Su	Mo	Tu	We	Th	Fr	Sa
1	2	3	4	5	6	7
8	9	10	11	12	13	14
15	16	17	18	19	20	21
22	23	24	25	26	27	28
29	30	31	1	2	3	4

Jordi Savall, Christophe Coin, Sergi Casademunt - John Coprario: Consort Musicke (1980) CD Reissue 1989

Posted By: Designol

Date: 29 Nov 2023 12:07:44

Jordi Savall, Christophe Coin, Sergi Casademunt - John Coprario: Consort Musicke (1980) CD Reissue 1989

John Coprario (c.1575-1626) worked for English princes of his era, and together with Orlando Gibbons and others, set about to modernize English consort writing. This recording presents only a small subset of Coprario's consort music. His influence was very sizable when it came to determining the future disposition of English consort music.

John Coprario was one of the leading composers of post-Elizabethan England. He was highly respected for his songs and his instrumental music, which was original and trendsetting.

He was an Englishman, born and bred, who affected an Italianized name. (Sometimes he went so far as to style himself Giovanni Coprario.) Although he signed his surname "Coprario," it was sometimes rendered "Coperario" during his lifetime. The original name seems to have been either Cooper or Cowper. He does not seem to be the John Cowper who was a chorister at Chichester Cathedral in 1575 and its choir director in 1595 and 1596.

One contemporary account says that the composer adopted his pseudonym after he spent substantial time in Italy, where the local people started calling him "Coperario." This may well be the case, but there is no evidence that he spent any time in Italy. However, he was on the Continent, in the Netherlands, at least, in 1603.

In 1606 he issued his first publication (also his earliest surviving music), Funeral Teares, written on the death of Charles Blount, the Earl of Devonshire. As early as 1607 he was engaged to write music for entertainment of a party including the King given by the Merchant Taylors' Company. At about that time he provided music frequently for Sir Robert Cecil, who became Earl of Salisbury in 1605 and Lord Treasurer in 1608. Salisbury made payments to him to cover lodgings, maintenance costs of instruments, and so forth.

In 1613 he composed the music for Campion's Songs of Mourning, Bewailing the Untimely Death of Prince Henry, which contains elegies specifically for various members of the royal family. At a happier occasion a bit earlier the same year he had written music for Campion's The Lords Masque, for the marriage of Princess Elizabeth to Elector Frederick, and accompanied the newlywed royal pair on their progress to Heidelberg. At the end of the year, he again collaborated with Campion to write three songs included in The Masque of Squires, for the wedding of the Earl of Somerset.

Coprario's other major patron besides the Earl of Salisbury was Edward Seymour, Earl of Hertford, until that elderly noble died in 1621. By that time Coprario also had a major position in the household of the Prince of Wales.

In 1625 Charles I appointed Coprario his composer-in-ordinary. Charles went on record as regarding some of Coprario's instrumental fantasias as "incomparable" and learned to play the bass-viol parts. Coprario did not enjoy his official appointment for long, dying within the year.

Coprario also wrote a concise and clear manual on composition, called Rules How to Compose, probably intended as teaching material for his pupil, William Lawes. Coprario was one of the first to compose for the lyra-viol.

Joseph Stevenson, Allmusic.com

John Coprario at Allmusic
John Coprario at Wiki

Jordi Savall (Viola da gamba)
Christophe Coin (Viola da gamba)
Sergi Casademunt (Viola da gamba)

Recorded in the church of Bärschwil, Switzerland, in August 1979.

Tracklist:

Consort Musicke
Fantazies of III. Parts
for viols & Dances for three lyras

01. Fantasie IX (2:27)
02. Fantasie VII (2:45)
03. Almaine V (3:34)
04. Fantasie I (3:04)
05. Fantasie VIII (3:00)
06. Almaine IV (2:45)
07. Fantasie III (2:23)
08. Coranto (2:20)
09. Almaine II (3:15)
10. Fantasie V (3:38)
11. Fantasie II (2:46)
12. Almaine I (2:43)
13. Fantasie VI (2:57)
14. Fantasie IV (3:16)
15. Almaine III (3:15)
16. Fantasie X (2:26)

EAC log

Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 22. January 2017, 15:58

Jordi Savall, Christophe Coin, Sergi Casademunt / John Coprario - Consort Musicke

Used drive : HL-DT-STDVDRAM GU70N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:26.72 | 0 | 11021
2 | 2:26.72 | 2:45.20 | 11022 | 23416
3 | 5:12.17 | 3:34.15 | 23417 | 39481
4 | 8:46.32 | 3:04.23 | 39482 | 53304
5 | 11:50.55 | 3:00.32 | 53305 | 66836
6 | 14:51.12 | 2:45.20 | 66837 | 79231
7 | 17:36.32 | 2:23.25 | 79232 | 89981
8 | 19:59.57 | 2:19.38 | 89982 | 100444
9 | 22:19.20 | 3:15.12 | 100445 | 115081
10 | 25:34.32 | 3:38.18 | 115082 | 131449
11 | 29:12.50 | 2:45.70 | 131450 | 143894
12 | 31:58.45 | 2:43.10 | 143895 | 156129
13 | 34:41.55 | 2:57.12 | 156130 | 169416
14 | 37:38.67 | 3:15.58 | 169417 | 184099
15 | 40:54.50 | 3:14.40 | 184100 | 198689
16 | 44:09.15 | 2:25.72 | 198690 | 209636

Range status and errors

Selected range

Filename C:\temp\Coprario - Consort Musicke - Savall, Coin, Casademunt\Coprario - Consort Musicke.wav

Peak level 100.0 %
Extraction speed 1.8 X
Range quality 100.0 %
Test CRC 42EE405F
Copy CRC 42EE405F
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 2) [CA501B6A] (AR v1)
Track 2 accurately ripped (confidence 2) [385A7F08] (AR v1)
Track 3 accurately ripped (confidence 2) [1F131F27] (AR v1)
Track 4 accurately ripped (confidence 2) [000C3BD6] (AR v1)
Track 5 accurately ripped (confidence 2) [C3467B4A] (AR v1)
Track 6 accurately ripped (confidence 2) [2A29CDCD] (AR v1)
Track 7 accurately ripped (confidence 2) [99BB66DE] (AR v1)
Track 8 accurately ripped (confidence 2) [68953141] (AR v1)
Track 9 accurately ripped (confidence 2) [BF7CA862] (AR v1)
Track 10 accurately ripped (confidence 2) [B87AF9DF] (AR v1)
Track 11 accurately ripped (confidence 2) [E034E3C0] (AR v1)
Track 12 accurately ripped (confidence 2) [5BE1E773] (AR v1)
Track 13 accurately ripped (confidence 2) [97166E31] (AR v1)
Track 14 accurately ripped (confidence 2) [753DEC59] (AR v1)
Track 15 accurately ripped (confidence 2) [FF01AFC4] (AR v1)
Track 16 accurately ripped (confidence 2) [403D2A9D] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 8702E4FE193018EB1B46FE6A00AB9273759FC671FB7315000E9FB1844361A532 ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-07-10 20:35:58

––––––––––––––––––––––––––––––––––––––––
Analyzed: Jordi Savall, Christophe Coin, Sergi Casademunt / John Coprario - Consort Musicke
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.97 dB -21.41 dB 2:27 01-Fantasie IX
DR14 -3.33 dB -20.62 dB 2:45 02-Fantasie VII
DR12 -1.76 dB -17.21 dB 3:34 03-Almaine V
DR13 -3.30 dB -20.79 dB 3:04 04-Fantasie I
DR14 -2.61 dB -20.22 dB 3:00 05-Fantasie VIII
DR12 -0.71 dB -17.26 dB 2:45 06-Almaine IV
DR13 -3.47 dB -21.21 dB 2:23 07-Fantasie III
DR12 -0.91 dB -17.25 dB 2:20 08-Coranto
DR13 0.00 dB -16.63 dB 3:15 09-Almaine II
DR14 -1.59 dB -20.07 dB 3:38 10-Fantasie V
DR14 -3.11 dB -22.24 dB 2:46 11-Fantasie II
DR14 -0.78 dB -18.49 dB 2:43 12-Almaine I
DR13 -3.84 dB -21.53 dB 2:57 13-Fantasie VI
DR13 -2.02 dB -20.66 dB 3:16 14-Fantasie IV
DR12 0.00 dB -16.63 dB 3:15 15-Almaine III
DR13 -2.05 dB -19.39 dB 2:26 16-Fantasie X
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 16
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 672 kbps
Codec: FLAC
================================================================================

All thanks to original releaser

More interesting music in My Blog

DOWNLOAD FROM USENET - 14 DAYS FREE ACCESS

80s CD-Rip + Scans Christophe Coin Classical Classical Music FLAC John Coprario Jordi Savall Lossless MP3 Renaissance Sergi Casademunt CD-Rip