![John Eliot Gardiner, Orchestre de l’Opera de Lyon - Gluck: Iphigenie en Aulide; La Rencontre imprevue; Don Juan [4 CDs] (2008)](https://pixhost.icu/avaxhome/91/d3/0080d391_medium.jpg)
John Eliot Gardiner, Orchestre de l’Opera de Lyon - Gluck: Iphigenie en Aulide; La Rencontre imprevue; Don Juan [4 CDs] (2008)
![John Eliot Gardiner, Orchestre de l’Opera de Lyon - Gluck: Iphigenie en Aulide; La Rencontre imprevue; Don Juan [4 CDs] (2008)](https://pixhost.icu/avaxhome/91/d3/0080d391.jpg)
John Eliot Gardiner, Orchestre de l’Opéra de Lyon, The English Baroque Soloisits - Gluck: Iphigénie en Aulide; La Rencontre imprévue; Don Juan (2008)
EAC | FLAC | Image (Cue & Log) ~ 1.18 Gb | Total time: 264:35 | Scans included
Classical | Label: Erato | # 2564 69562-0 | Recorded: 1981, 1987, 1990
EAC | FLAC | Image (Cue & Log) ~ 1.18 Gb | Total time: 264:35 | Scans included
Classical | Label: Erato | # 2564 69562-0 | Recorded: 1981, 1987, 1990
This four disc set from Erato opens with Gluck’s three act lyric tragedy Iphigénie en Aulide, his first original ‘French’ opera for the fashionable Paris Opéra. In 1773 Gluck had been persuaded that he could establish himself at the Paris Opéra (also known as L’Opéra) by François du Roullet, an attaché at the French Embassy in Vienna. Baille du Roullet provided Gluck with the libretto for Iphigénie en Aulide, based on the tragedy of Racine and founded on the play of Euripides. Initially the Director of L’Opéra hesitated in accepting Gluck’s score. Fortunately he had a influential ally in Marie-Antoinette, the Queen of France, to whom he had taught singing and harpsichord. The first staging of Iphigénie en Aulide was at the Paris Opéra in 1774.
Gluck was to go on to have significant success in Paris writing four specifically French operas. He was a controversial figure often dividing opinion amongst members of Parisian music world. Musicologist Reinhardt G. Pauly writes, “In his Paris operas, dramatic continuity and persuasiveness are achieved to an even greater extent. Recitatives are free and flexible; far from being routine, they reflect subtle differences in temperament or changes in emotional states. Gluck’s orchestra likewise is enlisted for dramatic purposes … In his use of the orchestra, especially, Gluck builds on the work of his Parisian predecessor Rameau.” (Music in the Classical Period by Reinhard G. Pauly, Publishers: Prentice-Hall (1973, 1965) (second edition) ISBN: 0-13-607630-0).
The score to Iphigénie en Aulide has often been heard in the German version reworked by Richard Wagner in the late 1846 and early 1847 for a production that he was to stage in Dresden. Furthermore, Richard Strauss also set himself the task of making an arrangement of Iphigénie en Aulide for a Weimar production in 1889/90. The French version of Iphigénie en Aulide chosen by John Eliot Gardiner on this recording is generally the revision that Gluck prepared for the 1775 revival of the score.
After the richly varied overture to Iphigénie en Aulide, an undoubted influence on composers such as Donizetti and Verdi, the listener is treated to a feast of splendid music. As Agamemnon the bass-baritone José Van Dam is rich and expressive throughout and I especially enjoyed his Act 1, Scène 1 air ‘Brilliant auteur de la lumiere’. Anne Sofie Von Otter the mezzo-soprano clearly relishes playing Queen Clytemnestre and displays smooth, flowing and burnished tones combined with significant drama. Von Otter is heard at her finest in the aria ‘Par un pere cruel à al mort condamnée’ from Act 2, Scene 4.
Playing Iphigénie I experienced the voice of soprano Lynne Dawson as bright and often piercing, whilst her characterisation is moving and expressive. Iphigénie’s Act 3, Scene 3 air ‘Adieu, conservez dans votre âme le souvenir de notre ardeur’ is a highlight of the score. The role of Achilles is played by tenor John Aler with light and gleaming tones. Aler’s sensitive and expressive portrayal is splendidly heard in the Act 1, Scene 8 air ‘Cruelle, non jamais votre insensible coere ne fut touche de mon amour.’ I also enjoyed the dark tones of baritone Gilles Cachemaille as the high priest Calchas. His aria ‘Au fait des grandeurs’ from Act 1, Scene 4 is especially memorable.
John Eliot Gardiner conducts with a sure sense of style and polish and with exceptional security. At times I would have preferred the music to have been driven slightly harder; notwithstanding, these remain high calibre performances.
The three act opera La Rencontre imprévue (The Unexpected/Unforeseen Encounter) also known as Les Pèlerins de la Mecque (The Pilgrims to Mecca) is a form of French Opéra known as Comédie mêlée d'ariettes (Comedy mixed with brief arias). The opera was first staged at the Burgtheater, Vienna in 1764. Gluck’s libretto was written by Louis Hurtaut Dancourt after a 1726 play by Alain-René Lesage and Jacques-Philippe d’Orneval.
The primary role as Rezia is sung by soprano Lynne Dawson. Found imprisoned by Prince Ali in the Sultan’s harem Rezia is bright and assured in her aria ‘Ah! qu’il est doux de se revoir’ from Act 2, Scene 5. I was struck by the soprano’s especially attractive ornamentations. Tenor Jean-Luc Viala plays Osmin the servant of Prince Ali. This sweet-toned tenor communicates considerable passion in his Act 1, Scene 1 aria ‘Heureux l’amant qui se depetre de Cupidon’.
I was also impressed with tenor Guy de Mey in his role as Prince Ali of Balsora. His light and vivid timbre feels eminently suited to the high tessitura of the Act 1, Scene 5 aria ‘Je cherirai, jusqu’au trepas, l’objet céleste qui m’engage’. The soprano Claudine Le Coz is highly enthusiastic in her role as Balkis. Although sometimes lacking in fluidity Le Coz is especially confident in her Act 2, Scene 5 aria ‘Venez, venez, troupe brillante’.
The role of Calendar is taken by baritone Gilles Cachemaille who impresses with his smooth and rich timbre. In his Act 3, Scene 4 aria ‘D’une telle lachete’ the luxuriant tones of Cachemaille are highly expressive. Baritone Jean-Phillipe Lafont sings the role of the painter Vertigo. Lafont’s darkly menacing voice is splendidly characterised in the drama-laden aria ‘C’est un torrent impetueux’ from Act 3, Scene 8. As Dardane, Catherine Dubosc is a bright and attractive soprano and I also noted the creamy timbre of soprano Sophie Marin-Degor in her role as Amine.
The outstanding Orchestre de L'Opéra National de Lyon conducted by John Eliot Gardiner deliver pleasingly sympathetic performances that are consistently alert.
The final work in the set is the three act dramatic ballet Don Juan or Le festin de pierre (The feast of the stone). The opera was first produced in 1761 at Vienna’s Burgtheater to a stage design by the eminent Giovanni Quaglia. On this recording John Eliot Gardiner is using a version realised by Richard Englander.
For conductor John Eliot Gardiner the English Baroque Soloists deliver stylish and keenly observed performances on period instruments. I was struck by the sparklingly played Sinfonia that opens the score; Dance No. 7 is a stately gavotte and Dance No. 11 a breezy minuet. There is a foot-tapping character to Dance No. 19, a fandango and a regal quality to Dance No. 23. The light-hearted humour of Dance No. 27 is impressive and the final Dance No. 30 is a headlong chase of spirit and vigour.–Michael Cookson
Performer:
Iphigénie en Aulide:
Agamemnon – José Van Dam
Clytemnestre – Anne Sofie von Otter
Iphigenie – Lynne Dawson
Achille – John Aler
Patrocle – Bernard Delétré
Calchas – Gilles Cachemaille
Arcas – René Schirrer
Diane – Guillemette Laurens
Une Femme grecque / Une Esclave - Ann Monoyios
Une Femme grecque - Isabelle Eschenbrenner
Monteverdi Choir
Orchestre de l’Opéra de Lyon
Conductor – John Eliot Gardiner
La Rencontre imprévue ou Les Pèlerins de la Mecque:
Rezia - Lynne Dawson
Balkis – Claudine Le Coz
Dardané – Catherine Dubosc
Amine – Sophie Marin-Degor
Ali – Guy de Mey
Osmin – Jean-Luc Viala
Le Sultan (Achmet) d’Egypte – Guy Flechter
Vertigo – Jean-Philippe Lafont
Un Calender – Gilles Cachemaille
Le Chef de caravane – Francis Dudziak
Orchestre de l’Opéra de Lyon
Conductor – John Eliot Gardiner
Don Juan ou Le Festin de pierre:
English Baroque Soloists
Conductor – John Eliot Gardiner
CD1:
Iphigénie en Aulide
01. Ouverture
02. Acte I. Scene 1. Diane impitoyable (Agamemmnon)
03. Air: Brillant auteur de la lumiere (Agamemnon)
04. Scene 2. Choeur: Cest trop faire de resistance (Grecs, Agamemnon, Calchas)
05. Dune sainte terreur (Calchas) / Duo: Tu veux que par ma main tremblante (Agamemon, Calchas)
06. Choeir: Nommez-nous la victime (Grecs)
07. Scene 3. Vous voyez leur fureur extreme (Calchas, Agamemnon)
08. Air: Peuvent-ils ordonner? (Agamemnon)
09. Vous oseriez etre parjure? (Calchas, Agamemnon)
10. Scene 4. Air: Au faite des grandeurs (Calchas)
11. Dieux cruels! (Agamemnon)
12. Choeur: Que d'attraits! (Grecs)
13. Scene 5. Choeur: Que d'attraits! (Grecs) (Suite) / Air: Que j'aime a voir ces hommages flatteurs (Clytemnestre)
14. Demeurez dans ces lieux, ma fille (Clytemnestre)
15. Choeur: Non, Jamais, jamais aux regards du perfide Paris (Grecs)
16. les voeux dont ce peuple m'honore… (Iphigenie)
17. Air (Mouvement de passepied: Lentement)
18. Scene 6. Allez, il faut venger notre gloire offensee (Clytemnestre, Iphigenie)
19. Air 'Armez-vous d'un noble courage' (Clytemnestre)
20. Scene 7. L'ai-je bien entendu? (Iphigenie)
21. Air: Helas! mon coeur sensible et tendre (Iphigenie)
22. Scene 8. En croirai-je mes yeux? (Achille, Iphigenie)
23. Air: Iphigenie, helas! (Iphigenie)
24. S'il est vrai (Achille)
25. Air: Cruelle, non jamais (Achille)
26. Mon trouble, mes soupcons (Iphigenie)
27. Duo: Ne doutez jamais de ma flamme (Achille, Iphigenie)
28. Acet II. Scene 1. Choeur: Rassurez-vous, belle Princesse / Vous essayez en vain (Iphigenie)
29. Air: Par la crainte et par l'esperance (Iphigenie)
30. Scene 2. Ma fille, votre hymen s'apprete (Clytemnestre, Iphigenie)
31. Scene 3. Marche
32. Rival de ma valeur (Achille)
33. Chantez, celebrez votre reine (Achille, Choeur)
34. Air: Achille est couronne (Une Grecque)
35. Ami sensible, ennemi redoutable (Choeur)
36. Air gai (Danse)
37. Passacaille (Ballet)
CD2:
01. Choeur: Les filles de Lesbos (Esclaves lesbiennes, une Esclave, Iphigenie)
02. Air pour les esclaves (Allegretto)
03. Quatuor: Jamais a tes autels (Iphigenie, Clytemnestre, Achille, Patrocle et Choeur)
04. Scene 4. Princesse, pardonnez (Acholle Arcas, Clytemnestre, Iphigenie)
05. Air: Par un pere cruel a la mort condamnee (Clytemnestre)
06. Reine, rassurez-vous (Achille, Clytemnestre)
07. Trio: Cest mon pere, Seigneur (Iphigenie, Clytemnestre, Achille)
08. Scene 5. Suis-moi, Patrocle (Achilles, Patrocle)
09. Scene 6. Je le vois (Achille, Agamemnon)
10. Duo: De votre audace temeraire (Agamemnon, Achille)
11. Scene 7. Tu decides son sort (Agamemnon)
12. Air: O toi, l'objet le plus aimable (Agamemnon)
13. Acte III. Scene 1: Choeur: Non, non, nous ne souffrirons pas (Grecs, Iphigenie, Arcas)
14. Scene 3. Princesse, suivez-moi (Achille, Iphigenie)
15. Air: Il faut, de mon destin (Iphigenie)
16. Et vous m'aimez (Achilles, Iphigenie)
17. Adieu, conservez dans votre ame… (Iphigenie)
18. Sans vous, Achille pourrait vivre? (Achille, Iphigenie)
19. Air: Calchas, d'un trait mortel perce (Achille)
20. Scene 4. Cruel! il fuit (Iphigenie) / Choeur: Non, non, nous ne souffrirons pas (Grecs)
21. Scene 5. Osez mettre le comble… (Clytemnestre, Iphigenie)
22. Air: Adieu, vivez pour Oreste (Iphigenie) / Lui, par qui le couteau (Clytemnestre, Iphigenie)
23. Vous entendez, les cris (Iphigenie, Clytemnestre)
24. Scene 6. Dieux puissants que j'atteste (Clytemnestre) / Ma fille, je la vois (Clytemnestre)
25. Air: Jupiter, lance la foudre (Clytemnestre)
26. Scene 6. Choeur: Puissante Deite / Scene 7. Pour prix du sang / Scene 8. Fuyons, fuyons tous / Scene 9. O ma fille
27. Descente de Diane: Votre zele des Dieux a fleche la colere
28. Adorez la clemence et les bontes des Dieux (Calchas, Grecs)
29. Quatuor: Mon coeur ne saurait l’exces de mon bonheur extreme (Iphigenie, Clytemnestre, Achille, Agamemnon)
30. Choeur: Jusqu’aux voutes etherees portons nos voeux reconnaissants (Grecs)
31. Passacaille
32. Choeur: Partons, volons a la victoire (Grecs)
CD3:
La Rencontre imprévue ou Les Pèlerins de la Mecque
01. Ouverture
02. Acte I. Scene 1. Air: Heureux l'amant qui se dépêtre de Cupidon
03. Scene 2. Dialogue: Illah, illah, ha!
04. Castagno, Castgna
05. Les hommes pieusement …
06. Scene 3. Dialogue: Eh! mes amis …
07. D' un céleste transport …
08. Scene 4. Dialogue: Pourvu Que Sa Maladie …
09. Il Fait Entendre …
10. Scene 5. Dialogue: Je ne vois pas ici Osmin
11. Castagno, Castagna
12. Je cherirai, jusqu'au trépas
13. Scene 6. Dialogue: Moi, Calender! (Ali, Osmin)
14. Scene 7. Air: Bel inconnu qu'ici l’amour amene (Balkis, Osmin)
15. Scene 8. Dialogue: Eh bien, Seigneur!
16. Trio: Je suis touché des bontés de la dame (Ali, Balkis, Osmin)
17. Acte II. Scène 1. Eh, bien seigneur qu'en dites vous? (Osmin, Ali)
18. Scène 2. Dialogue: Elle est fort gracieuse
19. Air: J'ai fait un rêve des plus doux
20. Air: Vous ressemblez a la rose naissante (Ali)
21. Air: A ma maitresse, j'ai promis, Seigneur (Dardane)
22. Scène 3. Dialogue: Ma foi, seigneur, je crois …
23. Air: Je cherche a vous faire le sort …
24. Air porodie: Tout ce que j'aime …
25. Air: J'ai perdu mon etalage (Amine)
26. Scène 4. Dialogue: La favorite se rit de nous
27. Duo: Oh, oh, oh, Abrenuntio! (Osmin, Ali)
28. Scène 5. Duo: Que vois-je! O ciel! (Ali, Rezia)
29. Air: Je Sais Que l'amoureux …
30. Air: Sans votre brusque retraite
31. Ariette: Ah! qu'il est doux de se revoir (Rezia)
32. Air: Venez, venez, troupe brillante (Balkis)
33. Ballets
34. Scène 6. Finale, sextuor: Ah, je suis en transe
CD4:
01. Acte III. Scène 1. Dialogue: Vous etes bien pressé de partir cette fois-ci (Le Calender, le Chef de caravane)
02. Scène 2. Dialogue: A vous frère (Le Chef de caravane, le Calender)
03. Air: Mahomet, notre grand prophète (Le Chef de caravane)
04. Scène 3. Dialogue: Un bienfait n'est jamais perdu (Le Calender)
05. Scène 4. Dialogue: Ami ton Prince implore ton secours (Ali, le Calender, Balkis)
06. Air: D'une telle lacheté (Le Calender)
07. Scène 5. Dialogue: Ah, cher Ali, le bonheur de vous revoir (Rezia)
08. Air parodie: Maitre des coeurs (Rezia)
09. Scène 6. Dialogue: Seigneur, allez vite (Le Calender, Ali)
10. Scène 7. Ah! Osmin, te voila? (Balkis, Osmin)
11. Scène 8. Dialogue: Ah! ah! gaillard, vous voila (Vertigo, Balkis)
12. Trio: Permettez que je vous embrasse (Vertigo, Balkis, Osmin)
13. Trio: Ho, ho! Monsieur Vertigo (Balkis, Osmin, Vertigo)
14. Trio: Est-ce un Adagio? (Balkis, Vertigo, Osmin)
15. Air: Des combats, j'ai peint l'horreur (Vertigo)
16. Air: C'est un torrent impétueux (Vertigo)
17. Air: Un ruisselet bien clair, bien net (Vertigo)
18. Scène 9. Dialogue: Ah, j'ai cru qu'il allait m'etrangler (Osmin, Balkis)
19. Scène 10. Dialogue: Ah! chère Rezia (Ali, Rezia)
20. Duo: Qu'il est doux de partager ses chaines (Rezia, Ali)
21. Scène 11. Dialogue: C'en est fait de nous (Balkis, Dsmin, Ali, Rezia)
22. Scène 12. Ensemble: Après un tel outrage
23. Finale: Cessons de répandre des larmes
Don Juan ou Le Festin de pierre
24. Sinfonia: Allegro
25. № 1. Allegro grazioso
26. № 2. Andante
27. № 3. Allegro maestoso
28. № 4. Allegro furioso
29. № 5. Allegro forte risoluto
30. № 6. Risoluto moderato
31. № 7. Gavotte
32. № 8. Brillante
33. № 9. Allegretto
34. № 10. Moderato
35. № 11. Giusto
36. № 12. Allegro
37. № 13. Andante grazioso
38. № 14. Andante
39. № 15. Presto
40. № 16. Allegretto
41. № 17. Andante
42. № 18. Allegro giusto
43. № 19. Moderato
44. № 20. Andante
45. № 21. Grazioso
46. № 22. Allegretto
47. № 23. Moderato
48. № 24. Risoluto e moderato
49. № 25. Allegretto
50. № 26. Andante staccato
51. № 27. Allegro
52. № 28. Allegretto
53. № 29. Larghetto
54. № 30. Allegro non troppo
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27 | (73/75) Accurately ripped
28 | (73/75) Accurately ripped
29 | (73/75) Accurately ripped
30 | (74/75) Accurately ripped
31 | (74/75) Accurately ripped
32 | (74/75) Accurately ripped
33 | (74/75) Accurately ripped
34 | (74/75) Accurately ripped
35 | (74/75) Accurately ripped
36 | (74/75) Accurately ripped
37 | (72/75) Accurately ripped
==== Log checksum 5E9BC3D8A0E883CFEF941EAC8A5DC3F0BC7CDF095D8D522FB1CBFB2151DA9673 ====
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 16. February 2021, 14:58
John Eliot Gardiner, Monteverdi Choir & Orchestre de l'Opéra de Lyon / Gluck - Iphigénie en Aulide CD2
Used drive : HL-DT-STDVDRAM GH24NS95 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:00.08 | 0 | 9007
2 | 2:00.08 | 3:58.10 | 9008 | 26867
3 | 5:58.18 | 1:12.20 | 26868 | 32287
4 | 7:10.38 | 1:39.52 | 32288 | 39764
5 | 8:50.15 | 4:15.53 | 39765 | 58942
6 | 13:05.68 | 0:36.50 | 58943 | 61692
7 | 13:42.43 | 3:08.07 | 61693 | 75799
8 | 16:50.50 | 1:33.38 | 75800 | 82812
9 | 18:24.13 | 2:27.02 | 82813 | 93839
10 | 20:51.15 | 1:01.08 | 93840 | 98422
11 | 21:52.23 | 5:12.15 | 98423 | 121837
12 | 27:04.38 | 4:18.30 | 121838 | 141217
13 | 31:22.68 | 1:25.00 | 141218 | 147592
14 | 32:47.68 | 1:07.50 | 147593 | 152667
15 | 33:55.43 | 1:42.27 | 152668 | 160344
16 | 35:37.70 | 0:40.53 | 160345 | 163397
17 | 36:18.48 | 3:12.65 | 163398 | 177862
18 | 39:31.38 | 0:41.67 | 177863 | 181004
19 | 40:13.30 | 1:18.03 | 181005 | 186857
20 | 41:31.33 | 0:29.72 | 186858 | 189104
21 | 42:01.30 | 1:20.45 | 189105 | 195149
22 | 43:22.00 | 1:30.23 | 195150 | 201922
23 | 44:52.23 | 1:01.27 | 201923 | 206524
24 | 45:53.50 | 2:34.70 | 206525 | 218144
25 | 48:28.45 | 1:38.55 | 218145 | 225549
26 | 50:07.25 | 3:48.05 | 225550 | 242654
27 | 53:55.30 | 1:36.43 | 242655 | 249897
28 | 55:31.73 | 1:30.72 | 249898 | 256719
29 | 57:02.70 | 2:21.48 | 256720 | 267342
30 | 59:24.43 | 1:47.12 | 267343 | 275379
31 | 61:11.55 | 2:44.18 | 275380 | 287697
32 | 63:55.73 | 1:53.72 | 287698 | 296244
Range status and errors
Selected range
Filename C:\ArlegZ\Gluck - Iphigenie en Aulide - John Eliot Gardiner CD2.wav
Peak level 94.1 %
Extraction speed 2.0 X
Range quality 100.0 %
Test CRC 585FDB88
Copy CRC 585FDB88
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 7) [13C316C2] (AR v2)
Track 2 accurately ripped (confidence 7) [643ECAC6] (AR v2)
Track 3 accurately ripped (confidence 7) [C3C40844] (AR v2)
Track 4 accurately ripped (confidence 7) [102A85EB] (AR v2)
Track 5 accurately ripped (confidence 7) [C660F0AA] (AR v2)
Track 6 accurately ripped (confidence 7) [FF9D9E59] (AR v2)
Track 7 accurately ripped (confidence 7) [5EFFAA8F] (AR v2)
Track 8 accurately ripped (confidence 7) [36791917] (AR v2)
Track 9 accurately ripped (confidence 7) [6FB9A1E7] (AR v2)
Track 10 accurately ripped (confidence 7) [EB0767BD] (AR v2)
Track 11 accurately ripped (confidence 7) [A83567F1] (AR v2)
Track 12 accurately ripped (confidence 7) [8F2B8576] (AR v2)
Track 13 accurately ripped (confidence 7) [A55D177E] (AR v2)
Track 14 accurately ripped (confidence 7) [326A061D] (AR v2)
Track 15 accurately ripped (confidence 7) [2ACB7F0A] (AR v2)
Track 16 accurately ripped (confidence 7) [9EBDB0A1] (AR v2)
Track 17 accurately ripped (confidence 7) [CE18F548] (AR v2)
Track 18 accurately ripped (confidence 7) [59BCE605] (AR v2)
Track 19 accurately ripped (confidence 7) [9BC64941] (AR v2)
Track 20 accurately ripped (confidence 7) [4805C4D1] (AR v2)
Track 21 accurately ripped (confidence 7) [F7ACCBD2] (AR v2)
Track 22 accurately ripped (confidence 7) [D0FB5075] (AR v2)
Track 23 accurately ripped (confidence 7) [57E3C774] (AR v2)
Track 24 accurately ripped (confidence 7) [9F3E9AB6] (AR v2)
Track 25 accurately ripped (confidence 7) [546489CB] (AR v2)
Track 26 accurately ripped (confidence 7) [D5056B95] (AR v2)
Track 27 accurately ripped (confidence 7) [B7E09E60] (AR v2)
Track 28 accurately ripped (confidence 7) [5C37C63C] (AR v2)
Track 29 accurately ripped (confidence 7) [38201566] (AR v2)
Track 30 accurately ripped (confidence 7) [2D490E56] (AR v2)
Track 31 accurately ripped (confidence 7) [01E0D4C8] (AR v2)
Track 32 accurately ripped (confidence 7) [445ED12B] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: _53TvawwQNkAP9el6FdCpUa2Vok-] found
Submit result: _53TvawwQNkAP9el6FdCpUa2Vok- has been confirmed
Track | CTDB Status
1 | (71/73) Accurately ripped
2 | (73/73) Accurately ripped
3 | (72/73) Accurately ripped
4 | (73/73) Accurately ripped
5 | (73/73) Accurately ripped
6 | (73/73) Accurately ripped
7 | (73/73) Accurately ripped
8 | (73/73) Accurately ripped
9 | (73/73) Accurately ripped
10 | (73/73) Accurately ripped
11 | (73/73) Accurately ripped
12 | (73/73) Accurately ripped
13 | (73/73) Accurately ripped
14 | (72/73) Accurately ripped
15 | (73/73) Accurately ripped
16 | (73/73) Accurately ripped
17 | (73/73) Accurately ripped
18 | (73/73) Accurately ripped
19 | (73/73) Accurately ripped
20 | (73/73) Accurately ripped
21 | (73/73) Accurately ripped
22 | (73/73) Accurately ripped
23 | (73/73) Accurately ripped
24 | (73/73) Accurately ripped
25 | (73/73) Accurately ripped
26 | (73/73) Accurately ripped
27 | (73/73) Accurately ripped
28 | (73/73) Accurately ripped
29 | (73/73) Accurately ripped
30 | (73/73) Accurately ripped
31 | (72/73) Accurately ripped
32 | (72/73) Accurately ripped
==== Log checksum 2D3861AAA474C77E67093BA06C1A39EE381DA794A6362351C78FE9C5620AE4A2 ====
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 16. February 2021, 15:48
John Eliot Gardiner, Orchestre de l'Opéra de Lyon / Gluck - La Rencontre imprévue CD1
Used drive : HL-DT-STDVDRAM GH24NS95 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:25.60 | 0 | 10934
2 | 2:25.60 | 2:06.65 | 10935 | 20449
3 | 4:32.50 | 0:15.23 | 20450 | 21597
4 | 4:47.73 | 2:53.52 | 21598 | 34624
5 | 7:41.50 | 2:34.25 | 34625 | 46199
6 | 10:16.00 | 0:30.20 | 46200 | 48469
7 | 10:46.20 | 2:14.38 | 48470 | 58557
8 | 13:00.58 | 0:19.02 | 58558 | 59984
9 | 13:19.60 | 2:02.70 | 59985 | 69204
10 | 15:22.55 | 0:06.63 | 69205 | 69717
11 | 15:29.43 | 1:07.30 | 69718 | 74772
12 | 16:36.73 | 4:23.00 | 74773 | 94497
13 | 20:59.73 | 0:14.20 | 94498 | 95567
14 | 21:14.18 | 2:15.57 | 95568 | 105749
15 | 23:30.00 | 0:08.23 | 105750 | 106372
16 | 23:38.23 | 3:51.52 | 106373 | 123749
17 | 27:30.00 | 0:13.09 | 123750 | 124733
18 | 27:43.09 | 0:05.64 | 124734 | 125172
19 | 27:48.73 | 2:23.40 | 125173 | 135937
20 | 30:12.38 | 4:46.30 | 135938 | 157417
21 | 34:58.68 | 1:26.45 | 157418 | 163912
22 | 36:25.38 | 0:24.17 | 163913 | 165729
23 | 36:49.55 | 3:16.48 | 165730 | 180477
24 | 40:06.28 | 4:53.32 | 180478 | 202484
25 | 44:59.60 | 1:48.53 | 202485 | 210637
26 | 46:48.38 | 0:19.50 | 210638 | 212112
27 | 47:08.13 | 0:54.05 | 212113 | 216167
28 | 48:02.18 | 1:53.52 | 216168 | 224694
29 | 49:55.70 | 3:21.23 | 224695 | 239792
30 | 53:17.18 | 1:31.62 | 239793 | 246679
31 | 54:49.05 | 5:09.65 | 246680 | 269919
32 | 59:58.70 | 1:09.40 | 269920 | 275134
33 | 61:08.35 | 10:10.35 | 275135 | 320919
34 | 71:18.70 | 2:19.18 | 320920 | 331362
Range status and errors
Selected range
Filename C:\ArlegZ\Gluck - La Rencontre imprevue - John Eliot Gardiner CD1.wav
Peak level 76.7 %
Extraction speed 2.0 X
Range quality 100.0 %
Test CRC C35C342A
Copy CRC C35C342A
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 6) [0B7D281C] (AR v2)
Track 2 accurately ripped (confidence 6) [8D45553C] (AR v2)
Track 3 accurately ripped (confidence 6) [38C2A7CF] (AR v2)
Track 4 accurately ripped (confidence 6) [95DA6C9B] (AR v2)
Track 5 accurately ripped (confidence 6) [3135C4F9] (AR v2)
Track 6 accurately ripped (confidence 6) [B2642391] (AR v2)
Track 7 accurately ripped (confidence 6) [BC7E375B] (AR v2)
Track 8 accurately ripped (confidence 6) [D4A3B483] (AR v2)
Track 9 accurately ripped (confidence 6) [AAF70164] (AR v2)
Track 10 accurately ripped (confidence 6) [0672FA32] (AR v2)
Track 11 accurately ripped (confidence 6) [DF4416DF] (AR v2)
Track 12 accurately ripped (confidence 6) [B3CA9EE8] (AR v2)
Track 13 accurately ripped (confidence 6) [CD597ED7] (AR v2)
Track 14 accurately ripped (confidence 6) [9963A8A7] (AR v2)
Track 15 accurately ripped (confidence 6) [74487279] (AR v2)
Track 16 accurately ripped (confidence 6) [F7557CB6] (AR v2)
Track 17 accurately ripped (confidence 6) [7E3F533E] (AR v2)
Track 18 accurately ripped (confidence 3) [0CEEC3B8] (AR v2)
Track 19 accurately ripped (confidence 6) [82EA110C] (AR v2)
Track 20 accurately ripped (confidence 6) [782B3EB2] (AR v2)
Track 21 accurately ripped (confidence 6) [BA55994B] (AR v2)
Track 22 accurately ripped (confidence 6) [02DDA8EB] (AR v2)
Track 23 accurately ripped (confidence 6) [2F5D14E6] (AR v2)
Track 24 accurately ripped (confidence 6) [66B71811] (AR v2)
Track 25 accurately ripped (confidence 6) [55DF6A17] (AR v2)
Track 26 accurately ripped (confidence 6) [F8C8BEF4] (AR v2)
Track 27 accurately ripped (confidence 6) [231D0DE5] (AR v2)
Track 28 accurately ripped (confidence 6) [14ED46E0] (AR v2)
Track 29 accurately ripped (confidence 6) [A10D8857] (AR v2)
Track 30 accurately ripped (confidence 6) [94FD9351] (AR v2)
Track 31 accurately ripped (confidence 6) [F895BE96] (AR v2)
Track 32 accurately ripped (confidence 6) [9EE6C671] (AR v2)
Track 33 accurately ripped (confidence 6) [0B9CF34C] (AR v2)
Track 34 accurately ripped (confidence 6) [6DA97AFB] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: Ss1LqTphL.IcHIzWCDj93WQSpF0-] found
Submit result: Ss1LqTphL.IcHIzWCDj93WQSpF0- has been confirmed
Track | CTDB Status
1 | (7/7) Accurately ripped
2 | (7/7) Accurately ripped
3 | (7/7) Accurately ripped
4 | (7/7) Accurately ripped
5 | (7/7) Accurately ripped
6 | (7/7) Accurately ripped
7 | (7/7) Accurately ripped
8 | (7/7) Accurately ripped
9 | (7/7) Accurately ripped
10 | (7/7) Accurately ripped
11 | (7/7) Accurately ripped
12 | (7/7) Accurately ripped
13 | (7/7) Accurately ripped
14 | (7/7) Accurately ripped
15 | (7/7) Accurately ripped
16 | (7/7) Accurately ripped
17 | (7/7) Accurately ripped
18 | (7/7) Accurately ripped
19 | (7/7) Accurately ripped
20 | (7/7) Accurately ripped
21 | (7/7) Accurately ripped
22 | (7/7) Accurately ripped
23 | (7/7) Accurately ripped
24 | (7/7) Accurately ripped
25 | (7/7) Accurately ripped
26 | (7/7) Accurately ripped
27 | (7/7) Accurately ripped
28 | (7/7) Accurately ripped
29 | (7/7) Accurately ripped
30 | (7/7) Accurately ripped
31 | (7/7) Accurately ripped
32 | (7/7) Accurately ripped
33 | (7/7) Accurately ripped
34 | (7/7) Accurately ripped
==== Log checksum 51249B421E8CE5BEFD13D80397B11D4FD2B1BD7A845132BDDA17CA8768D9F68D ====
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 16. February 2021, 17:15
John Eliot Gardiner, Orchestre de l'Opéra de Lyon, English Baroque Soloists / Gluck - La Rencontre imprévue CD2
Used drive : HL-DT-STDVDRAM GH24NS95 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:01.25 | 0 | 4599
2 | 1:01.25 | 0:06.50 | 4600 | 5099
3 | 1:08.00 | 1:22.27 | 5100 | 11276
4 | 2:30.27 | 0:09.53 | 11277 | 12004
5 | 2:40.05 | 0:46.57 | 12005 | 15511
6 | 3:26.62 | 2:08.05 | 15512 | 25116
7 | 5:34.67 | 0:08.08 | 25117 | 25724
8 | 5:43.00 | 3:49.00 | 25725 | 42899
9 | 9:32.00 | 0:10.60 | 42900 | 43709
10 | 9:42.60 | 1:00.62 | 43710 | 48271
11 | 10:43.47 | 0:17.73 | 48272 | 49619
12 | 11:01.45 | 1:54.40 | 49620 | 58209
13 | 12:56.10 | 1:07.25 | 58210 | 63259
14 | 14:03.35 | 2:28.45 | 63260 | 74404
15 | 16:32.05 | 1:59.67 | 74405 | 83396
16 | 18:31.72 | 1:23.00 | 83397 | 89621
17 | 19:54.72 | 3:05.48 | 89622 | 103544
18 | 23:00.45 | 0:09.02 | 103545 | 104221
19 | 23:09.47 | 0:17.38 | 104222 | 105534
20 | 23:27.10 | 2:02.00 | 105535 | 114684
21 | 25:29.10 | 0:08.07 | 114685 | 115291
22 | 25:37.17 | 5:57.35 | 115292 | 142101
23 | 31:34.52 | 2:08.27 | 142102 | 151728
24 | 33:43.04 | 1:38.74 | 151729 | 159152
25 | 35:22.03 | 1:07.72 | 159153 | 164249
26 | 36:30.00 | 2:00.63 | 164250 | 173312
27 | 38:30.63 | 0:43.32 | 173313 | 176569
28 | 39:14.20 | 0:46.35 | 176570 | 180054
29 | 40:00.55 | 1:30.06 | 180055 | 186810
30 | 41:30.61 | 1:16.42 | 186811 | 192552
31 | 42:47.28 | 2:52.34 | 192553 | 205486
32 | 45:39.62 | 0:56.16 | 205487 | 209702
33 | 46:36.03 | 0:59.59 | 209703 | 214186
34 | 47:35.62 | 1:26.24 | 214187 | 220660
35 | 49:02.11 | 1:07.70 | 220661 | 225755
36 | 50:10.06 | 1:47.38 | 225756 | 233818
37 | 51:57.44 | 0:44.27 | 233819 | 237145
38 | 52:41.71 | 0:37.34 | 237146 | 239954
39 | 53:19.30 | 0:38.61 | 239955 | 242865
40 | 53:58.16 | 2:35.14 | 242866 | 254504
41 | 56:33.30 | 0:41.46 | 254505 | 257625
42 | 57:15.01 | 1:36.06 | 257626 | 264831
43 | 58:51.07 | 2:00.29 | 264832 | 273860
44 | 60:51.36 | 2:05.47 | 273861 | 283282
45 | 62:57.08 | 1:19.53 | 283283 | 289260
46 | 64:16.61 | 1:58.20 | 289261 | 298130
47 | 66:15.06 | 0:53.15 | 298131 | 302120
48 | 67:08.21 | 1:04.53 | 302121 | 306973
49 | 68:12.74 | 0:44.39 | 306974 | 310312
50 | 68:57.38 | 1:32.36 | 310313 | 317248
51 | 70:29.74 | 0:59.62 | 317249 | 321735
52 | 71:29.61 | 0:39.09 | 321736 | 324669
53 | 72:08.70 | 2:07.18 | 324670 | 334212
54 | 74:16.13 | 3:53.62 | 334213 | 351749
Range status and errors
Selected range
Filename C:\ArlegZ\Gluck - La Rencontre imprevue - John Eliot Gardiner CD2.wav
Peak level 97.7 %
Extraction speed 2.1 X
Range quality 100.0 %
Test CRC 49C60672
Copy CRC 49C60672
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 6) [548885AE] (AR v2)
Track 2 accurately ripped (confidence 6) [4E748E7B] (AR v2)
Track 3 accurately ripped (confidence 6) [3A264D4F] (AR v2)
Track 4 accurately ripped (confidence 6) [5437ACF6] (AR v2)
Track 5 accurately ripped (confidence 6) [D96737E4] (AR v2)
Track 6 accurately ripped (confidence 6) [2C1701F0] (AR v2)
Track 7 accurately ripped (confidence 6) [ED1D6DB5] (AR v2)
Track 8 accurately ripped (confidence 6) [2D090117] (AR v2)
Track 9 accurately ripped (confidence 6) [AFD98162] (AR v2)
Track 10 accurately ripped (confidence 6) [6B95D612] (AR v2)
Track 11 accurately ripped (confidence 6) [D4469925] (AR v2)
Track 12 accurately ripped (confidence 6) [28E8BC1A] (AR v2)
Track 13 accurately ripped (confidence 6) [FE4E4F60] (AR v2)
Track 14 accurately ripped (confidence 6) [9EE4E57E] (AR v2)
Track 15 accurately ripped (confidence 6) [6AFFEAA3] (AR v2)
Track 16 accurately ripped (confidence 6) [5F931167] (AR v2)
Track 17 accurately ripped (confidence 6) [47BFCD9F] (AR v2)
Track 18 accurately ripped (confidence 6) [3DE5F34C] (AR v2)
Track 19 accurately ripped (confidence 6) [656AFBB6] (AR v2)
Track 20 accurately ripped (confidence 6) [F4835172] (AR v2)
Track 21 accurately ripped (confidence 6) [F510B56C] (AR v2)
Track 22 accurately ripped (confidence 6) [2897B94B] (AR v2)
Track 23 accurately ripped (confidence 6) [0B2FF870] (AR v2)
Track 24 accurately ripped (confidence 6) [6DA5D1A5] (AR v2)
Track 25 accurately ripped (confidence 6) [3D38DED3] (AR v2)
Track 26 accurately ripped (confidence 6) [A68392DF] (AR v2)
Track 27 accurately ripped (confidence 6) [ED87DC61] (AR v2)
Track 28 accurately ripped (confidence 6) [D9672E92] (AR v2)
Track 29 accurately ripped (confidence 6) [9B0EC480] (AR v2)
Track 30 accurately ripped (confidence 6) [D5E1FCEB] (AR v2)
Track 31 accurately ripped (confidence 6) [8ED73033] (AR v2)
Track 32 accurately ripped (confidence 6) [5243BD05] (AR v2)
Track 33 accurately ripped (confidence 6) [B0300204] (AR v2)
Track 34 accurately ripped (confidence 6) [115B57CD] (AR v2)
Track 35 accurately ripped (confidence 6) [75B88951] (AR v2)
Track 36 accurately ripped (confidence 6) [A59AC12A] (AR v2)
Track 37 accurately ripped (confidence 6) [54EE7FAB] (AR v2)
Track 38 accurately ripped (confidence 6) [81B55BB8] (AR v2)
Track 39 accurately ripped (confidence 6) [ACA73A94] (AR v2)
Track 40 accurately ripped (confidence 6) [DEC65409] (AR v2)
Track 41 accurately ripped (confidence 6) [64187E36] (AR v2)
Track 42 accurately ripped (confidence 6) [C2F121D0] (AR v2)
Track 43 accurately ripped (confidence 6) [542D071F] (AR v2)
Track 44 accurately ripped (confidence 6) [C5DC4A08] (AR v2)
Track 45 accurately ripped (confidence 6) [00EADE03] (AR v2)
Track 46 accurately ripped (confidence 6) [1400017C] (AR v2)
Track 47 accurately ripped (confidence 6) [1892AA84] (AR v2)
Track 48 accurately ripped (confidence 6) [057A0DF7] (AR v2)
Track 49 accurately ripped (confidence 6) [D0B8BA63] (AR v2)
Track 50 accurately ripped (confidence 6) [C42BBE5A] (AR v2)
Track 51 accurately ripped (confidence 6) [318CD48D] (AR v2)
Track 52 accurately ripped (confidence 6) [FBBBF4CA] (AR v2)
Track 53 accurately ripped (confidence 6) [2E74EA9B] (AR v2)
Track 54 accurately ripped (confidence 6) [C40EEE3A] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: jUQTCYU1dUhnMD6bQDP4w1QA5JQ-] found
Submit result: jUQTCYU1dUhnMD6bQDP4w1QA5JQ- has been confirmed
Track | CTDB Status
1 | (7/7) Accurately ripped
2 | (7/7) Accurately ripped
3 | (7/7) Accurately ripped
4 | (7/7) Accurately ripped
5 | (7/7) Accurately ripped
6 | (7/7) Accurately ripped
7 | (7/7) Accurately ripped
8 | (7/7) Accurately ripped
9 | (7/7) Accurately ripped
10 | (7/7) Accurately ripped
11 | (7/7) Accurately ripped
12 | (7/7) Accurately ripped
13 | (7/7) Accurately ripped
14 | (7/7) Accurately ripped
15 | (7/7) Accurately ripped
16 | (7/7) Accurately ripped
17 | (7/7) Accurately ripped
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==== Log checksum 0F4400E1395391EBAC073A525E814DD541F09DE023611895A33EB743E5974C87 ====
![John Eliot Gardiner, Orchestre de l’Opera de Lyon - Gluck: Iphigenie en Aulide; La Rencontre imprevue; Don Juan [4 CDs] (2008)](https://pixhost.icu/avaxhome/93/d3/0080d393_medium.jpg)
John Eliot Gardiner, Orchestre de l’Opera de Lyon - Gluck: Iphigenie en Aulide; La Rencontre imprevue; Don Juan [4 CDs] (2008)
![John Eliot Gardiner, Orchestre de l’Opera de Lyon - Gluck: Iphigenie en Aulide; La Rencontre imprevue; Don Juan [4 CDs] (2008)](https://pixhost.icu/avaxhome/93/d3/0080d393.jpg)