Jean-Patrice Brosse, Concerto Rococo, Chœur Grégorien Antiphona - Dandrieu: Vêpres de l'Assomption, Le Vœu de Louis XIII (1996)
Jean-Patrice Brosse, Concerto Rococo, Chœur Grégorien Antiphona, Rolandas Muleika - Jean-François Dandrieu: Vêpres de l'Assomption, Le Vœu de Louis XIII (1996)
EAC | FLAC | Image (Cue & Log) ~ 354 Mb | Total time: 72:10 | Scans included
Classical | Label: Pierre Verany | PV796104 | Recorded: 1995
EAC | FLAC | Image (Cue & Log) ~ 354 Mb | Total time: 72:10 | Scans included
Classical | Label: Pierre Verany | PV796104 | Recorded: 1995
Jean-François Dandrieu, though largely forgotten today, was regarded as one of the finest composers of harpsichord music of his time, generally ranked just below Couperin and Rameau. He also produced much worthy chamber music, but only one rather insignificant piece for orchestra. If ever a composer's output were worthy of greater attention – indeed, of a full-scale revival – it is that of Dandrieu. Though his date of birth is not known, documentary evidence places it between September 11, 1681, and January 17, 1682. He came from a well-to-do family and showed rare musical talent in his early childhood. Before the age of 5, he gave a harpsichord concert for Princess Palatine Elisabeth-Charlotte of Bavaria and other royalty. His first teacher was composer and keyboard player Jean-Baptiste Moreau.
In July 1705, Dandrieu was formally installed as organist at St. Merry Church in Paris, a post he had already held, in effect, for a year-and-a-half and one he would retain until his death in 1738. By the time he had secured this enviable position, he was already an accomplished composer, having produced music since his teens: he dedicated a volume of sonatas to Elisabeth-Charlotte when he was just 14 years old.
In 1705 he produced his first important collection of chamber works, the Livre de sonates en trio, Op. 1. This, along with Livre de sonates, Op. 2, from 1710, divulges the composer's uncanny contrapuntal skills and overall craft in the chamber music realm. Several large collections of works for harpsichord followed in the period 1710-1720, including Pièces de clavecin courtes et faciles de quatre tons différents. Dandrieu often revised works from these and other collections: some of the pieces from Opp. 1 and 2, for example, would show up as transcriptions in Livre de pièces d'orgue, completed just before his death.
In 1721 Dandrieu secured his most prestigious post when he was installed as one of the organists at the royal chapel. Twelve years later he added yet another organist post to the two he already held, when he succeeded his uncle, organist at St. Barthelemy, upon the latter's death in 1733. It is likely that the busy Dandrieu delegated some of his duties at St. Merry, and then later at St. Barthelemy to another, perhaps to his sister, who was also a talented keyboard player. Dandrieu, who never married, died on January 17, 1738.
Performer:
Jean-Patrice Brosse, orgue
Concerto Rococo
Chœur Grégorien Antiphona
Maîtrise du Conservatoire de Toulouse
Rolandas Muleika, direction
Tracklist:
Jean-François Dandrieu (1682-1738)
Vêpres de l'Assomption
01. Plain-Chant
02. Plein Jeu
Dixit Dominus [Psaume 1]
03. Antienne
04. Fugue
05. Versets I, II, III, IV
06. Trio
07. Versets VI, VII, VIII, IX, X 1:11
08. Antienne
Lætatus Sum [Psaume 2]
09. Sonate IV (La majeur): Adagio
10. Sonate IV (La majeur): Vivace
11. Antienne
12. Tierce En Taille
13. Versets I, II, III, IV, V
14. Trio
15. Versets VII, VIII, IX, X, XI, XII
16. Antienne
Lauda Jerusalem [Psaume 3]
17. Sonate I (Ré mineur): Adagio
18. Sonate I (Ré mineur): Allegro
19. Antienne
20. Flûtes
21. Versets I, II, III, IV, V
22. Basse de cromorne
23. Versets VII, VIII, IX, X, XI
24. Antienne
Repons: Concupiscet Rex
25. Dialogue
26. Repons
27. Fugue
Hymne: O Vos Ætherei
28. Versets I & II
29. Duo
30. Versets IV, V, VI
31. Dialogue
Magnificat
32. Cloches
33. Antienne
34. Magnificat
35. Plein Jeu
36. Versets II, III, IV
37. Trio
38. Versets VI, VII, VIII
39. Basse De Trompette
40. Versets X, XI, XII
41. Dialogue
42. Antienne
Benedicamus
43. Benedicamus Domino
Le Vœu de Louis XIII
Felix Es, Sacra Virgo
44. Sonate II (Ré majeur): Largo
45. Sonate II (Ré majeur): Allegro
46. Felix Es, Sacra Virgo
Litanies
47. Sonate I (Ré mineur): Adagio
48. Litanies
Sub Tuum Præsidium
49. Flûtes
50. Sub Tuum Præsidium
Domine Salvum Fac Regem
51. Sonate II (Ré majeur): Adagio
52. Sonate II (Ré majeur): Presto
53. Domine Salvum Fac Regem
54. Plein Jeu
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 4. November 2022, 16:41
Concerto Rococo, Chœur Grégorien Antiphona, Maîtrise Du Conservatoire De Tolouse, Jean-Patrice Brosse / Vêpres de l'Assomption - Le Voeu de Louis XIII
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==== Log checksum CC4E28E7920F97148B7A4BDFB89249614574F57CE6BF3FC4FF1634BCA47D2E67 ====
Jean-Patrice Brosse, Concerto Rococo, Chœur Grégorien Antiphona - Dandrieu: Vêpres de l'Assomption, Le Vœu de Louis XIII (1996)
Thanks to the original releaser