Joshard Daus, Mendelssohn Symphonia, EuropaChorAkademie - Carl Philipp Emanuel Bach: Markus-Passion (2007)
Joshard Daus, Mendelssohn Symphonia, EuropaChorAkademie - Carl Philipp Emanuel Bach: Markus-Passion (2007)
EAC | FLAC | Image (Cue & Log) ~ 288 Mb | Total time: 54:33 | Scans included
Classical | Label: Capriccio | # 60 132 | Recorded: 2006
EAC | FLAC | Image (Cue & Log) ~ 288 Mb | Total time: 54:33 | Scans included
Classical | Label: Capriccio | # 60 132 | Recorded: 2006
C.P.E Bach moved to Hamburg in 1768 and was asked to perform the prevailingly popular “Old School” passions in the city’s churches. Bach himself hadn’t been sure whether Hamburg preferred passions “in the historical and old fashion with the Evangelist” as he wrote in an anxious letter to Georg Michael Telemann “or in the fashion of an oratorio.” The answer was the former; the latter, the more modern way, involved contemporary texts.
The St. Mark Passion was to be performed every four years and versions exist from 1774, 1778, 1782 and 1786, the version heard here. They are all based on Homilius’s St Mark’s Passion in the abbreviated version C.P.E Bach had performed in Hamburg in 1770. Adaptations invariably followed with duets and choruses differing from one version to the next. By the 1786 revision all the “free” (non biblical) movements were Bach’s own work, albeit a number were reworkings of his own songs.
The work is in essence therefore a pasticcio, grounded on Homilius’s long accepted plan. Bach added variety to the succeeding settings though in essence much was static, the new arias and choruses creating the impression of a newly composed work. It was an effective and practical piece of self-poaching and enabled Bach to refashion the work with a minimum of musical expenditure.
And it is very securely in the old style. The song melodies are in effect songs-with-orchestra and that’s true of the newly composed arias as well, Bach rigidly apportioning the arias to the old established schema. Bach tended here to jettison the Baroque aria and embrace what Uwe Wolf calls in his booklet notes calls “folk-like melodies.” Here therefore the “free” parts are Bach’s own and the non-biblical texts taken from works of Christoph Christian Sturm, a generation younger than Bach but who died in the year that the St Mark Passion was written.
The performance is a world premiere recording of the 1786 Passion. The choruses are finely marshalled and controlled, and solo contributions though variable are thoughtful and musical. Mezzo Maria Soulis has a grave and perceptive approach to the texts – her aria Nein, ich fliehe nicht dein Kreuz is finely nuanced though her vibrato has a tendency to widen too much. Sometimes C.P.E Bach will surprise us, as he does with the unusually brisk and cheerful chorus Von Ewigkeit warst du bestimmt. An example of Bach’s instrumental flair comes in the aria [No.9] Durchdenk ich meines Heilands Leben where we find the wind writing very personable and more to the point strongly to the fore.
Essentially aria-less in conventional baroque terms the Passion may strike one now perhaps as too desiccated and plain but it is revealing of contemporary taste in Hamburg as to prevailing musical and liturgical orthodoxies, as to the adaptability of the form and the means and measures taken by composers such as C.P.E Bach to circumvent, expand or otherwise utilise it.–Jonathan Woolf
Performer:
Sopran Solo: Claudia Barainsky
Alt Solo: Maria Soulis
Basso Solo, Zweiter falscher Zeuge, Hoherpriester, Ein Jude: Bart Driessen
Evangelist: Thomas Dewald
Jesus: Ulf Bästlein
Petrus, Erster falscher Zeuge, Pilatus: Daniel Sans
Judas: Simon Berg
Magd: Stefanie Dasch
EuropaChorAkademie
Mendelssohn Symphonia
Leitung: Joshard Daus
Tracklist:
Carl Philipp Emanuel Bach (1714-1788)
Markus-Passion
01. Choral: Ach großer König, groß zu allen Zeiten
02. Recitativ: Und da sie den Lobgesang gesprochen hatten (Evangelist, Jesus, Petrus)
03. Choral: Hilf, dass ich stets sorgfältig sey
04. Recitativ: Desselben Gleichen sagten sie alle (Evangelist, Jesus)
05. Chor: Dich bet ich an, Herr Jesu Christ
06. Recitativ: Und nahm zu sich Petrum (Evangelist, Jesus)
07. Choral: Zeig mir deine Vater Huld
08. Recitativ: Und ging ein wenig fürbass (Evangelist, Jesus, Judas)
09. Aria: Durchdenk ich meines Heilands Leben
10. Recitativ: Die aber legten ihre Hände an ihn (Evangelist)
11. Choral: Christus der uns selig macht
12. Recitativ: Einer aber von denen, die dabei stunden (Evangelist, Jesus, Falsche Zeugen I, II, Hoherpriester)
13. Arie mit Chor: Sieh, Gottes Lamm
14. Recitativ: Da fingen an etliche ihn zu verspeien (Evangelist)
15. Chor: Weissage uns
16. Recitativ: Und die Knechte schlugen ihn ins Angesicht (Evangelist, Magd, Petrus)
17. Chor: Wahrlich, du bist der einer
18. Recitativ: Er aber fing an, sich zu verfluchen, und zu schwören (Evangelist, Petrus)
19. Choral: Num, was du Herr erduldet
20. Recitativ: Und bald am Morgen hielten die Hohenpriester einen Rat (Evangelist, Pilatus, Jesus)
21. Chor: Von Ewigkeit warst du bestimmt
22. Recitativ: Und die Hohenpriester beschuldigten ihn hart (Evangelist, Pilatus)
23. Chor: Kreuzige ihn
24. Recitativ: Pilatus aber sprach zu ihnen (Evangelist, Pilatus)
25. Chor: Kreuzige ihn
26. Choral: O große Lieb', o Lieb' ohn' alle Maße
27. Recitativ: Pilatus aber gedachte dem Volk gnug zu tun (Evangelist)
28. Recitativ accompagnato: der Martern jede schwebte (Evangelist)
29. Aria: O wär ich doch im Leiden
30. Recitativ: Und fingen an, ihn zu grüßen (Evangelist)
31. Chor: Gegrüßet seist du, der Juden König
32. Recitativ: Und schlugen ihm das Haupt mit dem Rohr (Evangelist)
33. Aria: Nein, ich fliehe nicht dein Kreuz
34. Recitativ: Und sie brachten ihn an die Stätte Golgatha (Evangelist)
35. Choral: Dein Durst und Gallentrank mich lab
36. Recitativ: Und da sie ihn gekreuzigt hatten (Evangelist)
37. Chor: Pfui dich, wie fein zurbrichst du den Tempel
38. Recitativ: Desselbigen gleichen die Hohenpriester verpotteten ihn (Evangelist)
39. Chor: Er hat andern geholfen und kann sich selber nicht helfen
40. Recitativ: Und die mit ihm gekreuziget waren (Evangelist)
41. Aria: Furchtbar blickst du auf ihn nieder
42. Recitativ: Und nach der sechsten Stunde ward eine Finsternis über das ganze Land (Evangelist, Jesus)
43. Chor: Siehe, er rufet den Elias
44. Recitativ: Da lief einer und füllet einen Schwamm (Evangelist, Ein Jude)
45. Schlußchoral: Wenn ich einmal soll scheiden
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 12. December 2021, 19:41
Joshard Daus, Mendelssohn Symphonia / C.P.E.Bach - Markus-Passion
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Joshard Daus, Mendelssohn Symphonia, EuropaChorAkademie - Carl Philipp Emanuel Bach: Markus-Passion (2007)
