Helmuth Rilling, Bach-Collegium Stuttgart - Johann Christian Bach: Amadis des Gaules (1990)
Helmuth Rilling, Bach-Collegium Stuttgart - Johann Christian Bach: Amadis des Gaules (1990)
EAC | FLAC | Track (Cue & Log) ~ 640 Mb | Total time: 123:51 | Scans included
Classical | Label: Hänssler | # 98.963 | Recorded: 1990
EAC | FLAC | Track (Cue & Log) ~ 640 Mb | Total time: 123:51 | Scans included
Classical | Label: Hänssler | # 98.963 | Recorded: 1990
Johann Christian Bach, the only member of his family to have had any career in the opera house, began writing for the stage in Italy, continued in London and Mannherm and ended in Paris. This work is the last of his operas, written in 1779 to a revision of the libretto by Quinault that Lully had set almost a century before. It was not a success; there were only seven performances and it was never revived. One can, I think, see some of the reasons why it failed to please the French audiences at the time of the Gluck/Piccinni controversies, but there is nevertheless some superlative music here which certainly affects our view of J. C. Bach, whom we tend to regard above all as an elegant, galant composer of courtly, Italianate QG symphonies and chamber music.
Amadis des Gaules (or de Gaule, as it is more usually and no less correctly known) is a tragedie-lyrique, on a magical medieval theme about a pair of sorcerers, brother and sister, who seek vengeance on Amadis and his beloved Oriane because he earlier killed their brother, Ardan Canale. It is rather a silly plot and one that I rather think no music of the late eighteenth century could plausibly support. Bach, however, produces a number of very fine pieces. Some are virtually Italian-style arias, for example the first two, the one for the Coryphee near the end of Act 2 and that for the sorcerer Arcalaus in the final act. But there are also some intensely eloquent airs, notably all the solo music for Amadis (the part was composed for the famous haute-contre, Legros) including a very Gluckian air at the end of Act 1 there is a powerful invocation for Arcalaus, an astonishing ghost scene for Ardan Canale (recalling with its misty, low-pitched halo of sound Handel's for Samuel in his Saul, which Bach must have known) and several duets, among them an impassioned piece for the sorcerers earlier in Act 1 and an appealing one soon after for the lovers, as well as a very warmly written piece (also for the lovers) near the end of the opera.
There are some fine choruses, including a vivid one for the sorcerers' demons, an amorous, languid item for the spirits enchained by the sorcerers and a noble, chromatic piece to open Act 2 for the prisoners and the guards. Being a French opera, Amadis of course has no secco but rather orchestral recitative throughout, music in the manner of the recitative in Idomeneo though not, of course dramatically as dense or as closely worked. But much of it is strong, taut, effective music, often very richly orchestrated: even the string writing seems texturally dense, and there is plenty of imaginative and resourceful writing for the woodwind (which includes clarinets). That for the orchestra is altogether particularly attractive: the highly expressive introduction to Act 3 is like nobody else—it's not much like any other J. C. Bach either, if it comes to that—and with the expressions of grief that follow from the heroine, Oriane, it makes a very remarkable scene. Gluck, of course, is the obvious point of reference in terms of style: his two Iphigenies, Armide and the French versions of Alceste and Orfeo had been heard in Paris not long before, though Bach reverts at times to his more Italian manner and lacks the broad dramatic command and concentration that distinguish Gluck's greatest works. Bach had also composed for Mannheim and there is some influence of the reform style favoured in that progressive centre.
A French opera, often Italian in idiom, written by a German who spent most of his working life in England: a real EEC piece, this! And it is made the more so here by being performed in German. That is of course regrettable, because the music takes its rhythms and the shape of its lines from the French language and the mismatch is palpable. The performance is, I imagine, based on those given in 1988 in Stuttgart and Frankfurt. Helmuth Rilling, always a dependable and efficient conductor, directs what is a largely effective and stylish reading, with well chosen tempos and a real sense of drama where it is called for. And he clearly relishes the variety of orchestral colour in the score. There are a few cuts, notably of some of the ballet music at the ends of acts. Bach made some adjustments during the run of the original performances, which seem to be reflected in different versions of the autograph; in some cases Rilling prefers the changed text.
Of the singers, I was particularly impressed by James Wagner, an American, who negotiates the very high-lying music for Amadis without evident strain and with smooth tone and expressive line. Ibolya Verebics is impressive, too, for her dramatic singing of Arcabonne's music. The rest of the cast are also very competent. I don't imagine that Amadis des Gaules is ever likely to enter the repertory, but there is a lot of very fine, highly original and deeply serious music in this score; it's amply worth trying.'– Stanley Sadie
Performer:
Oriane - Ulrike Sonntag
Coryphée - Elfie Hobarth
Arcabonne - Ibolya Verebics
Amadis - James Wagner
Arcalaus - Wolfgang Schöne
Gächinger Kantorei Stuttgart
Bach-Collegium Stuttgart
Conductor - Helmuth Rilling
Track List:
CD1:
01. Ouvertüre
Erster Akt
02. Warum, Amor, quälst du mich?
03. Ja, Qualen würd' ich leiden
04. Meine Schwester, warum die Tränen
05. Der Gott der Lieb'
06. Die Liebe, ein Irrtum ist sie nur
07. Eurer Liebe müsst Ihr entsagen!
08. Vergesst nicht, dass das Blut, das Amadis
09. Eine schreckliche Rache soll mir Trost heute sein für die grausame Qualen
10. Ihr, die ihr stets nur am Bösen
11. Auf sein Wort erscheinen wir!
12. Schon seh' ich ihn durch den Wald sich nähern
13. Warum entflieht Ihr mir
14. Verteidigt euch nicht
15. Niemals seh' ich die Geliebte wieder
16. Oh! grausames Schicksal
17. Welche Klage, welch Leid!
18. Verweg'ner, halt!
19. Zweikampf zwischen Amadis und Arcalus
20. Amor hält uns in seinem Reich gefangen
21. Amor hält uns in seinem Reich gefangen
22. Ihr seid hier, Oriane?
23. Komm zu uns, geniesse Amors Zauber
CD2:
Zweiter Akt
01. Gott, ende unsre Qualen!
02. Lasst endlich das Jammern und müßige Klagen
03. Den Feind, der so schwer mich beleidigt
04. Ihr, die ihr teilt meinen Schmerz
05. Andante gracioso
06. Du, der du hier im Grab nichts bist als nur noch Asche
07. Ich strafe den, der euch so schwer beleidigt
08. Weh! Du übst Verrat, Unglücksel'ge!
09. Alles bebt und erschaudert!
10. Nein, nichts besänftigt mehr meine rasende Wut!
11. Stirb! Himmel, was seh ich!
12. Ach, wenn Ihr Mitleid könnt empfinden
13. Nein, sterben sollt Ihr nicht
14. Das Fest der Freiheit
15. Nun kommt in das Reich des Friedens
16. Gigue
17. Hinaus in die Freiheit!
18. Tambourine - Quadrille des différentes Nations
19. Durch meine Zaubermacht ist Oriane gefangen
20. Wer kann mir Schutz und Zuflucht sein?
21. Ich hör Euer Fleh'n
22. Was sehe ich?
23. Wie grausam quält mich mein Gewissen
24. Oh, welche Lust, oh, welche süße Lust
25. Welche Macht droht uns hier
26. Erbebt! Erzittert vor Urgande!
27. Eitle Angst und nichtige Sorge!
28. Nein, der Sieg bleibt nur trüg'rische Hoffnung
29. Glückliches Paar, nun erwach zu neuem Leben
30. Liebet euch und knüpft das Liebesband
31. Urgande steigt herab zur Erd'
32. Nun kommt, junge Helden
33. Die sei Heil! Amadis, Heil! - Pantomime - Feuerprobe - Chor - Ballett
34. Junge Herzen, die Amor bindet
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 1. December 2017, 23:14
- / Amadis des Gaules
Used drive : TSSTcorpDVDWBD SE-406AB Adapter: 1 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
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Gap handling : Appended to previous track
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[CTDB TOCID: KCEb4050PzdE6Ve_iODgFdQbz9I-] disk not present in database
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Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 2. December 2017, 8:31
- / Amadis des Gaules
Used drive : TSSTcorpDVDWBD SE-406AB Adapter: 1 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
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Gap handling : Appended to previous track
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Track 2
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Track 3
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Track 10
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Copy OK
Track 12
Filename K:\Rips\12. Zweiter Akt, Szene 4 - Ach, wenn Ihr Mitleid könnt empfinden.wav
Peak level 42.2 %
Extraction speed 2.6 X
Track quality 100.0 %
Test CRC D93AFB75
Copy CRC D93AFB75
Accurately ripped (confidence 2) [0111B76B] (AR v1)
Copy OK
Track 13
Filename K:\Rips\13. Zweiter Akt, Szene 4 - Nein, sterben sollt ihr nicht.wav
Peak level 40.0 %
Extraction speed 1.3 X
Track quality 100.0 %
Test CRC 8B4C3C62
Copy CRC 8B4C3C62
Accurately ripped (confidence 2) [4A109A10] (AR v1)
Copy OK
Track 14
Filename K:\Rips\14. Zweiter Akt, Szene 4 - [Das Fest der Freiheit].wav
Peak level 14.0 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC 6AF31B67
Copy CRC 6AF31B67
Accurately ripped (confidence 2) [966138E3] (AR v1)
Copy OK
Track 15
Filename K:\Rips\15. Zweiter Akt, Szene 4 - Nun kommt in das Reich des Friedens.wav
Peak level 56.0 %
Extraction speed 2.7 X
Track quality 100.0 %
Test CRC 9E2B0EEF
Copy CRC 9E2B0EEF
Accurately ripped (confidence 2) [4E4A3066] (AR v1)
Copy OK
Track 16
Filename K:\Rips\16. Zweiter Akt, Szene 5 - [Gigue].wav
Peak level 36.6 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC A7BB7064
Copy CRC A7BB7064
Accurately ripped (confidence 2) [E267158C] (AR v1)
Copy OK
Track 17
Filename K:\Rips\17. Zweiter Akt, Szene 5 - Hinaus in die Freiheit.wav
Peak level 74.6 %
Extraction speed 2.2 X
Track quality 100.0 %
Test CRC E9E7946E
Copy CRC E9E7946E
Accurately ripped (confidence 2) [7A3F601B] (AR v1)
Copy OK
Track 18
Filename K:\Rips\18. Zweiter Akt, Szene 5 - [Tambourin - Quadrille des différentes Nations].wav
Peak level 50.3 %
Extraction speed 2.8 X
Track quality 100.0 %
Test CRC E7255C1F
Copy CRC E7255C1F
Accurately ripped (confidence 2) [E4CA57DF] (AR v1)
Copy OK
Track 19
Filename K:\Rips\19. Dritter Akt, Szene 1 - Durch meine Zaubermacht.wav
Pre-gap length 0:00:08.45
Peak level 59.5 %
Extraction speed 3.6 X
Track quality 100.0 %
Test CRC 2C182072
Copy CRC 2C182072
Accurately ripped (confidence 2) [4F800B30] (AR v1)
Copy OK
Track 20
Filename K:\Rips\20. Dritter Akt, Szene 2 - Wer kann mir Schutz und Zuflucht sein.wav
Peak level 65.3 %
Extraction speed 2.4 X
Track quality 100.0 %
Test CRC A165A8CD
Copy CRC A165A8CD
Accurately ripped (confidence 2) [11DE8BEF] (AR v1)
Copy OK
Track 21
Filename K:\Rips\21. Dritter Akt, Szene 3 - Ich hör' Euer Fleh'n, laßt die Verstellung.wav
Peak level 75.5 %
Extraction speed 2.5 X
Track quality 100.0 %
Test CRC 6D55BB9D
Copy CRC 6D55BB9D
Accurately ripped (confidence 2) [69EB8738] (AR v1)
Copy OK
Track 22
Filename K:\Rips\22. Dritter Akt, Szene 4 - Was sehe ich, o welch grausamer Anblick.wav
Peak level 45.8 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC 50621D72
Copy CRC 50621D72
Accurately ripped (confidence 2) [923C69D9] (AR v1)
Copy OK
Track 23
Filename K:\Rips\23. Dritter Akt, Szene 4 - Wie grausam quält mich mein Gewissen.wav
Peak level 66.5 %
Extraction speed 2.6 X
Track quality 100.0 %
Test CRC B61D8B06
Copy CRC B61D8B06
Accurately ripped (confidence 2) [5BA38EAF] (AR v1)
Copy OK
Track 24
Filename K:\Rips\24. Dritter Akt, Szene 4 - Oh, welche Lust, oh, welche süße Lust.wav
Peak level 77.9 %
Extraction speed 1.3 X
Track quality 100.0 %
Test CRC 1B35F749
Copy CRC 1B35F749
Accurately ripped (confidence 2) [5B9950BE] (AR v1)
Copy OK
Track 25
Filename K:\Rips\25. Dritter Akt, Szene 5 - Welche Macht droht uns hier.wav
Peak level 44.7 %
Extraction speed 1.0 X
Track quality 99.7 %
Test CRC 61A21235
Copy CRC 61A21235
Accurately ripped (confidence 2) [D4B6089C] (AR v1)
Copy OK
Track 26
Filename K:\Rips\26. Dritter Akt, Szene 6 - Erbebt, erzittert vor Urgande.wav
Peak level 42.8 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC 9B4587E8
Copy CRC 9B4587E8
Accurately ripped (confidence 2) [45A34F47] (AR v1)
Copy OK
Track 27
Filename K:\Rips\27. Dritter Akt, Szene 6 - Eitle Angst und nichtige Sorge.wav
Peak level 59.3 %
Extraction speed 2.5 X
Track quality 100.0 %
Test CRC 6853C95B
Copy CRC 6853C95B
Cannot be verified as accurate (confidence 2) [551BAC63], AccurateRip returned [459EC9B2] (AR v2)
Copy OK
Track 28
Filename K:\Rips\28. Dritter Akt, Szene 6 - Nein, der Sieg bleibt nur trüg'rische Hoffnung.wav
Peak level 89.4 %
Extraction speed 2.8 X
Track quality 99.9 %
Test CRC 1369E234
Copy CRC 1369E234
Cannot be verified as accurate (confidence 2) [E35F8F30], AccurateRip returned [0FC0AB75] (AR v2)
Copy OK
Track 29
Filename K:\Rips\29. Dritter Akt, Szene 7 - Glückliches Paar, nun erwach zu neuem Leben.wav
Peak level 85.4 %
Extraction speed 2.5 X
Track quality 100.0 %
Test CRC 04D3617E
Copy CRC 04D3617E
Accurately ripped (confidence 2) [A0867DD7] (AR v1)
Copy OK
Track 30
Filename K:\Rips\30. Dritter Akt, Szene 7 - Welch ein Glück.wav
Peak level 66.7 %
Extraction speed 2.6 X
Track quality 100.0 %
Test CRC CA8D877F
Copy CRC CA8D877F
Cannot be verified as accurate (confidence 2) [B0A90A2E], AccurateRip returned [5CC7E783] (AR v2)
Copy OK
Track 31
Filename K:\Rips\31. Dritter Akt, Szene 7 - Urgande steigt herab zur Erd'.wav
Peak level 97.7 %
Extraction speed 2.3 X
Track quality 100.0 %
Test CRC BE2A4C6A
Copy CRC BE2A4C6A
Accurately ripped (confidence 2) [ED74EFE8] (AR v1)
Copy OK
Track 32
Filename K:\Rips\32. Dritter Akt, Szene 7 - Nun kommt, junge Helden.wav
Peak level 34.4 %
Extraction speed 0.8 X
Track quality 99.5 %
Test CRC 633B8389
Copy CRC 633B8389
Accurately ripped (confidence 2) [B606C774] (AR v1)
Copy OK
Track 33
Filename K:\Rips\33. Dritter Akt, Szene 7 - Dir sei Heil, Amadis, Heil.wav
Peak level 97.7 %
Extraction speed 3.1 X
Track quality 99.9 %
Test CRC 9F7DB90C
Copy CRC 9F7DB90C
Accurately ripped (confidence 2) [E2EAEA4E] (AR v1)
Copy OK
Track 34
Filename K:\Rips\34. Dritter Akt, Szene 7 - Junge Herzen, die Amor bindet.wav
Peak level 97.6 %
Extraction speed 2.7 X
Track quality 100.0 %
Test CRC 646A8767
Copy CRC 646A8767
Accurately ripped (confidence 2) [70B332A4] (AR v1)
Copy OK
31 track(s) accurately ripped
3 track(s) could not be verified as accurate
Some tracks could not be verified as accurate
No errors occurred
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: __xspJ5ur9WDI9VfUztQUJX7SpU-] found
Submit result: __xspJ5ur9WDI9VfUztQUJX7SpU- has been confirmed
Track | CTDB Status
1 | (4/4) Accurately ripped
2 | (4/4) Accurately ripped
3 | (4/4) Accurately ripped
4 | (4/4) Accurately ripped
5 | (4/4) Accurately ripped
6 | (4/4) Accurately ripped
7 | (4/4) Accurately ripped
8 | (4/4) Accurately ripped
9 | (4/4) Accurately ripped
10 | (4/4) Accurately ripped
11 | (4/4) Accurately ripped
12 | (4/4) Accurately ripped
13 | (4/4) Accurately ripped
14 | (4/4) Accurately ripped
15 | (4/4) Accurately ripped
16 | (4/4) Accurately ripped
17 | (4/4) Accurately ripped
18 | (4/4) Accurately ripped
19 | (4/4) Accurately ripped
20 | (4/4) Accurately ripped
21 | (4/4) Accurately ripped
22 | (4/4) Accurately ripped
23 | (4/4) Accurately ripped
24 | (4/4) Accurately ripped
25 | (4/4) Accurately ripped
26 | (4/4) Accurately ripped
27 | (4/4) Accurately ripped
28 | (4/4) Accurately ripped
29 | (4/4) Accurately ripped
30 | (4/4) Accurately ripped
31 | (4/4) Accurately ripped
32 | (4/4) Accurately ripped
33 | (3/4) Accurately ripped, or (1/4) differs in 381 samples @01:11:70-01:11:71,01:13:48-01:13:49
34 | (4/4) Accurately ripped
Helmuth Rilling, Bach-Collegium Stuttgart - Johann Christian Bach: Amadis des Gaules (1990)
Thanks to the original releaser