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Factor Burzaco - II (2011)

Posted By: popsakov

Date: 17 Feb 2020 15:26:10

As a setting for writer Marcelo Cohen's meta-texts, the music on Factor Burzaco's II is filled with unease, derived in part from the dark and dissonant electro-acoustic drones cropping up here and there, but also from the music's volatility, how it erupts in sudden bursts of noise and rhythm, even flirting with punky rock without ever quite breaking into a sweat. This Argentinian project is the brainchild of composer/orchestrator/producer Abel Gilbert, who plays no musical instrument here but employs 16 musicians to realize his musical vision, which occasionally (particularly late in the program on a track like "Straviko") seems like a 21st century update of Henry Cow circa Unrest. That touchstone of '70s art rock was essentially an instrumental endeavor, however, and here the dominant voice is in fact a voice – that of vocalist Carolina Restuccia, who provides much of the album's appeal and even accessibility. On "What," her voice merges with drawn-out saxophone notes in a melding that suggests a cross between a sax and a Tuvan throat singer; the following "In Memoriam" features her multi-tracked, manipulated voice in harmonies that sound not quite alien and not quite human (repeating a mantra that translates as "Every direction is fake"). Over a rock backing, however (as in "Progressions"), she sings and shouts in a more conventional way, piercing but not shrill, a post-punker tempered by her presence in a gallery of contemporary art. (She also contrasts nicely with vocalist Pol González's alternately declamatory and operatic interjections.)

While listeners inclined toward the "rock" aspects of art rock might latch onto Restuccia's voice as a life raft floating through II's sea of conceptual experimentation, her vocal during "Guantanabu 3" (less tortuous than expected for a track whose politically charged title is a portmanteau of "Guantanemo" and "Abu Ghraib") is delayed until after most of the project's diverse instrumentation has been introduced in fragmented phrases over the album's most consistent groove, suggesting the flavor of Carbon 7/AltrOck Belgian-Brazilian outfit Finnegans Wake. Elsewhere, despite the presence of guitars, bass, drums, vibraphone, accordion, flutes, clarinet, bassoon, saxes, and electronics on the album as a whole, the instruments are often heard in small groupings – varying from rock to drone to modern classical – but rarely simultaneously, the intimacy of the ensembles helping to avoid sonic clutter or overkill. Still, the lyrics and packaging suggest an attempt to make a Very Important Statement about life and music-making in a digital world (from "In Memoriam": "Taught us/How to love artifice/And to burn random-access memory/Mishmash, crevice, prerecorded ending/Months do embalm experience/And you just keep quiet, you simulate your fury/To quiet, to furiate"), with results not particularly well suited to singalong choruses. Fans of Art Bears and Thinking Plague-styled lyrics will be engrossed by the English-language translations of the fantastical Marcelo Cohen's texts in the CD booklet, while for others, Abel Gilbert's music will stand quite well enough on its own.

~ Stephen Thomas Erlewine, All Music

Prog Archives | Discogs | All Music

***************

Track List:

01. Beginning [1:51]
02. Progressions [4:54]
03. What [2:23]
04. Inmemorian [5:40]
05. Guantanabu 1 [7:08]
06. Guantanabu 2 [1:39]
07. Guantanabu 3 [4:16]
08. Straviko [5:59]
09. Before The End [0:33]
10. Mereditika [7:35]

Personnel:
Abel Gilbert - composer, orchestration, sound design
With:
Carolina Restuccia - vocals
Pol González - vocals
Fernando Taborda - guitars
Alan Courtis - guitars
Carlos Lucero - guitars
Sebastian Schachtel - accordion
Sergio Catalán - flutes
Will Genz - bassoon, contra-bassoon
Mauro Rosal - soprano sax
Rosa Nolly - alto & baritone saxes
Federico Landaburu - clarinet
Dana Najlis - clarinet, bombo
Nahuel Tavosnanska - bass
Pablo Torterolo - drums
Fabian Keroglian - percussion, vibes
Mauro Zannoli - electronic processing
Daniel Hernandez - sound design
Marcelo Delgado - chamber orchestra conductor

EAC Log

Exact Audio Copy V1.0 beta 4 from 7. December 2014

EAC extraction logfile from 16. February 2020, 3:50

Factor Burzaco / II

Used drive : ASUS BC-12B1ST Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 702
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:51.25 | 0 | 8349
2 | 1:51.25 | 4:53.60 | 8350 | 30384
3 | 6:45.10 | 2:23.12 | 30385 | 41121
4 | 9:08.22 | 5:39.63 | 41122 | 66609
5 | 14:48.10 | 7:07.39 | 66610 | 98673
6 | 21:55.49 | 1:38.38 | 98674 | 106061
7 | 23:34.12 | 4:15.59 | 106062 | 125245
8 | 27:49.71 | 5:59.15 | 125246 | 152185
9 | 33:49.11 | 0:32.71 | 152186 | 154656
10 | 34:22.07 | 7:34.48 | 154657 | 188754

Track 1

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Track 2

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Accurately ripped (confidence 2) [CB56F1C9] (AR v2)
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Track 3

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Accurately ripped (confidence 2) [C921BD59] (AR v2)
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Track 4

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Accurately ripped (confidence 2) [CE7BC0A9] (AR v2)
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Track 5

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Test CRC 12CF84FE
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Accurately ripped (confidence 2) [772F67DA] (AR v2)
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Track 6

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Accurately ripped (confidence 2) [83D90A73] (AR v2)
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Track 7

Filename C:\EAC\07. Guantanabu 3.wav

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Accurately ripped (confidence 2) [EE6AA503] (AR v2)
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Track 8

Filename C:\EAC\08. Straviko.wav

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Accurately ripped (confidence 2) [5B38C3EE] (AR v2)
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Track 9

Filename C:\EAC\09. Before The End.wav

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Track 10

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All tracks accurately ripped

No errors occurred

End of status report

–– CUETools DB Plugin V2.1.4

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Submit result: K8VuRS02G_b9dciTtPOVhJ1uT6Y- has been confirmed
Track | CTDB Status
1 | (5/5) Accurately ripped
2 | (5/5) Accurately ripped
3 | (5/5) Accurately ripped
4 | (5/5) Accurately ripped
5 | (5/5) Accurately ripped
6 | (5/5) Accurately ripped
7 | (5/5) Accurately ripped
8 | (5/5) Accurately ripped
9 | (5/5) Accurately ripped
10 | (5/5) Accurately ripped

==== Log checksum 8E5CE62B6A44ED33E8F4907FC2059CB71D9CE90A9ADBFF69DE21C89F26753165 ====

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