Geoffroy Jourdain, Les Cris de Paris - Passions: Venezia 1600-1750 (2019)
Geoffroy Jourdain, Les Cris de Paris - Passions: Venezia 1600-1750 (2019)
EAC | FLAC | Image (Cue & Log) ~ 336 Mb | Total time: 75:33 | Scans included
Classical | Harmonia Mundi | HMM 902632 | Recorded: 2018
EAC | FLAC | Image (Cue & Log) ~ 336 Mb | Total time: 75:33 | Scans included
Classical | Harmonia Mundi | HMM 902632 | Recorded: 2018
The transition between the Renaissance and the Baroque eras did not mark one sudden change of forms or styles, nor did it signal the end of what Claudio Monteverdi called the prima pratica, or the primary practice of Renaissance polyphony. However, a new emphasis on powerful emotional expressions became a central feature of what he dubbed the seconda pratica, which came to the fore with the development of opera, most notably in Monteverdi's L'Orfeo in 1607. Composers paid special attention to the innovations in the music of Venice, which eventually spread throughout Europe in the 17th and early 18th centuries, and such figures as Monteverdi, Antonio Lotti, and Antonio Caldara, long associated with the city, became exemplars of the new Venetian style, in both secular and sacred music. A case in point is illustrated in this 2019 Harmonia Mundi release by Geoffroy Jourdain and Les Cris de Paris, which offers passionate music in pieces by these composers, as well as music by Tarquinio Merula, Francesco Cavalli, Giovanni Legrenzi, Giovanni Gabrieli, and Biagio Marini. Lotti's three settings of the "Crucifixus," from the Latin Credo, are of particular significance on this program, along with settings by Monteverdi and Caldara, though there is a substantial representation of vocal and choral works on other texts which reflect the same intensity and nearly theatrical displays of emotions. Jourdain and the voices and period instruments of Les Cris de Paris have delivered a compelling album of affecting performances, and the recording at the Métropôle Saint-Césaire in Arles is reverberant but focused on details, so every nuance is captured.–Blair Sanderson
Performer:
Les Cris de Paris
Geoffroy Jourdain
Track List:
Tarquinio Merula (1595-1665)
01. Canzonetta spirituale sopra alla nanna 'Hor ch'è il tempo di dormire'
Claudio Monteverdi (1567-1643)
02. Crucifixus, SV 259
03. Orfeo: Act II Sinfonia
Francesco Cavalli (1602-1676)
04. Salve Regina
Giovanni Legrenzi (1626-1690)
05. Sonata Quinta a quattro from "La Cetra", 1673: Adagio
Antonio Lotti (1667-1740)
06. Duetti, terzetti e madrigali a più voci, Op. 1: In una siepe ombrosa
07. Crucifixus a 10
Claudio Monteverdi (1567-1643)
08. Ballo delle ingrate, SV 167: Entrata
Giovanni Legrenzi (1626-1690)
09. Dialogo delle due Marie "Quam amarum est Maria"
Antonio Lotti (1667-1740)
10. Crucifixus in 8 parts
Claudio Monteverdi (1567-1643)
11. Cantate domino
12. Adoramus te Christe
Antonio Lotti (1667-1740)
13. Crucifixus a 6
Claudio Monteverdi (1567-1643)
14. Ritornello
Antonio Caldara (1670-1736)
15. Crucifixus a 16 voci
Giovanni Gabrieli (1557-1612)
16. Exaudi me Domine
Biagio Marini (1594-1663)
17. Sinfonia sesto tuono
18. Balletto secondo Pretirata, Op. 22
Claudio Monteverdi (1567-1643)
19. Selva morale e spirituale: È questa vita un lampo, SV 254
Biagio Marini (1594-1663)
20. Balletto secondo Pretirata, Op. 22
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 16. September 2021, 13:00
Geoffroy Jourdain: Les Cris De Paris / Les Cris De Paris | Passions
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==== Log checksum 744541E6FA42B26CDB584CB38B28DA18B260DC20A2B7D86DD8D7546F2B1A1E79 ====
Geoffroy Jourdain, Les Cris de Paris - Passions: Venezia 1600-1750 (2019)
Thanks to the original releaser