John Eliot Gardiner - Verdi: Falstaff (Live) (2022)
John Eliot Gardiner - Verdi: Falstaff (Live) (2022)
WEB FLAC (Tracks) 531 MB | Cover | 02:15:51 | MP3 CBR 320 kbps | 316 MB
Classical, Opera | Label: Dynamic
WEB FLAC (Tracks) 531 MB | Cover | 02:15:51 | MP3 CBR 320 kbps | 316 MB
Classical, Opera | Label: Dynamic
Tonight’s performance of Falstaff marked the final performance in the run of this new production by Sven-Eric Bechtolf of Verdi’s swansong at the Maggio Musicale Fiorentino. For this run, the house engaged a mainly Italian cast, joined by selected Hispanophone and/or US singers, led by John Eliot Gardiner. The result was an effervescent evening, received with audible pleasure by the Maggio audience.
Bechtolf gave us a staging that was unobtrusive and allowed the narrative to flow logically. The costumes (Kevin Pollard) and sets (Julian Crouch) were traditional, placing the action in a Windsor of Shakespearian times. Bechtolf made much use of the cast standing, frozen on stage while other action went on around them – for instance as Nannetta and Fenton declared their love – and the movements around the set were executed fluently. The comedy was obtained through the sheer electric chemistry throughout the entire cast – this was clearly a group of people who absolutely adored performing together, and the joy burst forth from the stage into the public. Bechtolf’s isn’t a staging that brings any particular new insights into the work. He presents it clearly and allows the work to tell its own story. That said, he made the Fords relationship a lot more tender and loving than we often see it, in a way it felt that Ford was in on Alice’s joke from the start. Although it did then make me wonder why he would be so determined to force Nannetta to marry Dr Cajus. Otherwise, this was an evening that lived through the individual performances and through the excellence of the musical preparation.
Gardiner’s conducting was revelatory. He obtained playing of the very highest quality from the Maggio orchestra. There was something exhilarating in how Gardiner focused on the rhythmic impetus of the piece, creating an unanimity of approach between stage and pit that was staggering in its accuracy. Those quickfire vocal ensembles were dispatched with the kind of easy virtuosity that belies hours of preparation in the rehearsal studio. The Maggio strings played with minimal vibrato, making Verdi’s score sound even more original and creative and, paradoxically perhaps, made it sound like a forerunner of the early twentieth century masters. Attack was crisp and the strings coped with the rapid writing with ease, and again, with remarkable accuracy. Gardiner coaxed out a wealth of instrumental colour from the band, bringing out the full ingenuity of Verdi’s scoring, aided by the clarity of the glorious Maggio acoustic.
The performance also took wing thanks to the clarity of diction throughout the entire cast. Nicola Alaimo was an outsize presence in the title role. Big of voice, he held the stage through sheer magnetism. His was a highly witty Falstaff, not afraid to laugh at himself, and with so much communicated through the text. At fuller volumes there was a tendency for pitch to spread, but when he pulled back on the tone he sang with generosity, even if the tone was on the dry side. Simone Piazzola gave us a similarly generously voiced Ford. More than on other occasions when I have heard him, it felt that the registers were a lot more integrated, with more of a sense of a firm column of sound, even from top to bottom. He sang his ‘è sogno?’ with focused tone, the top shooting into the auditorium with laser focus.
Ailyn Pérez gave us a glamorous Alice, the voice of rare pulchritude. She soared with radiant ease over the ensembles, finding a joyful sunniness to the tone. Sara Mingardo gave us a warmly sung Quickly. Her chianti-toned contralto descended to the depths with fullness. Moreover, she made hers a Quickly well and truly sung with elegance, bringing out the beauty of the role as well as its comedy. As with the remainder of the cast, she combined voice and physicality to great comic effect. Caterina Piva sang Meg in a wonderfully even and burnished mezzo. Francesca Boncompagni was a great discovery as Nannetta. Hers is a voice that is soufflé light, with a charming combination of duskiness and a fast vibrato. She made intelligent use of that vibrato, floating her ‘come fa la luna’ by pulling the vibrato from the tone and allowing it to hover in the air with lunar beauty. A singer most definitely looking out for.
In the remainder of the cast, Matthew Swensen sang a handsomely voiced Fenton, his tenor well-placed, bright in tone. Gianluca Burrato sang Pistola with a big, healthy bass. Antonio Garés brought tireless energy to Bardolfo, running around the stage with glee, and sang his role in a similarly bright, focused tenor. Christian Collia sang Dr Cajus in a peppery tenor, full of character and wit.
This was an absolutely uplifting evening in the theatre. While the staging did not make one reconsider the work, it did allow Verdi and Boito’s masterpiece to unfold easily and unobtrusively. Where this performance offered bounteous rewards was in its musical values and the sheer joy that radiated throughout the cast. Superbly sung, with revelatory conducting and orchestral playing of the very highest quality, this was an evening that will stay long in the memory. It was received with an enormous ovation from the Florentine public, clearly also having the time of their lives.
TRACKLIST
1. John Eliot Gardiner - Falstaff! Olà! (Live)
2. John Eliot Gardiner - Sei polli, sei scellini (Live)
3. John Eliot Gardiner - So che se andiam, la notte (Live)
4. John Eliot Gardiner - Ma è tempo d'assottigliar l'ingegno (Live)
5. John Eliot Gardiner - L'onore! Ladri! (Live)
6. John Eliot Gardiner - Alice! Meg! Nannetta! (Live)
7. John Eliot Gardiner - Fulgida Alice, amor t'offro (Live)
8. John Eliot Gardiner - Mostro! Quell'otre! Quel tino! (Live)
9. John Eliot Gardiner - Ripeti! In due parole (Live)
10. John Eliot Gardiner - Pst, pst, Nannetta (Live)
11. John Eliot Gardiner - Falstaff m'ha canzonata (Live)
12. John Eliot Gardiner - Torno all'assalto (Live)
13. John Eliot Gardiner - Udrai quanta egli sfoggia (Live)
14. John Eliot Gardiner - Siam pentiti e contriti (Live)
15. John Eliot Gardiner - Alice è mia! Va', vecchio John (Live)
16. John Eliot Gardiner - Signore, v'assista il cielo! (Live)
17. John Eliot Gardiner - C'è a Windsor, una dama (Live)
18. John Eliot Gardiner - È sogno, o realtà? (Live)
19. John Eliot Gardiner - Eccomi qua. Son pronto (Live)
20. John Eliot Gardiner - Presenteremo un bill (Live)
21. John Eliot Gardiner - Gaie comari di Windsor, è l'ora! (Live)
22. John Eliot Gardiner - Alfin t'ho colto, raggiante fior! (Live)
23. John Eliot Gardiner - Quand'ero paggio del Duca di Norfolk (Live)
24. John Eliot Gardiner - Mia signora! (Live)
25. John Eliot Gardiner - Vien qua, che chiasso! (Live)
26. John Eliot Gardiner - Al ladro! Al pagliardo! (Live)
27. John Eliot Gardiner - Se t'agguanto (Live)
28. John Eliot Gardiner - Ehi! Taverniere! (Live)
29. John Eliot Gardiner - Reverenza. La bella Alice (Live)
30. John Eliot Gardiner - Quando il rintocco della mezzanotte (Live)
31. John Eliot Gardiner - Brava. Quelle corna saranno la mia gioia! (Live)
32. John Eliot Gardiner - Dal labbro il canto estasiato vola (Live)
33. John Eliot Gardiner - Nossignore! Tu indossa questa cappa (Live)
34. John Eliot Gardiner - Una, due, tre, quattro (Live)
35. John Eliot Gardiner - Odo soave un passo! (Live)
36. John Eliot Gardiner - Ninfe! Elfi! Silfi! (Live)
37. John Eliot Gardiner - Sul fil d'un soffio etesio (Live)
38. John Eliot Gardiner - Alto là! (Live)
39. John Eliot Gardiner - Un poco di pausa. Son stanco (Live)
40. John Eliot Gardiner - Ogni sorta di gente dozzinale (Live)
41. John Eliot Gardiner - Già s'avanza la coppia degli sposi (Live)
42. John Eliot Gardiner - Facciamo il parentado (Live)
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PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright © 2008-2010 y-soft. All rights reserved
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Copyright © 2004 Oleg Berngardt. All rights reserved.
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Conclusion: CDDA 100%
Signature: 6C9826931BAADB0EB666D5BE7A656CAD8DC3918A
FILE: 21 - Gaie comari di Windsor, è l'ora.flac
Size: 8537005 Hash: 78736506E918830B101DA43CB2A4B8EC Accuracy: -m0
Conclusion: CDDA 100%
Signature: AD04091BD98A9D84C664C464E1A05FC6C85B83B5
FILE: 20 - Presenteremo un bill (Live).flac
Size: 18083226 Hash: 52C7C6E8D1F8A7AC3EF19A0BBF57ACB3 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 6CBE6FF49F630F6931EDB2B9676068D582906C7A
FILE: 19 - Eccomi qua. Son pronto (Live).flac
Size: 8559368 Hash: 128376A1B939E452B308C567E1077D9C Accuracy: -m0
Conclusion: CDDA 100%
Signature: BCFED59CD5C98B746A8A17E0A4A004D4C1B5B4C8
FILE: 18 - È sogno, o realtà_ (Live).flac
Size: 20696349 Hash: E04640D9EC1E96DAC6CBE9D074AAE98F Accuracy: -m0
Conclusion: CDDA 100%
Signature: 6A8D8BF97F2218CC05F227B2D4416D1AD186ABDB
FILE: 17 - C'è a Windsor, una dama (Live).flac
Size: 31315641 Hash: 7F79437649CC0537764AFCB370F93486 Accuracy: -m0
Conclusion: CDDA 100%
Signature: CA7B2461B40EE5FB7C25979FE9BE510B9B9BF10D
FILE: 16 - Signore, v'assista il cielo! (L.flac
Size: 12574756 Hash: A96BBD1F54C96CBBE6F451A0674E134F Accuracy: -m0
Conclusion: CDDA 100%
Signature: 92D7877DF2E211BA0383BA3634F7C46C6B64C1B9
FILE: 15 - Alice è mia! Va', vecchio John.flac
Size: 8307263 Hash: EEE6EAE05F8DD417EE26AE4CEC8EBB2E Accuracy: -m0
Conclusion: CDDA 100%
Signature: 17EFD31C13D4E985F588805682433345C0DD84B5
FILE: 14 - Siam pentiti e contriti (Live).flac
Size: 27163634 Hash: CF23C830A26D2E7BF27C3AE1D76D251C Accuracy: -m0
Conclusion: CDDA 100%
Signature: 14FBC27DAA151E658DF203CE1DD284D597120DAE
FILE: 13 - Udrai quanta egli sfoggia (Live.flac
Size: 15630200 Hash: 0DCAF7DAA15C99F3F6CEA79F036D5074 Accuracy: -m0
Conclusion: CDDA 100%
Signature: ED9D28673CD8772CC2BF476016324C946DD9F621
FILE: 12 - Torno all'assalto (Live).flac
Size: 10562058 Hash: 09B0BAABCBB6AF97A8405A091A430C73 Accuracy: -m0
Conclusion: CDDA 100%
Signature: E5BAAF0B0F888D2E77F1EB8186576D5090FC1379
FILE: 11 - Falstaff m'ha canzonata (Live).flac
Size: 7197028 Hash: 1A8EA593C2A43CA046C142085FB28A56 Accuracy: -m0
Conclusion: CDDA 100%
Signature: D099C1E252849ED4B1C563D16EF93B5A172E85D7
FILE: 10 - Pst, pst, Nannetta (Live).flac
Size: 7967166 Hash: 70E466583F1EB6CEE019FFBF75815B11 Accuracy: -m0
Conclusion: CDDA 100%
Signature: E7A110647C5ABF576418409DEE1ABAF84CCA6B2B
FILE: 09 - Ripeti! In due parole (Live).flac
Size: 7702025 Hash: 80F2BFDC2079270ABC49CAB1FE6CD907 Accuracy: -m0
Conclusion: CDDA 100%
Signature: B6FA535015C51D1FC32133A962FBCAEF7842773C
FILE: 08 - Mostro! Quell'otre! Quel tino!.flac
Size: 8485124 Hash: 5540979446675A648FDC8812F4AC40D0 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 4716C0DBA1034B2E4133B9B80BA24CE0C59FC3E1
FILE: 07 - Fulgida Alice, amor t'offro (Li.flac
Size: 10779433 Hash: 61E977A3AE1E52A925328958C215A15C Accuracy: -m0
Conclusion: CDDA 100%
Signature: 6EA88DD97527DBF6928D09B8FAFF36B189ECC0EF
FILE: 06 - Alice! Meg! Nannetta! (Live).flac
Size: 5787963 Hash: 320656E4DB5B8EA62747A25F87521732 Accuracy: -m0
Conclusion: CDDA 100%
Signature: BBF00B0DFB05D05B646F64B9A034410B6DDBD432
FILE: 05 - L'onore! Ladri! (Live).flac
Size: 19722794 Hash: 8AE01C04D62DAA742564B447F2D38746 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 9E6B2303AEBB4DBE6E36D618C81A73A8384A9B7D
FILE: 04 - Ma è tempo d'assottigliar l'ing.flac
Size: 17043962 Hash: BC97D660824FC142232A82F91F6328F4 Accuracy: -m0
Conclusion: CDDA 100%
Signature: DE4ECE6C4ACDE18C3D7051B07E7BD634EA9AA623
FILE: 03 - So che se andiam, la notte (Liv.flac
Size: 8346226 Hash: 0AE491A84E8B29B36ADAC35F17051A70 Accuracy: -m0
Conclusion: CDDA 100%
Signature: DD783EDF6C473CFA6C8C06D76637FA2A25B75B95
FILE: 02 - Sei polli, sei scellini (Live).flac
Size: 4287659 Hash: 16411B6CCF89E9FAB405D4F2EBA6C9AE Accuracy: -m0
Conclusion: CDDA 99%
Signature: 0AAD289CB94E9DFE4A85E08F742B6FDA0BE5BBBB
FILE: 01 - Falstaff! Olà! (Live).flac
Size: 22677139 Hash: 4EA90167C26E61CE4D6B407E0F8BDFB8 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 527E9F57F2FA173DC51AD07FADBB2F3234572AF8