David Lloyd-Jones, English Northern Philharmonia - Constant Lambert: Tiresias, Pomona (1999)
David Lloyd-Jones, English Northern Philharmonia - Constant Lambert: Tiresias, Pomona (1999)
EAC | FLAC | Image (Cue & Log) ~ 233 Mb | Total time: 74:02 | Scans included
Classical | Label: Hyperion | # CDA67049 | Recorded: 1998
EAC | FLAC | Image (Cue & Log) ~ 233 Mb | Total time: 74:02 | Scans included
Classical | Label: Hyperion | # CDA67049 | Recorded: 1998
Constant Lambert like his colleague Peter Warlocktends to be remembered more for his personal charisma and tragically early death than for his music. Yet the twenty or so extended scores which he did compose (The Rio Grande and Summer's Last Will and Testament being perhaps the most well known) are every bit as worthy as those of his more famous contemporaries. The bulk of Lambert's output was directed at the ballet, and he was the first Englishman ever to be commissioned by Diaghilev and the Ballets Russes quite an achievement for a twenty-year-old. As a result of this, Nijinska commissioned Pomona, a ballet rich in the atmosphere of neoclassicism and the French dance music of the 1920s. Pomona shares with Tiresias a thread of sexual intrigue, indeed the stage requirements of the latter suggest it as a particularly improbable ballet subject: the lead changing sex, two snakes copulating, an argument about which of the sexes enjoys the sexual act the most The work enjoyed considerable success during the early 1950s, but then fell from the repertory. This is its first recording, and uses the reconstructed score commissioned by the BBC in 1995.
Performer:
English Northern Philharmonia
David Lloyd-Jones, conductor
Tracklist:
Constant Lambert (1905-1951)
Pomona (1927)
01. I. Intrata: Andantino pastorale
02. II. Coranto: Allegro deciso
03. III. Pastorale: Andante tranquillo
04. IV. Menuetto: Allegretto
05. V. Passacaglia: Serioso
06. VI. Rigadoon: Vivace
07. VII. Siciliana: Andantino dolce
08. VIII. Marcia (Finale): Allegro
Tiresias (1950/1)
Prelude
09. Maestoso
10. Allegro marcato
11. Scene 1. Vivo
12. Scene 1. Tiresias's Entry. Giocoso
13. Scene 2. Tiresias's Solo
Act 1
14. No 1. Entry of the warriors. Allegro giusto
15. No 2. Sword Dance
16. No 3. Cortege. Entrance of the young virgins and dance of the priestesses
17. No 4. Snakes. Calme
18. No 5. Tiresias gets angry, beats snakes and changes into a woman
19. I. Interlude
Act 2
20. Scene 1. The female Tiresias's solo. Piacevole
21. Scene 2. Dance of the shepherds and shepherdesses. Piacevole
22. Scene 3. Pas de deux. Andante
23. Scene 4a. Bacchanale. Vivo
24. Scene 4b. Return of the snakes. Lento
25. II. Interlude
Act 3
26. Scene 1. Hera and Zeus. Allegro marciale
27. Scene 2. The old Tiresias. Maestoso e marciale
28. Scene 3. The male Tiresias remembered. Pesante
29. Scene 4. The female Tiresias remembered. Piacevole
30. Scene 5. Hera strikes Tiresias blind
31. Scene 6. Tiresias receives the gift of prophecy. Maestoso
32. Scene 7. Tiresias accepts his fate – Entry of priestesses. Andante
33. Scene 8. Final apotheosis and departure of the blind Tiresias. Maestoso
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Unknown Artist / Unknown Title
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==== Log checksum D18434311F704E4127B8C9E530F41778FE15A921BCC9A1BE2FEA622488330141 ====
David Lloyd-Jones, English Northern Philharmonia - Constant Lambert: Tiresias, Pomona (1999)
Thanks to the original releaser