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    Fabio Biondi, Europa Galante - Giovanni Battista Pergolesi, Leonardo Leo: Salve Regina (1995)

    Posted By: ArlegZ
    Fabio Biondi, Europa Galante - Giovanni Battista Pergolesi, Leonardo Leo: Salve Regina (1995)

    Fabio Biondi, Europa Galante - Giovanni Battista Pergolesi, Leonardo Leo: Salve Regina (1995)
    EAC | FLAC | Image (Cue & Log) ~ 268 Mb | Total time: 58:39 | Scans included
    Classical | Label: Naïve | # OPS 30-88 | Recorded: 1993

    Pergolesi’s two settings of the Salve Regina are rather different one from another. That in C minor is darker, more passionate, the string writing (not least at the very beginning) richly expressive; indeed the first of its six movements, is a largo of exquisite beauty, a perfect illustration of a particular kind of baroque beauty, intensely expressive and seeming to hold back a freedom of lyricism which is effectively liberated only in the brief andante which follows. Some of the greatest baroque effects are created by interplay between restraint and excess. This is one of them. Intensity, a sense of abundance repressed returns in a second largo. There is richly poetic aptness to Pergolesi’s setting of the words of his text; when, in the penultimate movement he comes to set the petitionary words “Et Jesum benedictum fructum ventris tui nobis post hoc exsilium ostende” (And after this, our exile, show unto us the blessed fruit of thy womb, Jesus) the writing (and this performance of it) has a ravishing tenderness and yearning.
    The A minor setting is perhaps more familiar, but I am not sure that it is as interesting and is certainly not as powerful as that in C minor. Schlick is again impressive, but the whole feels rather more routine and less distinctive. But even when he is operating at a slightly less inspired level, one surely cannot be other than impressed by Pergolesi’s vocal writing.
    The Salve Regina by Leonardo Leo presumably belongs to the last years of his life when he was vice-maestro di cappella of the Spanish viceroy in Naples. Here he sets a slightly fuller text of the Marian Antiphon than that to be heard in Pergolesi’s two settings. Leo’s version is stylistically more eclectic than either of Pergolesi’s settings. At times he can be operatically florid; at times the decorative nature of the writing seems to have little regard for the emotional (or theological) import of the words he is setting; but at other times there is a gallant and almost proto-classical quality to the writing. Listening to the three versions on the one CD, it is clear that Pergolesi’s settings are the culmination of earlier musical traditions, while Leo’s anticipates later music idioms (in part at least).
    The three settings of the Salve Regina are interleaved, as it were, with two of the twelve sonatas published in London around 1780 as by Pergolesi – the sonatas of which Stravinsky made use in writing Pulcinella. The attribution was presumably a conscious attempt to cash in on the ‘name’ of Pergolesi; the sonatas were actually the work of Domenico Gallo, who appears to have been Venetian born, but may have been connected to the well-known Neapolitan musical family of the same surname.
    –Glyn Pursglove

    Performer:
    Barbara Schlick, soprano
    Europa Galante
    Fabio Biondi, direction

    Tracklist:
    Giovanni Battista Pergolesi (1710-1736)
    Salve Regina in la minore
    01. Largo
    02. Allegro. Larghetto
    03. Andante
    04. Largo
    Domenico Gallo (1730-1768?)
    Sonate in si bemolle maggiore
    05. Presto
    06. Adagio
    07. Presto
    Salve regina in do minore
    08. Largo
    09. Andante
    10. Largo
    11. Andante
    12. Andante amoroso
    13. Largo assai
    Domenico Gallo
    Sonate in sol maggiore
    14. Moderato
    15. Adagio
    16. Allegro
    Leonardo Leo (1694-1744)
    Salve regina in fa maggiore
    17. Largo
    18. Allegro
    19. Largo
    20. Allegretto
    21. Largo


    Exact Audio Copy V1.6 from 23. October 2020

    EAC extraction logfile from 27. November 2022, 17:27

    Barbara Schlick, Europa Galante, Fabio Biondi / Pergolesi, Leo: Salve Regina

    Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 0

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    Make use of C2 pointers : No

    Read offset correction : 6
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    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
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    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%


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    Range status and errors

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    Filename D:\ArlegZ\Pergolesi, Leo - Salve Regina - Fabio Biondi.wav

    Peak level 99.9 %
    Extraction speed 1.8 X
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    Test CRC 0894B3C0
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    ==== Log checksum 9CC1C2AEAEAA6CDC1A029E6CA8D2FC5C5B4EA5DDC2EB0666F30EEC343302BED7 ====

    Fabio Biondi, Europa Galante - Giovanni Battista Pergolesi, Leonardo Leo: Salve Regina (1995)