Jeanne Lamon, Tafelmusik - W.F. Bach: Sinfonias; Suite in G minor; Concerto for Harpsichord in D major (1997)
Jeanne Lamon, Charlotte Nediger, Tafelmusik - Wilhelm Friedemann Bach: Sinfonias; Suite in G minor; Concerto for Harpsichord in D major (1997)
EAC | FLAC | Image (Cue & Log) ~ 348 Mb | Total time: 71:41 | Scans included
Classical | Label: Sony Classical | # SK 62720 | Recorded: 1996
EAC | FLAC | Image (Cue & Log) ~ 348 Mb | Total time: 71:41 | Scans included
Classical | Label: Sony Classical | # SK 62720 | Recorded: 1996
The well-known painting of Wilhelm Friedemann Bach reproduced on the cover of this CD must be one of the most immediately attractive composer portraits ever made. The wide-brimmed hat, the fur-lined coat, the wisp of steely hair and, above all, the reddened but unmistakably genial face (displaying, if I’m not mistaken, his father’s nose) suggest a man one would want to accompany straightaway to the nearest coffee-house. But Friedemann was actually a little more complex than that, both as a person who could be lazy and argumentative and as a talented musician torn between the styles of the late baroque and early classical periods, so it is perhaps no surprise to find that there is considerable variety in the music on this disc. The opening Sinfonia in D major is one of those sunnily optimistic works that revel in the splendid new sound of the classical orchestra, but the D minor Sinfonia which follows is a highly serious piece for church use, containing a solemnly drooping fugue. There is also an Ouverture-Suite once attributed (pretty implausibly) to Johann Sebastian which, though undeniably attractive and individual, is now thought unlikely to be by Friedemann either; a quirkily expressive but perhaps rather rambling harpsichord concerto; and a by-now familiarly protean and surprise-filled Sinfonia in F major.
Tafelmusik are the perfect ensemble to perform this music. Like much of it, they delight in sheer orchestral sound, enjoying the advantage themselves of being able to turn it out in particularly pleasing and well-finished form. I would not hesitate to recommend this disc to any lover of eighteenth-century orchestral music.– Lindsay Kemp
Performer:
Charlotte Nediger, harpsichord
Tafelmusik
Jeanne Lamon, musical director
Track List:
Sinfonia in D major (used as prelude to cantata "Dies ist der Tag"), F. 64 (BR C8)
01. 1. Allegro e maestoso
02. 2. Andante
03. 3. Vivace
04. Sinfonia in D minor ("Adagio and Fugue"), F. 65 (BR C7)
Overture (Suite) for strings & continuo in G minor "No. 5" (doubtful), BWV 1070
05. 1. Ouverture. Larghetto
06. 2. Torneo
07. 3. Aria. Adagio
08. 4. Menuetto alternativo - Trio
09. 5. Capriccio
Harpsichord Concerto in D major, F. 41 (BR C9)
10. 1. Allegro
11. 2. Andante
12. 3. Vivace
Sinfonia for strings in F major ("Dissonant"), F. 67 (BR C2)
13. 1. Vivace
14. 2. Andante
15. 3. Allegro
16. 4. Menuetto 1 & 2
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 21. June 2021, 20:19
Jeanne Lamon, Tafelmusik / W.F.Bach - Sinfonias, Suite, Concerto for Harpsichord
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Jeanne Lamon, Tafelmusik - W.F. Bach: Sinfonias; Suite in G minor; Concerto for Harpsichord in D major (1997)
