Hans-Peter Westermann, Pieter Dhont, Karl Kaiser, Michael McCraw - Johann Friedrich Fasch: Wind Concertos (1998)
Hans-Peter Westermann, Pieter Dhont, Karl Kaiser, Michael McCraw - Johann Friedrich Fasch: Bläser Konzerte / Wind Concertos (1998)
EAC | FLAC | Image (Cue & Log) ~ 248 Mb | Total time: 51:09 | Scans included
Classical | Label: MDG | # MDG 310 0309-2 | Recorded: 1988
EAC | FLAC | Image (Cue & Log) ~ 248 Mb | Total time: 51:09 | Scans included
Classical | Label: MDG | # MDG 310 0309-2 | Recorded: 1988
Johann Friedrich Fasch was a contemporary of Johann Sebastian Bach, and that has seriously hampered the interest in his music. It was the German musicologist Hugo Riemann, who at the beginning of the 20th century made an attempt to restore his reputation.
In his own time he was a man of fame, whose works were known far beyond the regions where he worked. One of the most important of these was the time he spent in Leipzig. He became a member of the Thomasschule at the age of 13. He came under the influence of Georg Philipp Telemann, who arrived in Leipzig at the same time. Fasch, who had taught himself to play the keyboard and the violin, started to compose like Telemann, which he did with so much success that some of his works were performed by the Collegium Musicum. In Leipzig he also got to know music from elsewhere in Europe, in particular the concertos of Vivaldi.
In 1708 he started studying law at Leipzig University, and founded a second Collegium Musicum, in which musicians took part who later ranked among the most famous in Germany. These included Pisendel, Heinichen and Stölzel.
From 1712 onwards he travelled through Germany and worked in Gera, Greiz and Prague respectively, until he became Kapellmeister at the court of Anhalt-Zerbst in 1722. He refused the invitation to become Thomaskantor in Leipzig as successor to Johann Kuhnau. He stayed in Zerbst until his death in 1758.
As Kapellmeister he composed a large number of sacred works, among them nine cantata cycles of which all have been lost. Only a number of individual cantatas have survived, as well as some masses and mass movements. There is also a Passion on the well-known text by Brockes.
The main part of his oeuvre which has come down to us consists of concertos and overtures. Although a player of the keyboard and the violin by profession, one of the features of his orchestral music is the prominence of wind instruments, in particular the flute, the oboe and the bassoon. This recording delivers some excellent examples of the way Fasch treated these instruments.
Performer:
Hans-Peter Westermann, oboe
Pieter Dhont, oboe
Karl Kaiser, flute
Michael McCraw, bassoon
Mary Utiger, violin
Paula Kibildis, violin
Hajo Bäss, viola
Hans Koch, violone
Harald Hoeren, harpsichord
Tracklist:
Johann Friedrich Fasch (1688-1758)
Concerto for Flute, Oboe, Strings and B. c. in D major
01. (Allegro)
02. Largo
03. Allegro
Concerto for Oboe, Strings and B. c. in G minor
04. Allegro
05. Largo
06. Allegro
Concerto for Oboe, 2 Violins and Harpsichord in G major
07. Largo
08. Allegro
09. Largo
10. Allegro
Concerto for Flute, Oboe, Strings and B. c. in E minor
11. Allegro
12. Adagio
13. Allegro
Concerto for Oboe, Strings and B. c. in G major
14. Largo
15. Allegro
16. Siciliana
17. Allegro
Concerto for 2 Oboes, Bassoon, Strings and B. c. in C minor
18. Allegro
19. Largo
20. Allegro
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 18. February 2024, 15:02
Kaiser, Westermann, Dhont, McCraw, Utiger et al / Fasch JF - Wind Concertos
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Filename E:\DP\Kaiser, Westermann, Dhont, McCraw, Utiger et al - Fasch JF - Wind Concertos.wav
Peak level 100.0 %
Extraction speed 3.1 X
Range quality 100.0 %
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==== Log checksum 14F4E24ACDDA7F84C1EBE6DCE684C47F4346498C1CACD9FB6050F7328662F70B ====
Hans-Peter Westermann, Pieter Dhont, Karl Kaiser, Michael McCraw - Johann Friedrich Fasch: Wind Concertos (1998)
Thanks to the original releaser