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    Ensemble Concertant Frankfurt - Onslow: String Quintets, Opp. 33 & 74 (2004)

    Posted By: ArlegZ
    Ensemble Concertant Frankfurt - Onslow: String Quintets, Opp. 33 & 74 (2004)

    Ensemble Concertant Frankfurt - Onslow: String Quintets, Opp. 33 & 74 (2004)
    EAC | FLAC | Image (Cue & Log) ~ 252 Mb | Total time: 59:16 | Scans included
    Classical | Label: MDG | # 603 1233-2 | Recorded: 2003

    Throughout the 19th century, the chamber music of Georges Onslow (1784-1853) was afforded the same respect as that of Mozart, Haydn, and Beethoven. According to one source, “his work was admired by both Beethoven and Schubert, the latter modeling his own 2 cello quintet (D.956) on those of Onslow and not, as is so often claimed, on those of Boccherini.” While Onslow was known as “the French Beethoven,” his string quartets/quintets fit neatly within the 'quatuor brilliants' genre that arose from Louis Spohr. This type of string writing gives the first violin freer rein as a soloist; a concerto for violin and string quartet, in other words.
    The String Quintet No. 11 in B-flat major (1828) covers a range of expressive aims from the aristocratic good taste of Haydn to the pathos of Beethoven. The opening “Allegro con brio” balances passionate vigor with a bright genial Haydnesque character. There’s a curious recurring chromatic descending figure that stands out, while the development is contrapuntal with rising figures that suggest Mannheim rockets. A gloomy mood permeates the “Andante maestoso,” in which minor-key angst and the gravity of a Beethoven adagio intermingle. Extremely dark low-register timbres from the double bass add to the solemnity. Sorrow ultimately prevails and the movement tapers off in pitiful chromatic descents. The scherzo is heavily active with busy violin patter and full string tuttis. In the finale, Onslow evokes the “quatour brilliants” spirit, giving the first violin part special importance and rip-roaring passagework; the movement has gusto, vibrant melodic content, and engaging dynamic contrasts.
    Onslow’s fecund ideas and imagination become more impressive with each passing work. Thus the String Quintet No. 30 in E minor (1847) is, from start to finish, a riveting example of his craft. It begins in the doldrums with an “Allegro grandioso” of dark colors, diminished chords, and intense pathos. This Sturm und Drang is suppressed only briefly for a songful 2nd theme before the agitation returns, gaining symphonic grandeur in the development. A lithe “Menuetto” with dotted rhythms follows; most interesting is the trio for its elaborate violin lines and bariolage passages. The quintet goes out in a blaze of glory with the final “Allegro.” Here the first violin is really treated like a concerto soloist with passionate flourishes, trilling, and bariolage. The entire ensemble is taxed with fast rhythms, counterpoint, expressive changes from minor to major, and repeated notes galore. RHR Silvertrust deems this “one of Onslow’s best quintets.”
    It appears the Ensemble Concertant Frankfurt has taken over for MDG in recording Onslow’s string quintets, which was previously handled by the Quintett Momento Musicale. Frankfurt strikes me as equally up to the task and demonstrates a refined technique, superlative tonal shading, and sheer conviction and brio. I have only good things to say about their playing.
    – amazon.com

    Performer:
    Ensemble Concertant Frankfurt

    Track List
    String Quintet, Op. 74 in E minor
    01. I. Allegro grandioso
    02. II. Menuetto. Moderato molto
    03. III. Andantino grazioso.
    04. IV. Finale. Allegro molto animato
    String Quintet, Op. 33 in B flat major
    05. I. Allegro con brio
    06. II. Andante mestoso
    07. III. Minuetto. Non troppo presto
    08. IV. Finale. Allegretto grazioso


    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 7. February 2018, 13:47

    Ensemble Concertant Frankfurt / Onslow – String quintets, Op. 33 & 74

    Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 128 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
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    1 | 0:00.00 | 11:05.15 | 0 | 49889
    2 | 11:05.15 | 5:17.62 | 49890 | 73726
    3 | 16:23.02 | 4:57.30 | 73727 | 96031
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    5 | 27:34.00 | 8:40.02 | 124050 | 163051
    6 | 36:14.02 | 8:29.30 | 163052 | 201256
    7 | 44:43.32 | 6:18.40 | 201257 | 229646
    8 | 51:01.72 | 8:12.00 | 229647 | 266546


    Range status and errors

    Selected range

    Filename C:\Program Files\Exact Audio Copy\Flac\Onslow – String quintets, Op. 33 & 74.wav

    Peak level 92.5 %
    Extraction speed 2.0 X
    Range quality 100.0 %
    Test CRC DE2BEF01
    Copy CRC DE2BEF01
    Copy OK

    No errors occurred


    AccurateRip summary

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    Track 8 cannot be verified as accurate (confidence 2) [2EEC2F6B], AccurateRip returned [40594BA2] (AR v2)

    No tracks could be verified as accurate
    You may have a different pressing from the one(s) in the database

    End of status report

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