VA - Holst (2022)
WEB FLAC (tracks) - 1.02 GB | MP3 CBR 320 kbps - 579 MB
4:12:47 | Classical | Label: UMG
WEB FLAC (tracks) - 1.02 GB | MP3 CBR 320 kbps - 579 MB
4:12:47 | Classical | Label: UMG
Gustav Holst was among those few classical composers to exert a major influence on rock music and popular music in the mid- to late- 20th century – which is all rather ironic, since he passed away in 1934. Holst was part of the early- 20th century school of English composers usually referred to as post-Romantics – along with his friend Ralph Vaughan Williams, with whom he shared a common interest in English folksong, he helped advance the cause of distinctly English orchestral music far beyond the boundaries of England; but much of Holst's music, as distinct from that of his contemporaries, was also steeped in Eastern influences that made it unique. Born in Cheltenham in 1874, Holst survived a childhood blighted by poor health (including painful neuritis in his right hand), the death of his mother when he was eight years old, and an overly demanding father.
He studied at the Royal College of Music, and late in the 1890s took up the trombone as a means of earning a living. He also began composing during this period, and this, in turn, coincided with his discovery of the Hindu religion. He later became fascinated by its underlying philosophy (even learning Sanskrit), which would come to inspire some of his finest and most distinctive works. Mostly, however, he toiled in obscurity as a composer while earning his living as a teacher, until the first decade of the 20th century. It was during that time that he somewhat belatedly became fascinated by English folk songs. From that point on, his work would be built around the two distinct sources of inspiration, folk music and Eastern philosophy and music. It was in the teens that Holst wrote the work that was to keep his name alive for decades after his death, and influence generations of film composers and even rock musicians. "The Planets" was a suite for large orchestra inspired by Holst's interest in astrology, and it became the first of his works to find a large and enthusiastic audience. Completed in 1917 and popularized just after the end of the First World War, it seemed to embrace a vast array of influences – topical events (including the war just ended), 70 years of Romantic orchestral music traditions, English folk- and patriotic traditions, and a strange mix of mysticism and idealism. It was also one of the greatest orchestral showpieces ever written, and it became the most popular work in Holst's oeuvre, and one of the most popular orchestral pieces ever written – the composer recorded it twice, once acoustically in the early 1920s and once electrically in the mid-'20s, and there were recordings from the 1930s onward; the advent of the LP made it even more attractive, and when stereo playback came along, the work's big orchestral sound made it an even more desirable sonic showpiece; the advent of the space program in the 1960s only raised interest further, and late in the decade, in the wake of heavily orchestrated pieces of psychedelic rock such as Days of Future Passed and Sgt. Pepper's Lonely Hearts' Club Band, college students also occasionally used parts of the piece to accompany their drug experimentation – it all seemed to be of a piece in which Richard Strauss' orchestral music was identified with 2001: A Space Odyssey, billed in advertising as "the ultimate trip." By the end of the 1960s, even some more ambitious rock bands had begun adapting parts of "The Planets" to their work – King Crimson quoted the suite's bombastic opening movement, "Mars, Bringer Of War," in their suite "The Devil's Triangle" from their classic second album, In the Wake of Poseidon; actually, they'd been performing "Mars" in concert since early 1969, but could never get permission to adapt the piece officially. Holst had passed away in 1934, and his daughter Imogen, also a composer, teacher, and conductor, had fiercely guarded her father's legacy in tandem with her publisher, and wouldn't allow it to be demeaned by setting any part of the "The Planets" in a rock music context. By the end of the 1970s, however, the rock audience for the piece had grown too big to ignore, and there followed two completely different adaptations of "The Planets" for Moog synthesizer. One, very ornate and flashy, and heavily laden with sound effects, was done by Isao Tomita on RCA, and so offended the publisher and Holst's daughter, that it was blocked from release in England. The other, a relatively straight, respectful interpretation, was done by Patrick Gleason on Mercury Records. It was around this same time that Holst's influence began reaching extensively into film music – as far back as 1957, Bernard Herrmann's score for Alfred Hitchcock's black comedy The Trouble With Harry had shown some debt to "The Planets" (especially "Uranus, The Magician"); but in 1977, John Williams soared to stardom as a composer with his score for Star Wars, which borrowed in equal measure from Holst (especially "The Planets"), Erich Wolfgang Korngold, and Max Steiner. As of 2004, there continue to be many dozens of recordings of the piece available, and one English composer has even added an eighth movement, "Pluto" (the planet hadn't been discovered at the time of the original composition). Holst's influence has also manifested itself in the work of the Beatles. It's unlikely that any member of the group had ever heard of, much less heard, Holst's "St. Paul's Suite," but it's an equally safe bet that their producer, George Martin, knows the work in his sleep. In 1967, as they were completing work on "All You Need Is Love," Martin reached back to the St. Paul's Suite and its closing movement's use of "Greensleeves" as a counter-melody over the fade down of the song; he used the same folk song in the same way to complete "All You Need Is Love."
Tracklist
01 Orchestre Symphonique de Montréal - 1. Mars, the Bringer of War
02 Orchestre Symphonique de Montréal - 2. Venus, the Bringer of Peace
03 Orchestre Symphonique de Montréal - 3. Mercury, the Winged Messenger
04 Orchestre Symphonique de Montréal - 4. Jupiter, the Bringer of Jollity
05 Orchestre Symphonique de Montréal - 5. Saturn, the Bringer of Old Age
06 Orchestre Symphonique de Montréal - 6. Uranus, the Magician
07 Le Choeur des Femmes de L'Orchestre de Montréal - 7. Neptune, the Mystic
08 London Philharmonic Orchestra - 1. Introduction - Dance of Spirits of Earth
09 London Philharmonic Orchestra - 2. Dance of Spirits of Water
10 London Philharmonic Orchestra - 3. Dance of Spirits of Fire
11 London Philharmonic Orchestra - Holst: Egdon Heath, Op. 47
12 Julian Lloyd Webber - Holst: Invocation, Op. 19, No. 2
13 St. Paul Chamber Orchestra - 1. Jig: Vivace
14 St. Paul Chamber Orchestra - 2. Ostinato: Presto
15 St. Paul Chamber Orchestra - 3. Intermezzo: Andante con moto
16 St. Paul Chamber Orchestra - 4. Finale (The Dargasson): Allegro
17 Julia Bogorad - 1. Moderato
18 Julia Bogorad - 2. Adagio
19 Julia Bogorad - 3. Allegro
20 London Wind Orchestra - 1. Chaconne
21 London Wind Orchestra - 2. Intermezzo
22 London Wind Orchestra - 3. March
23 London Wind Orchestra - 1. March
24 London Wind Orchestra - 2. Song without Words "I'll love my love"
25 London Wind Orchestra - 3. Song of the Blacksmith
26 London Wind Orchestra - 4. Fantasia on the Dargason
27 London Wind Orchestra - Holst: "Hammersmith": Prelude and Scherzo, Op. 52
28 The Grimethorpe Colliery Band - Holst: A Moorside Suite, (1928)
29 The Purcell Singers - Hymn To The Dawn
30 The Purcell Singers - Hymn To The Waters
31 The Purcell Singers - Hymn To Vena
32 The Purcell Singers - Hymn Of The Travellers
33 The Purcell Singers - Holst: The Evening Watch, Op. 43, No. 1
34 The Purcell Singers - Holst: This have I done for my true love
35 The Purcell Singers - Say Who Is This
36 The Purcell Singers - O Love, I Complain
37 The Purcell Singers - Angel Spirits Of Sleep
38 The Purcell Singers - When First We Met
39 The Purcell Singers - Sorrow And Joy
40 The Purcell Singers - Love On My Heart From Heaven Fell
41 Susan Longfield - Assemble All Ye Maidens
42 BBC Chorus - Holst: The Hymn of Jesus, Op. 37
43 (Dame) Janet Baker - Sāvitri! Sāvitri! I am Death
44 (Dame) Janet Baker - Like a Spectre of the Forest
45 (Dame) Janet Baker - I am with thee
46 (Dame) Janet Baker - Then enter, Lord; dwell with Me
47 (Dame) Janet Baker - Loneliness and Pain are ended
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Copyright © 2008-2010 y-soft. All rights reserved
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FILE: 26 - Suite No.2 in F, Op.28b _ 4. Fantasia on the Dargason.flac
Size: 15224389 Hash: C88DAABEB74855B6D6B0C07A5E5AFAF3 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 5EAC1182917F7E464F63D1E54DF98E83BA6A9A6B
FILE: 25 - Suite No.2 in F, Op.28b _ 3. Song of the Blacksmith.flac
Size: 7194310 Hash: 402FD070B1FD047FD2B1F28E34A15A9A Accuracy: -m8
Conclusion: CDDA 100%
Signature: 150C41FFA51823A878FE31905B49522F412F03D0
FILE: 24 - Suite No.2 in F, Op.28b _ 2. Song without Words _I'll love my love_.flac
Size: 9364525 Hash: 92A2BF11ABB6FD0555CFFF9A460CBF23 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 9B065A27B29C3DBF540A32765369DC41C83BFECD
FILE: 23 - Suite No.2 in F, Op.28b _ 1. March.flac
Size: 24095262 Hash: 331902AC3DEA646A08D8177B22537BAF Accuracy: -m8
Conclusion: CDDA 100%
Signature: 7EAAC375CDD92DF6CCF2374E561493090A28F4A8
FILE: 22 - Suite No.1 in E flat, Op.28a _ 3. March.flac
Size: 16850086 Hash: E95947C051EBE7CEEC2A4E626F523EFE Accuracy: -m8
Conclusion: CDDA 100%
Signature: 3348A805C12B91C6A9B758B8D8272516F53428DC
FILE: 21 - Suite No.1 in E flat, Op.28a _ 2. Intermezzo.flac
Size: 13070063 Hash: 08C7A8A8657F31B1395291E4402A3569 Accuracy: -m8
Conclusion: CDDA 100%
Signature: C2669EDFCB28A0D5595AE91B25F88C22D238BC05
FILE: 20 - Suite No.1 in E flat, Op.28a _ 1. Chaconne.flac
Size: 18503399 Hash: 1888ECFBD19FC7A2C9E40C8865189C82 Accuracy: -m8
Conclusion: CDDA 100%
Signature: F5BD725A36643B8C7F394ADA1986E0AAED3156EC
FILE: 19 - A Fugal Concerto, Op.40, No.2 _ 3. Allegro.flac
Size: 11872177 Hash: 291C879361F7E37DE27487D712E7714B Accuracy: -m8
Conclusion: CDDA 43%
Signature: C11E56AF920D216DE2FAB9430705CB0672A68AD7
FILE: 18 - A Fugal Concerto, Op.40, No.2 _ 2. Adagio.flac
Size: 11579755 Hash: FC770338E44A7A9801EF79D56371C90B Accuracy: -m8
Conclusion: ???
Signature: C575F87AB0436C0443986B175061FFC8F463D4C4
FILE: 17 - A Fugal Concerto, Op.40, No.2 _ 1. Moderato.flac
Size: 7623820 Hash: F9927517C8ECC3BA33D21ACED18D73B0 Accuracy: -m8
Conclusion: CDDA 43%
Signature: 3BA67FAA94BE87840529720BFAC11859D59CF646
FILE: 16 - St. Paul's Suite, Op. 29 No. 2, H 118 _ 4. Finale (The Dargasson)_ Allegro.flac
Size: 18705151 Hash: 3ED71BFE70A14CE4C602EC3B7DDFE956 Accuracy: -m8
Conclusion: CDDA 99%
Signature: 42DEC8254F876276C8AAC08F90632EF0DE1DF8DB
FILE: 15 - St. Paul's Suite, Op. 29 No. 2, H 118 _ 3. Intermezzo_ Andante con moto.flac
Size: 18756242 Hash: 2321A02E6FC01313D8EAE10F93F63A0D Accuracy: -m8
Conclusion: ???
Signature: AC6C77C8D1928D0E5A9F4DB9C6B0EE12E0BADF9A
FILE: 14 - St. Paul's Suite, Op. 29 No. 2, H 118 _ 2. Ostinato_ Presto.flac
Size: 6903385 Hash: EBBECEA38853F31F8F917C786EFF95FA Accuracy: -m8
Conclusion: CDDA 87%
Signature: 1D494DDC3EEC5973CCDAEF02EC4E727161EF2438
FILE: 13 - St. Paul's Suite, Op. 29 No. 2, H 118 _ 1. Jig_ Vivace.flac
Size: 15236587 Hash: A341235D3E68C0A544CC6369475A5666 Accuracy: -m8
Conclusion: CDDA 100%
Signature: B1E928D4E25965BD3AE2D907029E9C3F9794265B
FILE: 12 - Invocation, Op. 19, No. 2.flac
Size: 41360308 Hash: 27B5E736D2CFE7F8576E56DEB90922C2 Accuracy: -m8
Conclusion: CDDA 99%
Signature: 5592D1EDE1543C795ACE28A4C0DBF5D32859301B
FILE: 11 - Egdon Heath, Op. 47.flac
Size: 51676968 Hash: 6F96C00D9E95239C55AB2FAA620856FB Accuracy: -m8
Conclusion: CDDA 100%
Signature: ABC04178C11A78D0D6740F280DE03864E5C18EB7
FILE: 10 - The Perfect Fool, Ballet Music Op. 39 _ 3. Dance of Spirits of Fire.flac
Size: 17047062 Hash: 2E272534DF8B3AAE38FED53F04ADF3C1 Accuracy: -m8
Conclusion: CDDA 99%
Signature: 178530A7A3E792508EC826D03BDEBE9354AC47CD
FILE: 09 - The Perfect Fool, Ballet Music Op. 39 _ 2. Dance of Spirits of Water.flac
Size: 12349371 Hash: 78846BAB7B794A773A0732DBF58751EA Accuracy: -m8
Conclusion: CDDA 99%
Signature: 038FA2CF756D51297827E7073231BCAE8D2FF85F
FILE: 08 - The Perfect Fool, Ballet Music Op. 39 _ 1. Introduction - Dance of Spirits of Earth.flac
Size: 21704013 Hash: EC0258FDBE9C368BF35F3350D4ACC38C Accuracy: -m8
Conclusion: CDDA 99%
Signature: 738AFE6AB0E18517C73FD831C6D25CB5F1395372
FILE: 07 - The Planets, Op. 32 _ 7. Neptune, the Mystic.flac
Size: 23087879 Hash: 1FEEB4CA7FAF85D3E770EBD1295D1137 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 0ACDA53ACED3A94CF747C528F153AEECECBCC7FA
FILE: 06 - The Planets, Op. 32 _ 6. Uranus, the Magician.flac
Size: 25371298 Hash: B4ABD8F21B6B30AFA74A542B260843F0 Accuracy: -m8
Conclusion: CDDA 100%
Signature: EFD3F3081B30473342362EFDC2ECFCE85F3A3442
FILE: 05 - The Planets, Op. 32 _ 5. Saturn, the Bringer of Old Age.flac
Size: 32772288 Hash: 39369B8F5A66A36BCB6FB82BE8DE0E38 Accuracy: -m8
Conclusion: CDDA 100%
Signature: A5D21B96112EF8635DC2193103304160B461857C
FILE: 04 - The Planets, Op. 32 _ 4. Jupiter, the Bringer of Jollity.flac
Size: 42852672 Hash: D31A63B7C6F43D9919AB89507B8BD58E Accuracy: -m8
Conclusion: CDDA 100%
Signature: 1EE6E986F9A61070EC07DCB2FD4E77E3A2C611CC
FILE: 03 - The Planets, Op. 32 _ 3. Mercury, the Winged Messenger.flac
Size: 13825506 Hash: 5E248CCFC36B89A1A2CFDE08972DAA01 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 2C16C1784B1C7BF8B7235DF9D4E216774C25B352
FILE: 02 - The Planets, Op. 32 _ 2. Venus, the Bringer of Peace.flac
Size: 40798759 Hash: 4BC51CE97C287194D434430683B8217C Accuracy: -m8
Conclusion: CDDA 100%
Signature: 8A3008BE1938F58BB3D89365F7C27D2543760BDD
FILE: 01 - The Planets, Op. 32 _ 1. Mars, the Bringer of War.flac
Size: 38768430 Hash: 30CB057A7B9FD032FCF9D7690FDCB879 Accuracy: -m8
Conclusion: CDDA 100%
Signature: F59FF2B4682C3C2E3B94002C5F7A70B8C35C086D