Dominique Vellard, Ensemble Gilles Binchois - Guillaume de Machaut: Je, Guillaumes dessu nommez [3CDs] (2000)
Dominique Vellard, Ensemble Gilles Binchois - Guillaume de Machaut: Je, Guillaumes dessu nommez (2000)
EAC | FLAC | Image (Cue & Log) ~ 925 Mb | Total time: 63:25+56:45+65:49 | Scans included
Classical | Label: Cantus | C 9804/6 | Recorded: 1988, 1990, 1994
EAC | FLAC | Image (Cue & Log) ~ 925 Mb | Total time: 63:25+56:45+65:49 | Scans included
Classical | Label: Cantus | C 9804/6 | Recorded: 1988, 1990, 1994
Guillaume de Machaut (c. 1300 – April 1377) was a medieval French poet and composer. He is regarded by many musicologists as the greatest and most important composer of the 14th century. Machaut is one of the earliest composers on whom substantial biographical information is available, and Daniel Leech-Wilkinson called him "the last great poet who was also a composer".[This quote needs a citation] Well into the 15th century, Machaut's poetry was greatly admired and imitated by other poets, including Geoffrey Chaucer.
Machaut composed in a wide range of styles and forms. He is a part of the musical movement known as the ars nova. Machaut helped develop the motet and secular song forms (particularly the lai and the formes fixes: rondeau, virelai and ballade). Machaut wrote the Messe de Nostre Dame, the earliest known complete setting of the Ordinary of the Mass attributable to a single composer.
As with so many of the best early music ensembles performing today, the musical performances of the Ensemble Gilles Binchois have been inextricably linked with profound musical scholarship and with the leadership of a single powerful personality. For the Ensemble Gilles Binchois, this personality remains its founder and director, Dominique Vellard.
Vellard and some of his close colleagues founded the Ensemble Gilles Binchois in 1978, taking clear positions from the outset that it would perform from original notation and make every effort through its performances to foster a more profound understanding of the structure and function of its music. The ensemble changes its personnel depending upon the repertory: from a handful of male voices for plainchant or early polyphony, to a few mixed singers for chansons, to adding festive instruments for splashier works. One of the most distinctive features of the group's performing style is its thoughtful consideration of, and experimentation with, the ways that indigenous oral traditions might have impacted a more "formal" singing style. Though the Ensemble Gilles Binchois began its career focusing on French music and has most frequently brought out earlier French repertory, the expansion of its personnel to include specialists from other countries has helped them branch out geographically. It regularly performs throughout Europe and has toured throughout the Americas and Asia.
Performer:
Ensemble Gilles Binchois
Dominique Vellard, direction
Tracklist:
CD1: Le Jugement du Roi de Navarre (1349)
01. Joie, plaisence et douce nourriture, chanson royal for 1 voice
02. Tres douce dame que j'aour, ballade for 2 voices
Le Jugement du Roi de Navarre (poetry)
03. Un po apres le temps d'autonne
04. Tu qui gregem/Plange, regni/Apprehende arma et scutum et exurge, motet for 4 voices
Le Jugement du Roi de Navarre (poetry)
05. Et tout einsi com je cuidoie
06. Fons tocius superbie/O livoris feritas/Fera pessima, motet for 3 voices
Le Jugement du Roi de Navarre (poetry)
07. Et quant Nature vit ce fait
08. Puis que ma dolour agree, virelai for voice
Le Jugement du Roi de Navarre (poetry)
09. Si que ces tempestes cesserent
Messe de Nostre Dame, mass for 4 voices
10. Kyrie
Le Jugement du Roi de Navarre (poetry)
11. Si que tres bien me confessay
12. J'aim sans penser laidure, virelai for voice
13. Esperance qui masseüre, ballade for 2 voices
14. Quant Theseus/Ne quier veoir, ballade for 4 voices
Le Jugement du Roi de Navarre (poetry)
15. Damoiselle, la traïson de Theseüs
16. Honte, paour, doubtance, ballade for 3 voices
Le Jugement du Roi de Navarre (poetry)
17. Adont commensa Souffissance
18. Nes que on porroit, ballade for 3 voices
Le Jugement du Roi de Navarre (poetry)
19. Quant leur consaus fu affinez
20. Amours me fait desirer, ballade for 3 voices
CD2: Messe de Nostre Dame (ca. 1360)
01. Gaudeamus omnes, introit
Messe de Nostre Dame, mass for 4 voices
02. Kyrie Eleyson
03. Gloria In Excelsis Deo
04. Veneranda nobis, Collectio
05. Lectio libri Sapientiae, lecture trope
06. Propter Veritatem, gradual
07. Alleluia, assumpta est Maria
08. In illo tempore intravit Jesus, Evangelium
Messe de Nostre Dame, mass for 4 voices
09. Credo In Unum Deum
10. Diffusa est gratia, offeratory
11. Praefatio
Messe de Nostre Dame, mass for 4 voices
12. Sanctus & Benedictus
13. Pater Noster
Messe de Nostre Dame, mass for 4 voices
14. Agnus Dei
15. Regina mundi, Communio
16. Mense celestis, postcommunio
Messe de Nostre Dame, mass for 4 voices
17. Ite Missa Est
CD3: Le vray remède d'amour
Le Jugement du Roi de Navarre (poetry)
01. Je, Guillaumes
02. Dame, vostre doulz viaire, virelai for voice
03. Amours qui ha le povoir/Faus samblant/Vidi dominum, motet for 3 voices
04. Je vivroie liement, virelai for voice
05. Ce qui soustient, rondeau for 2 voices
Le Remède de Fortune (poetry)
06. La, firent mains divers acors
07. Dame, se vous m'estés lointeinne, ballade for voice
08. Je ne cuit pas qu'onques, ballade for 2 voices
09. Doulz viaire gracieus, rondeau for 3 voices
10. Christe que lux es/Veni Creator Spiritus/Tribulatio proxima est, motet for 4 voices
La Loange des Dames (poetry)
11. Qui des couleurs
12. Puis qu'en oubli, rondeau for 3 voices
13. Dame, ne regardés pas, ballade for 2 voices
14. Doulz amis, oy mon compleint, ballade for 2 voices
Le Livre du Voir-Dit (autobiographical poetry)
15. Long sont mi jour
16. Tels rit au main qui au soir, complainte for voice
17. Liement me deport par samblant, virelai for voice
Le Livre du Voir-Dit (autobiographical poetry)
18. Des que on porroit les estoilles nombrer
19. De toutes flours, ballade for 3 voices
Le Livre du Voir-Dit (autobiographical poetry)
20. Mon cuer, ma suer
21. Felix virgo/Inviolata genitrix/Ad te suspiramus, motet for 4 voices
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 22. July 2020, 22:59
Dominique Vellard / Le Jugement du Roi de Navarre (1349)
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Utilize accurate stream : Yes
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Null samples used in CRC calculations : Yes
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Used output format : User Defined Encoder
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Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
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Filename C:\EACRip\VARIOUS\Guillaume de Machaut - Je, Guillaumes dessus nommez (Ensemble Gilles Binchois)\CD1 - Le Jugement du Roi de Navarre\Machaut - Le Jugement du Roi de Navarre - Dominique Vellard.wav
Peak level 93.0 %
Extraction speed 1.8 X
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Test CRC 642810A1
Copy CRC 642810A1
Copy OK
No errors occurred
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==== Log checksum 121B17BD375FE80BAA3CB388C3D8D8A69611887710E7D5C925D0459B31CAFA8E ====
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 22. July 2020, 23:27
Dominique Vellard / Messe de Nostre Dame
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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
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Filename C:\EACRip\VARIOUS\Guillaume de Machaut - Je, Guillaumes dessus nommez (Ensemble Gilles Binchois)\CD2 - Messe de Nostre Dame\Machaut - Messe de Nostre Dame - Dominique Vellard.wav
Peak level 58.2 %
Extraction speed 8.5 X
Range quality 100.0 %
Test CRC 476E9C0D
Copy CRC 476E9C0D
Copy OK
No errors occurred
AccurateRip summary
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==== Log checksum 1A8B09EF24141D46CDEED054A4735C46AF461AE47088065A6583427DD6137C53 ====
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 22. July 2020, 23:54
Dominique Vellard / Le vray remède d'amour
Used drive : ATAPI iHAS124 F Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
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Filename C:\EACRip\VARIOUS\Guillaume de Machaut - Je, Guillaumes dessus nommez (Ensemble Gilles Binchois)\CD3 - Le vray remede d'amour\Machaut - Le vray remede d'amour - Dominique Vellard.wav
Peak level 91.0 %
Extraction speed 8.5 X
Range quality 99.9 %
Test CRC E3D97E35
Copy CRC E3D97E35
Copy OK
No errors occurred
AccurateRip summary
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–– CUETools DB Plugin V2.1.6
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If you are sure that your rip contains errors, you can use CUETools to repair it.
==== Log checksum F59E187E078495478F560782E9C348E01D8427A89CFDAE0518D6C2E8D53155D8 ====
Dominique Vellard, Ensemble Gilles Binchois - Guillaume de Machaut: Je, Guillaumes dessu nommez [3CDs] (2000)
Thanks to the original releaser