Emilio Moreno, La Real Cámara - Tientos y Batallas: Música violinística espaсola del XVII (2000)
Emilio Moreno, La Real Cámara - Tientos y Batallas: Música violinística espaсola del XVII (2000)
EAC | FLAC | Image (Cue & Log) ~ 288 Mb | Total time: 55:19 | Scans included
Classical | Label: Glossa | # GCD 920304 | Recorded: 1999
EAC | FLAC | Image (Cue & Log) ~ 288 Mb | Total time: 55:19 | Scans included
Classical | Label: Glossa | # GCD 920304 | Recorded: 1999
Lovers of the Spanish Baroque may be surprised to see the subtitle "17th-century violin music in Spain" here, inasmuch as non-keyboard instrumental chamber music following Italian models has never surfaced before. Indeed, the booklet transmits statements by writers of the time bemoaning the lack of such violin music. What's happening here is that Spanish historical-instrument group La Real Cámara and its director-violinist Emilio Moreno have hypothesized that Spanish organ music might have been arranged for other instruments in the same way Italian music certainly was; Girolamo Frescobaldi specifically attested to this. The evidence for the practice in Spain is pretty slim, consisting mostly of the fact that violins (known by the intriguing alternate names biolino, rabele, rabelejo, or rebequino) existed there, and Moreno freely concedes his music represents an "optimistic" answer to the question of whether there was Spanish Baroque violin music. The musical results of his speculation, though, are pretty convincing. The basic contrast between tientos (contrapuntal pieces comparable in form and meaning to the Italian ricercar, the word means "tests") and batallas, or battle pieces, is one that isn't heard much elsehwere, for the representation of battles, though not unknown in Italy, wasn't especially common. The juxtaposition produces a fun, colorful sequence of pieces for strings and large continuo group, including dulcian, viola da gamba, keyboard, Baroque guitar, and percussion, for a great mixture of Spanish and Italian elements that keeps things moving. The composers here are mostly unknown and include the intriguing Irishman Henry Butler, who dubbed himself Enrico Botelero when he worked at the Spanish court. The proceedings end with a trio of the dance pieces, including the irresistible and perhaps African-influenced Xácaras, which have brought such popularity to Spanish Baroque music.–James Manheim
Performer:
La Real Cámara
Enrico Gatti, violin
Emilio Moreno, violin & director
Tracklist:
Andrea Falconiero
01. Battaglia de Barabaso, yerno de Satanás
Pablo Bruna (1611-1679)
02. Tiento de 2º tono por Ge sol re ut sobre la letanía de la Virgen
Anonymous
03. Obra de 1er tono de dos tiples
Tomás Luis de Victoria (1548-1611) - Giovanni Battista Bovicelli (fl.1592-94)
04. Vadam et circuibo civitatem. Prima pars
Pablo Bruna
05. Tiento de 1er tono mano derecha y al medio dos tiples
Tomás Luis de Victoria - Giovanni Battista Bovicelli
06. Vadam et circuibo civitatem. Secunda pars motecti
Enrico Botelero (Henry Butler, ?-1652)
07. Sonata a 2, violi et viola
Andrés Lorente (1624-1679)
08. Medio registro de dos tiples de 1er tono
Andrés de Sola (1624-1696)
09. Registro alto de primer tom de don Andre de Sola
Anonymous
10. Chacona
11. Españoleta
12. Xácaras
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 1. February 2023, 11:41
La Real Cámara / Tientos y Batallas. Música violinística española del siglo XVII
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==== Log checksum 1A90F40797FB6E5E9056928F27CC10E4195F7B09B20D526BC31F984F506EF6D9 ====
Emilio Moreno, La Real Cámara - Tientos y Batallas: Música violinística espaсola del XVII (2000)
Thanks to the original releaser