Eduardo López Banzo, Al Ayre Español Orquestra - George Frideric Handel: Amadigi di Gaula (2008)
Eduardo López Banzo, Al Ayre Español Orquestra - George Frideric Handel: Amadigi di Gaula (2008)
EAC | FLAC | Image (Cue & Log) ~ 866 Mb | Total time: 79:57+78:18 | Scans included
Classical | Label: Ambroisie | # AM 133 | Recorded: 2006
EAC | FLAC | Image (Cue & Log) ~ 866 Mb | Total time: 79:57+78:18 | Scans included
Classical | Label: Ambroisie | # AM 133 | Recorded: 2006
Amadigi di Gaula had its premiere in London in 1715. Its libretto, based on a medieval legend and encompassing such effects as a magically appearing sorceress, reflects the then-fashionable English taste for spectacle in operatic production. Musically, however, the opera is of chamber dimensions, involving just five soloists, and takes in some emotionally intimate moments. In this backward-looking piece – it even ends with a brief ballet – Handel doesn't attempt any structural innovations: the arias and duets are cast firmly in the tripartite da capo format. Still, he finds room for the occasional imaginative touch, as when he uses French-overture gestures in a few of the ritornelli to suggest tragic breadth, or has the two voices in a hitherto contrapuntal duet launch the "B" section in straight thirds.
Here more than in most "period" productions, the musical direction sets a strong overall tone. Eduardo López Banzo paces the show with bracing vigor and lively rhythmic address. He favors brisk, energetic tempos, some of which get the singers a bit flustered in the embellished repeats. But he's also attentive to melodic shape – ensuring, for example, that all the "feminine" phrase-endings, musical and textual, are properly tapered – and gives the singers time to color the more inward numbers. López Banzo encourages the strings to dig into the tone in the faster movements, eliciting some of the roughness once associated with early instruments. But the woodwinds are delicate or pungently expressive, as needed, and the principal oboe duets effectively with the one trumpet when asked. Save in the wheezy introduction to Amadigi's "T'amai," the orchestral sound is big, forward and full-bodied. This is no arid historical exhumation but a living, breathing piece of theater. . .– Stephen Francis Vasta
Performed:
Amadigi - Maria Riccarda Wesseling
Oriana - Elena de la Merced
Melissa - Sharon Rostorf-Zamir
Dardano - Jordi Domènech
Al Ayre Español
Eduardo López Banzo, harpsichord and conductor
Tracklist:
George Frideric Handel (1685-1759)
Amadigi di Gaula, HWV 11
CD1:
01. Ouverture
02. Gavotta
03. Atto I. Scena 1. Recitativo (Amadigi, Dardano): Or che di negro ammanto
04. Scena 1. Aria (Dardano): Pugnero contro del fato
05. Scena 2. Recitativo accompagnato (Amadigi): Oh notte! Oh cara notte
06. Scena 2. Aria (Amadigi): Notte, amica dei riposi
07. Scena 2. Recitativo (Amadigi): Ch'impedito e ogni passo
08. Scena 3. Recitativo (Melissa, Amadigi): E tu cerchi fuggir?
09. Scena 3. Aria (Amadigi): Non sa temere questo mio petto
10. Scena 4. Recitativo (Melissa): Il crudel m'abbandona, e mi detesta
11. Scena 4. Aria (Melissa): Ah! spietato!
12. Scena 5. Recitativo (Amadigi, Dardano): Risveglian queste fiamme
13. Scena 5. Aria (Amadigi): Vado, corro al mio tesoro
14. Scena 6. Recitativo (Dardano): Deh! ferma, oh Dio!
15. Scena 6. Aria (Dardano): Agitato il cor mi sento
16. Sinfonia
17. Scena 7. Recitativo (Oriana, Amadigi): Cieli, che fia?
18. Scena 7. Aria (Oriana): Gioie, venite in sen
19. Scena 7. Recitativo (Amadigi, Oriana): In questo istante io provo
20. Scena 7. Aria (Amadigi): E si dolce il mio contento
21. Scena 7. Recitativo (Oriana, Amadigi): Andiamo ora, mio ben
22. Scena 7. Aria (Oriana): Oh caro mio tesor
23. Scena 8. Recitativo (Amadigi, Dardano, Melissa, Oriana): Cieli! Numi! che miro?
24. Scena 8. Aria (Melissa): Io godo, scherzo e rido
25. Scena 9. Recitativo (Amadigi): Ferma, deh! ferma, oh Dio!
26. Scena 9. Aria (Amadigi): O rendetemi il mio bene
27. Atto II. Scena 1. Recitativo (Amadigi): Io ramingo men vado
28. Scena 1. Aria (Amadigi): Sussurrate, onde vezzose
29. Scena 1. Recitativo (Amadigi): Numi! che veggio?
30. Scena 2. Recitativo (Melissa): Svenne Amadigi dal suo duolo oppresso
31. Scena 3. Recitativo (Oriana): Cieli! che sarà mai?
32. Scena 3. Aria (Oriana): S'estinto è l'idol mio
CD2:
01. Scena 3. Recitativo (Oriana, Amadigi): Ma qual scampo al mio affanno?
02. Scena 3. Aria (Amadigi): T'amai, quant'il mio cor
03. Scena 3. Recitativo (Oriana, Amadigi): Chi mai creduto avria
04. Scena 3. Aria (Oriana): Ti pentirai, crudel!
05. Scena 4. Recitativo (Amadigi, Melissa): Dunque colei, da cui
06. Scena 4. Duetto (Amadigi, Melissa): Crudel, tu non farai
07. Scena 5. Recitativo (Dardano): D'un sventurato amante
08. Scena 5. Aria (Dardano): Pena tiranna io sento al core
09. Scena 6. Recitativo (Melissa, Dardano): Arresta, oh prence!
10. Scena 6. Aria (Melissa): Se tu brami di godere
11. Scena 7. Recitativo (Dardano): Ma, se questo non basta
12. Scena 8. Recitativo (Oriana, Dardano): Amadigi, mio ben!
13. Scena 8. Aria (Dardano): Tu mia esperanza, tu mio conforto
14. Scena 8. Recitativo (Dardano, Oriana): Ma è qui il rival!
15. Scena 9. Recitativo (Melissa, Oriana): Cieli! Numi! soccorso, astri crudeli!
16. Scena 9. Aria (Oriana): Affannami, tormentami
17. Scena 10. Recitativo (Melissa): Mi deride l'amante
18. Scena 10. Aria (Melissa): Destero dall'empia Dite
19. Atto III. Scena 1. Recitativo (Oriana): Dove mi guida
20. Scena 1. Aria (Oriana): Dolce vita del mio petto
21. Scena 2. Recitativo (Melissa): Sento, nè so che sia
22. Scena 2. Aria (Melissa): Vanne lungi dal mio petto
23. Scena 3. Recitativo (Oriana, Amadigi, Melissa): Se t'offese Oriana
24. Scena 3. Duetto (Oriana, Amadigi): Cangia al fine il tuo rigore
25. Scena 3. Recitativo (Melissa): No, no! ho già risolto
26. Scena 4. Recitativo accompagnato (Dardano): Han penetrato i detti tuoi l'inferno
27. Scena 5. Recitativo (Melissa, Amadigi, Oriana): Cieli! ingiusti e inclementi!
28. Scena 5. Recitativo accompagnato ed arioso (Melissa): Addio, crudo Amadigi!
29. Scena 5. Recitativo (Oriana, Amadigi): Che orrore!
30. Sinfonia
31. Scena 6. Recitativo (Orgando): Son finiti i tormenti
32. Scena 6. Aria (Amadigi): Sento la gioia
33. Scena 6. Recitativo (Orgando): Godete omai felici
34. Scena 6. Coro (Coro, Amadigi, Oriana): Godete, oh cori amanti … Or si m'all…
35. Ballo di pastori, e pastorelle
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 9. July 2018, 23:19
Maria Riccarda Wesseling, Elena de la Merced, Sharon Rostorf-Zamir, Jordi Domenech; Eduardo Lopez Banzo / Handel - Amadigi di Gaula (Disc 1)
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Fill up missing offset samples with silence : Yes
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Null samples used in CRC calculations : Yes
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==== Log checksum 8B06CCC6EEDD6AE131882F4218BC11379F3B5FF4DBE3C8D3153D483070580779 ====
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 10. July 2018, 0:03
Maria Riccarda Wesseling, Elena de la Merced, Sharon Rostorf-Zamir, Jordi Domenech; Eduardo Lopez Banzo / Handel - Amadigi di Gaula (Disc 2)
Used drive : ATAPI iHAS124 F Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
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Used output format : User Defined Encoder
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Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
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==== Log checksum 08A89250BD8AF42A325107854515EE5A02089C4C88B9F37B7A549A580814A3A9 ====
Eduardo López Banzo, Al Ayre Español Orquestra - George Frideric Handel: Amadigi di Gaula (2008)
Thanks to the original releaser