Jerome Correas, Les Paladins - Francesco Cavalli: L'Ormindo (2006)
Jérôme Correas, Les Paladins - Francesco Cavalli: L'Ormindo (2006)
EAC | FLAC | Image (Cue & Log) ~ 653 Mb | Total time: 55:34+75:36 | Scans included
Classical | Label: Pan Classics | # 10196 | Recorded: 2006
EAC | FLAC | Image (Cue & Log) ~ 653 Mb | Total time: 55:34+75:36 | Scans included
Classical | Label: Pan Classics | # 10196 | Recorded: 2006
Francesco Cavalli (1602-1676) was a worthy successor to Monteverdi on the Venetian musical scene, and while his operas may not sustain the level of exalted musical inspiration and psychological depth of Monteverdi's, they come close enough to fully deserve the recognition they are beginning to receive. Like Monteverdi, Cavalli was a master dramatist, and his operas bristle with theatrical energy and vivid musical characterizations. L'Ormindo (1644), the first of his operas to be rediscovered (by Raymond Leppard, who conducted it at Glyndebourne in 1967), was written just two years after L'incoronazione di Poppea, and shares some of its attributes, most notably a remarkably expressive use of recitative, intriguing characters, and a dramatically arresting intermingling of comic and serious elements. The plot, unlike Monteverdi's clear and compact narrative, involves the complexity of mistaken identities, convoluted relationships, and improbable resolutions that would come to characterize later Baroque opera. The characters, however, are emotionally believable, for the most part, and are dramatically engaging, making it easier to overlook the absurdity of the plot.L'Ormindo receives a splendid performance by the French ensemble Les Paladins, conducted by Jérôme Correas. Correas' flexibility allows the singers to deliver the recitatives with convincing naturalism, but he never lets the musical momentum sag. There's not a weak link among the large cast, all of whom negotiate the early Baroque idiom as if it were second nature, and with persuasive dramatic vigor. The singers sound like a tight comedic troupe, and their interactions have a wonderful spontaneity. Pan's acoustic is clean and resonant, with excellent, natural-sounding balance. The performance would make an excellent introduction to the neglected world of early Baroque opera, and to Cavalli's genius as a dramatic composer.–Stephen Eddins
Performer:
L’Harmonia (Prologue) - Sandrine Piau, soprano
Ormindo - Martin Oro, contre-ténor
Amida - Howard Crook, ténor
Nerillo - Dominique Visse, contre-ténor
Sicle - Magali Léger, soprano
Erice - Jean-François Lombard, ténor
Erisbe - Stéphanie Révidat, soprano
Mirinda - Karine Deshayes, mezzo-soprano
Hariadeno - Jacques Bona, baryton
Osman - Benoît Arnould, baryton
Les Paladins
Direction - Jérôme Correas
Tracklist:
Francesco Cavalli (1602-1676)
L'Ormindo
CD1:
01. Introduction
02. Prologo: L'Armonia
03. Atto Primo. Scena prima: Ormindo
04. Scena seconda: Amida, Ormindo
05. Scena terza: Nerillo
06. Scena quarta: Sicle, Erice, Nerillo
07. Scena quinta: Sicle
08. Scena sesta: Erice
09. Scena settima: Erisbe, Mirinda
10. Scena ottava: Amida, Ormindo, Erisbe, Mirinda
11. Scena nona: Hariadeno, Erisbe, Mirinda
12. Scena decima: Mirinda
CD2:
01. Atto Secondo. Scena seconda: Amida, Erisbe
02. Scena terza: Erice, Sicle, Amida, Erisbe
03. Scena quarta: Amida, Erice, Sicle
04. Scena sesta: Nerillo
05. Scena settima: Erisbe, Mirinda
06. Scena ottava: Ormindo, Erisbe
07. Scena nona: Mirinda
08. Atto Terzo. Scena prima: Erice, Sicle
09. Scena seconda: Erice
10. Scena terza: Amida, Erice
11. Scena quarta: Amida, Sicle
12. Scena quinta: Hariadeno
13. Scena sesta: Hariadeno, Osmano
14. Scena ottava: Osmano, Mirinda
15. Scena nona: Ormindo, Erisbe
16. Scena decima: Osmano, Ormindo, Erisbe
17. Scena undecima: Hariadeno, Osmano, Erisbe, Ormindo
18. Scena ultima: Amida, Erisbe, Sicle, Ormindo, Mirinda, Osmano
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 23. October 2019, 10:39
Jérôme Correas, Les Paladins / Cavalli - L'Ormindo CD1
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Read mode : Secure
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Defeat audio cache : Yes
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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
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Copy CRC E93832AB
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Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 23. October 2019, 11:53
Jérôme Correas, Les Paladins / Cavalli - L'Ormindo CD2
Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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Range status and errors
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Filename C:\ArlegZ\Cavalli - L'Ormindo CD2.wav
Peak level 100.0 %
Extraction speed 2.2 X
Range quality 100.0 %
Test CRC 5606A297
Copy CRC 5606A297
Copy OK
No errors occurred
AccurateRip summary
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==== Log checksum FDBFC72F25DE35B04F14870F35B08570325F3703601E120C73F0AD061EE726CE ====
Jerome Correas, Les Paladins - Francesco Cavalli: L'Ormindo (2006)
