD29AB70453F27C41E1A Accuracy: -m40
Conclusion: CDDA 99%
Signature: CC20BC2928955A7F728B038BF23208078B906FC4
FILE: 05 Ciff. 59_ In gehender Bewegung.flac
Size: 8695610 Hash: F10E0EFE6FE2285411E39671D617E6CE Accuracy: -m40
Conclusion: CDDA 99%
Signature: E9FB5F6BBFDA34A3EEA15273FD4BAD4CF2814B75
FILE: 04 III. Schwer betont.flac
Size: 9057926 Hash: D4B1B8ECC23F0CEC81D2D3C3C0D2B0AA Accuracy: -m40
Conclusion: CDDA 100%
Signature: 9DC3579FA435892D5E56D3A0F25FAF9DB8F3CFCA
FILE: 03 IV. Schwungvoll. Mässige (Viertel).flac
Size: 6196861 Hash: F440DA79812963B884AE8A641BEC5728 Accuracy: -m40
Conclusion: CDDA 92%
Signature: 7DAE10946975BC6833519DDD737039242D3F3C14
FILE: 02 Ciff. 33_ Ein wenig bewegt.flac
Size: 5699869 Hash: DED8566106747C9A89D07486DC6D07D6 Accuracy: -m40
Conclusion: CDDA 94%
Signature: 712299E3E8473656FA883C43B2370083C573F943
FILE: 01 No. 1 - Leicht, zart.flac
Size: 4455353 Hash: E927969076B4830137136B6EC55E852E Accuracy: -m40
Conclusion: CDDA 100%
Signature: C2424F6A3F646D779C5C3E09AFBB2B232477EE50