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    Josquin Desprez - The Hilliard Ensemble - Motets Et Chansons (1984, CD Reissue 1987)

    Posted By: luckburz
    Josquin Desprez - The Hilliard Ensemble - Motets Et Chansons (1984, CD Reissue 1987)

    Josquin Desprez - The Hilliard Ensemble - Motets Et Chansons
    EAC+LOG+CUE | FLAC: 192 MB | Full Artwork: 67 MB | 5% Recovery Info
    Label/Cat#: EMI # CDC 7 49209 2 | Country/Year: Germany 1987, 1984
    Genre: Classical | Style: Renaissance

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    selfrip [X] not my rip []

    Josquin Desprez - The Hilliard Ensemble - Motets Et Chansons (1984, CD Reissue 1987)


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 29. April 2013, 22:26

    Hilliard Ensemble / Desprez: Motets et Chansons

    Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : Yes
    Command line compressor : C:\Program Files\FLAC\flac.exe
    Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.32 | 6:51.33 | 32 | 30889
    2 | 6:51.65 | 4:26.65 | 30890 | 50904
    3 | 11:18.55 | 8:09.62 | 50905 | 87641
    4 | 19:28.42 | 8:23.65 | 87642 | 125431
    5 | 27:52.32 | 1:36.68 | 125432 | 132699
    6 | 29:29.25 | 2:14.57 | 132700 | 142806
    7 | 31:44.07 | 1:49.68 | 142807 | 151049
    8 | 33:34.00 | 2:02.50 | 151050 | 160249
    9 | 35:36.50 | 1:01.60 | 160250 | 164884
    10 | 36:38.35 | 2:08.15 | 164885 | 174499
    11 | 38:46.50 | 2:12.32 | 174500 | 184431
    12 | 40:59.07 | 3:47.28 | 184432 | 201484
    13 | 44:46.35 | 5:47.20 | 201485 | 227529


    Range status and errors

    Selected range

    Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Desprez- Hilliard Ensemble - Motets et Chansons.wav

    Peak level 64.0 %
    Extraction speed 7.0 X
    Range quality 100.0 %
    Copy CRC F24FA3A7
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 3) [17A39FC4] (AR v1)
    Track 2 accurately ripped (confidence 3) [E9B44D45] (AR v1)
    Track 3 accurately ripped (confidence 3) [3D8EA89B] (AR v1)
    Track 4 accurately ripped (confidence 3) [6C543E7F] (AR v1)
    Track 5 accurately ripped (confidence 3) [F8852660] (AR v1)
    Track 6 accurately ripped (confidence 3) [22521FF0] (AR v1)
    Track 7 accurately ripped (confidence 3) [C3C7F63D] (AR v1)
    Track 8 accurately ripped (confidence 3) [F0C975BD] (AR v1)
    Track 9 accurately ripped (confidence 3) [16A5050A] (AR v1)
    Track 10 accurately ripped (confidence 3) [557DEA1C] (AR v1)
    Track 11 accurately ripped (confidence 3) [4C2BE0CE] (AR v1)
    Track 12 accurately ripped (confidence 3) [94F82D29] (AR v1)
    Track 13 accurately ripped (confidence 3) [77333825] (AR v1)

    All tracks accurately ripped

    End of status report

    –– CUETools DB Plugin V2.1.3

    [CTDB TOCID: xI90xDJG_Fd3OHDSadmdHcijDJs-] found, Submit result: discs with pregaps not supported in this protocol version
    [eb3d4edc] (27/27) Differs in 0 samples @
    You can use CUETools to repair this rip.


    ==== Log checksum F578955D25B1174E048BDCA4674C5E10895502114608ACDB365470A9F2F58949 ====

    foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
    log date: 2013-04-30 19:36:19

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Hilliard Ensemble / Desprez: Motets et Chansons
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR13 -5.10 dB -24.19 dB 6:51 01-Ave Maria, gratia plena
    DR13 -5.83 dB -25.73 dB 4:27 02-Absalon, fili mi
    DR13 -5.40 dB -23.67 dB 8:10 03-Veni Sancte Spiritus
    DR15 -3.87 dB -24.00 dB 8:24 04-De profundis clamavi
    DR12 -8.07 dB -24.22 dB 1:37 05-Scaramella va alla guerra (a 4); Loyset Compère: Scaramella fa la galla (a 4)
    DR13 -5.90 dB -24.33 dB 2:15 06-In te Domine speravi (a 4)
    DR14 -5.56 dB -23.68 dB 1:50 07-El grillo (a 4)
    DR12 -7.25 dB -27.62 dB 2:03 08-Milles Regretz
    DR12 -4.18 dB -23.86 dB 1:02 09-Petite camusette
    DR12 -9.47 dB -26.48 dB 2:08 10-Je me complains
    DR15 -8.51 dB -28.12 dB 2:12 11-En l'ombre d'ung buissonet
    DR13 -9.15 dB -26.84 dB 3:47 12-Je ne me puis tenir d'aimer
    DR13 -7.08 dB -25.78 dB 5:47 13-La déploration de la mort de Johannes Ockeghem (Nimphes des bois) (a 5)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 13
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 531 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Josquin Desprez - The Hilliard Ensemble - Motets Et Chansons

    Label: EMI
    Catalog#: CDC 7 49209 2
    Format: CD, Album
    Country: Germany
    Released: 1987, 1984
    Genre: Classical
    Style: Renaissance

    Tracklist:

    1 Ave Maria, Gratia Plena 6:51
    2 Absalon, Fili Mi 4:27
    3 Veni Sancte Spiritus 8:10
    4 De Profundis Clamavi 8:24
    5 Scaramella Va Alla Guerra (A 4) / Scaramella Fa La Galla (A 4) 1:37
    6 In The Domine Speravi (A 4) 2:15
    7 El Grillo (A 4) 1:50
    8 Milles Regretz 2:03
    9 Petite Camusette 1:02
    10 Je Me Complains 2:08
    11 En L'Ombre D'Ung Buissonet 2:12
    12 Je Ne Me Puis Tenir D'Aimer 3:47
    13 La Déploration De La Mort De Johannes (Jehan) Ockeghem (Nimphes Des Bois) A 5 5:47

    Credits:

    Bass Vocals – Michael George, Paul Hillier
    Composed By – Josquin Desprez
    Countertenor Vocals – Ashley Stafford, David James
    Directed By – Paul Hillier
    Engineer [Balance] – Neville Boyling
    Ensemble – Hilliard Ensemble, The
    Liner Notes – Paul Hillier
    Liner Notes [English Translation Of The Lyrics] – Paul Hillier, Peter James
    Liner Notes [French Translation] – Elizabeth Simon
    Liner Notes [Italian Translation] – A.C. Cerasi, S. Salessy
    Painting [Cover Painting] – Leonardo da Vinci
    Producer – Gerd Berg
    Tenor Vocals – Leigh Nixon, Nicholas Robertson, Paul Elliott, Rogers Covey-Crump

    Notes:

    ℗ 1984 Original sound recording made by EMI Records Ltd.
    © 1987 EMI Electrola GmbH, D-5000 Köln.
    Printed in Holland by EMI Services Benelux B.V., Uden.
    Made in Japan.

    Recorded 14.-16.II.1983, Temple Church, London.
    Recorded in co-production with WDR Köln.

    Booklet in German, English, French & Italian.

    Track 13 has two different texts: "Nimphes des bois" by Jehan Molinet (in French) and "Requiem" (Latin plain chant in the tenor part).

    Josquin Desprez - The Hilliard Ensemble - Motets Et Chansons (1984, CD Reissue 1987)


    Josquin des Prez (or Josquin Lebloitte dit Desprez; c. 1450/1455 – 27 August 1521), often referred to simply as Josquin, was a Franco-Flemish composer of the Renaissance. He is also known as Josquin Desprez and Latinized as Josquinus Pratensis, alternatively Jodocus Pratensis. He himself spelled his name "Josquin des Prez" in an acrostic in his motet Illibata Dei virgo nutrix. He was the most famous European composer between Guillaume Dufay and Palestrina, and is usually considered to be the central figure of the Franco-Flemish School. Josquin is widely considered by music scholars to be the first master of the high Renaissance style of polyphonic vocal music that was emerging during his lifetime.

    During the 16th century, Josquin gradually acquired the reputation as the greatest composer of the age, his mastery of technique and expression universally imitated and admired. Writers as diverse as Baldassare Castiglione and Martin Luther wrote about his reputation and fame; theorists such as Heinrich Glarean and Gioseffo Zarlino held his style as that best representing perfection. He was so admired that many anonymous compositions were attributed to him by copyists, probably to increase their sales. More than 370 works are attributed to him; it was only after the advent of modern analytical scholarship that some of these mistaken attributions have been challenged, on the basis of stylistic features and manuscript evidence. Yet in spite of Josquin's colossal reputation, which endured until the beginning of the Baroque era and was revived in the 20th century, his biography is shadowy, and next to nothing is known about his personality. The only surviving work which may be in his own hand is a graffito on the wall of the Sistine Chapel, and only one contemporary mention of his character is known, in a letter to Duke Ercole I of Ferrara. The lives of dozens of minor composers of the Renaissance are better documented than the life of Josquin.

    Josquin wrote both sacred and secular music, and in all of the significant vocal forms of the age, including masses, motets, chansons and frottole. During the 16th century, he was praised for both his supreme melodic gift and his use of ingenious technical devices. In modern times, scholars have attempted to ascertain the basic details of his biography, and have tried to define the key characteristics of his style to correct misattributions, a task that has proved difficult, as Josquin liked to solve compositional problems in different ways in successive compositions—sometimes he wrote in an austere style devoid of ornamentation, and at other times he wrote music requiring considerable virtuosity. Heinrich Glarean wrote in 1547 that Josquin was not only a "magnificent virtuoso" (the Latin can be translated also as "show-off") but capable of being a "mocker", using satire effectively. While the focus of scholarship in recent years has been to remove music from the "Josquin canon" (including some of his most famous pieces) and to reattribute it to his contemporaries, the remaining music represents some of the most famous and enduring of the Renaissance.

    The Hilliard Ensemble is a British male vocal quartet originally devoted to the performance of early music. Founded in 1974, the group is named after the Elizabethan miniaturist painter Nicholas Hilliard.

    Although most of its work focuses on music of the Medieval and Renaissance periods, the Hilliard Ensemble also performs contemporary music, working frequently with the Estonian composer Arvo Pärt and including in its concerts works by John Cage, Gavin Bryars, Giya Kancheli, and Heinz Holliger. wikipedia

    Josquin Desprez - The Hilliard Ensemble - Motets Et Chansons (1984, CD Reissue 1987)


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