Greatest Jugalbandies: Ali Akbar Khan & Ravi Shankar - Exotic Sitar & Sarod (1965)

Ali Akhbar Khan: The son of influential Hindustani musician Allaudin Khan, Ali Akbar Khan was one of the Eastern world's greatest musicians. A master of the sarod, a 25-stringed, lute-like, Indian instrument, Khan brought the Northern Indian classical music to the international stage. A five-time Grammy nominee, Khan was called, by Yehudi Menuhin, "an absolute genius, the greatest musician in the world." Tracing his ancestral roots to Mian Tansen, a 16th century musician in the court of Emperor Akbar, Khan began studying music at the age of three. Initially studying vocal music with his father, he studied drums with his uncle, Fakir Aftabuddin. Although he tried playing a wide variety of instruments, he felt most comfortable on the sarod. Training and practicing 18 hours a day, he slowly mastered the instrument. In 1936, he made his public debut during a concert in Allahabad. In the early '40s, Khan became a court musician for the Maharaja of Judhpur. He soon acquired the title "Ustad" (master musician).
Ravi Shankar: Rabindra Shankar Chowdery, aka Ravi Shankar, was born on April 7, 1920, in Varanasi, India, into a well-off orthodox Brahmin family. His father, ShyAm Shankar, was employed as a diwan (minister) by the Maharajah of Jhalawar. By the age of 13, Ravi Shankar was going along on every tour of his brother Uday Shankar's Compaigne de Danse et Musique Hindou (Company of Hindu Dance and Music). At the All-Bengali Music Conference in December 1934, he met the multi-instrumentalist Allauddin Khan. Precisely when Allauddin Khan was born is uncertain. People hazard dates in the 1860s around 1862, but in later years he himself gave his age haphazardly. He would transform many musicians' lives, but he had an incalculable effect on Ali Akbar (his son), Annapurna Devi (his daughter), and Shankar himself. Allauddin Khan joined Uday's troupe as its principal soloist around 1935-1936.
In 1938, Shankar gave up a potential career as a dancer and went to study with Allauddin Khan in Maihar. In 1939, he began giving public recitals and came out of training at the end of 1944. Until 1948, he based himself in Bombay and gave programs all over India. He toured and wrote for films and ballet. Around this time he began his recording career with a small session for HMV (India). Work for All India Radio followed, as music director from February 1949 to January 1956 in New Delhi. Concurrently, his international star was on the rise. In 1954, he performed in the Soviet Union. In 1956, he played his debut solo concerts in Western Europe and the U.S. Within a decade he would be the most famous Indian musician on the planet. Within two decades he became probably the most famous Indian alive. His English-language autobiography, My Music, My Life (1969), is still one of the best general introductions to Hindustani music. It would be hard to over-estimate his influence in late 20th century Western music. His disciples included George Harrison and Philip Glass.
Shankar was not one-dimensional. Apart from pursuing a career as a classical performer, he also experimented outside this field. For this reason he has attracted criticism from purists. Some of this, especially during the Beatles era, undoubtedly had an element of jealousy to it, and some was certainly warranted, because Shankar did take many chances. In fact, that was one of the things that kept his music exciting. To use a cricketing image – baseball would be wholly inappropriate – Shankar's batting average remained high throughout a long and illustrious career. In later life, he spent a great deal of time in the U.S. at his home in California, and continued to give spellbinding live performances well into the new century. However, his final concert took place in Bangalore, southwest India, in February 2012, where he shared the stage with his daughter, Anoushka. Sadly, following a long period of ill health, Shankar passed away at a San Diego hospital on December 11, 2012, aged 92. A pair of albums appeared later that year, Living Room Sessions: Part 1 and a performance of Shankar's only symphony composition, simply called Symphony, done by the London Philharmonic Orchestra with David Murphy. ~Allmusic

Track listing
01. Raga Shree - Alaap, Jod, Jhala & Gat Jhaptaal (20:45)
02. Raga Sindhu Bhairavi - Dadra & Gat Teentaal (19:59)
~ (40:43)

Personnel
- Sarod – Ali Akbar Khan
- Sitar – Ravi Shankar
- Tabla – Alla Rakha
- Tambura – Ashish Kumar, N. Mullick



Thx to Wildstrings