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    David Bowie - 1. Outside (The Nathan Adler Diaries: A Hyper Cycle) (1995) {2013, Japanese Blu-Spec CD2, Remastered} Repost

    Posted By: popsakov
    David Bowie - 1. Outside (The Nathan Adler Diaries: A Hyper Cycle) (1995) {2013, Japanese Blu-Spec CD2, Remastered} Repost

    David Bowie - 1. Outside (The Nathan Adler Diaries: A Hyper Cycle) (1995) {2013, Japanese Blu-Spec CD2, Remastered}
    EAC Rip | FLAC (Img) + Cue + Log ~ 549 Mb | MP3 CBR320 ~ 187 Mb
    Full Scans ~ 330 Mb | 01:17:42 | RAR 5% Recovery
    Art Rock, Experimental Rock, Industrial, Alternative Rock | Sony Records Int'l #SICP-30151

    Outside (stylised as 1. Outside and subtitled The Nathan Adler Diaries: A Hyper-cycle) is the twentieth studio album by the English musician David Bowie, released on 25 September 1995 through Virgin Records in the United States and Arista Records, BMG and RCA Records in other territories. Reuniting Bowie with the musician Brian Eno following the late 1970s Berlin Trilogy, the two were inspired by concepts "outside" the mainstream, such as various outsider and performance artists. Recorded throughout 1994, the experimental sessions saw Bowie conceive a world where "art crimes", such as murder, pervade society. The resulting Leon project initially faced resistance from labels due to its uncommercial nature. The project's bootlegging led to additional sessions in 1995 to revise the concept and record more commercial material, inspired by a diary Bowie wrote for Q magazine. Influenced by the television series Twin Peaks, the nonlinear narrative of Outside concerns the residents of the fictional Oxford Town, New Jersey, and follows the detective Nathan Adler as he investigates the murder of a 14-year-old girl. The tracks show perspectives of specific characters, while spoken word between-song segues convey more character ideals; the story and Adler's diary entries were presented in the album's CD booklet. Musically, Outside displays styles from art rock, industrial rock and jazz, to electronica and ambient. The album cover is a self-portrait of Bowie. Released at the height of Britpop in the UK, Outside received mixed reviews from critics. While most praised the music, others found the concept pretentious and hard to follow. Nevertheless, many considered it Bowie's finest record since 1980's Scary Monsters. Outside peaked at number 8 in the UK and number 21 in the US.

    1. Outside bears the subtitle "The Diary of Nathan Adler or The Art-Ritual Murder of Baby Grace Blue. A Non-Linear Gothic Drama Hyper-Cycle." Alright, so it reeks of pretension. One belabors the point because Bowie at his best has always been pretentious, risque, creatively (if sometimes contrivedly) over the top. 1. Outside marks the first in a planned series of collaborations with multi-instrumentalist, producer, and conceptualist Brian Eno based on a Bowie short story. In this end-of-millennium setting, "art-crimes" and "concept muggings" merit their own police division funded by the "Arts Protectorate of London." Echoes of the Berlin "outsider" Bowie/Eno '70s trilogy of Low, Heroes, and Lodger reverberate throughout, including a return to the "cut-and-paste" lyric-assembly method then employed, only this time fed through a Mac rather than more labor-intensive paper-and-scissors tools. The thusly fragmented "narrative" follows the investigations of Detective Professor Adler into the murder and subsequent dismembered body parts exhibition of 14-year-old runaway Baby Grace Blue. In this cut-up, composite world, each character, including Adler, Baby Grace, mixed-race youth Leon Blank, septuagenarian Algeria Touchshriek, and art-terrorist Ramona A. Stone, reflects a different aspect of Bowie himself and is therefore a component of all the previous personas Bowie has enacted over the years. The music also randomly dices and displays many of the previous album settings such personas have populated. To complete the cube, Bowie then draws on musicians that form a kind of anagram band from his past. The closest "Ziggy" link comes courtesy of pianist Mike Garson, whose icy, tinkling jazz runs evoke many a spine-tingly moment from Aladdin Sane and Diamond Dogs. Besides Garson and Eno, other names familiar to those who follow the Bowie canon include guitarists Carlos Alomar (Station to Station through Scary Monsters) and Reeves Grabels (Tin Machine), and '90s collaborators such as drummer Sterling Campbell (Black Tie White Noise) and multi-instrumentalist Erdal Kizilcay (Buddha). Diamond Dogs, inspired by George Orwell's 1984, is another obvious precursor to 1. Outside's dissection of a post-apocalyptic, technological society in the name of Art. Bowie inflicts "in-character" spoken word segments as between-song segues, several of which evoke the Cockney campiness of such '60s period pieces as "Please Mr. Gravedigger" and "The Laughing Gnome" – humor (intentional or not) that softens an otherwise bleak landscape. So, should you actually care about this dense, dark, difficult story and its generally unsympathetic characters? The effort required to adequately "process" 1. Outside pays off in a richly voyeuristic experience where Bowie once again reflects fringe culture onto the mainstream and forces us to consider that the differences are not so great.

    ~ Roch Parisien, All Music

    ***************

    Track List:

    01. Leon Takes Us Outside [1:26]
    02. Outside [4:05]
    03. The Hearts Filthy Lesson [4:58]
    04. A Small Plot Of Land [6:35]
    05. Segue - Baby Grace (A Horrid Cassette) [1:40]
    06. Hallo Spaceboy [5:15]
    07. The Motel [6:51]
    08. I Have Not Been To Oxford Town [3:50]
    09. No Control [4:34]
    10. Segue - Algeria Touchshriek [2:04]
    11. The Voyeur Of Utter Destruction (As Beauty) [4:22]
    12. Segue - Ramona A. Stone / I Am With Name [4:02]
    13. Wishful Beginnings [5:09]
    14. We Prick You [4:36]
    15. Segue - Nathan Adler [1:01]
    16. I'm Deranged [4:32]
    17. Thru' These Architects Eyes [4:23]
    18. Segue - Nethan Adler [0:29]
    19. Strangers When We Meet [5:08]
    20. Get Real [2:52]

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 11. April 2013, 18:09

    David Bowie / Outside

    Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : Internal WAV Routines
    Sample format : 44.100 Hz; 16 Bit; Stereo


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 1:25.03 | 0 | 6377
    2 | 1:25.03 | 4:04.65 | 6378 | 24742
    3 | 5:29.68 | 4:57.42 | 24743 | 47059
    4 | 10:27.35 | 6:34.63 | 47060 | 76672
    5 | 17:02.23 | 1:40.00 | 76673 | 84172
    6 | 18:42.23 | 5:14.32 | 84173 | 107754
    7 | 23:56.55 | 6:50.68 | 107755 | 138572
    8 | 30:47.48 | 3:49.17 | 138573 | 155764
    9 | 34:36.65 | 4:33.15 | 155765 | 176254
    10 | 39:10.05 | 2:03.43 | 176255 | 185522
    11 | 41:13.48 | 4:21.10 | 185523 | 205107
    12 | 45:34.58 | 4:01.32 | 205108 | 223214
    13 | 49:36.15 | 5:08.65 | 223215 | 246379
    14 | 54:45.05 | 4:35.35 | 246380 | 267039
    15 | 59:20.40 | 1:00.70 | 267040 | 271609
    16 | 60:21.35 | 4:31.08 | 271610 | 291942
    17 | 64:52.43 | 4:22.12 | 291943 | 311604
    18 | 69:14.55 | 0:28.42 | 311605 | 313746
    19 | 69:43.22 | 5:07.01 | 313747 | 336772
    20 | 74:50.23 | 2:51.23 | 336773 | 349620


    Range status and errors

    Selected range

    Filename C:\Users\Meijin\Desktop\Lossless Galaxy ALLexxess\David Bowie\1995 Outside (Sony Music Japan BSCD2 2013)\David Bowie - Outside.wav

    Peak level 99.3 %
    Extraction speed 8.7 X
    Range quality 99.9 %
    Test CRC 42228664
    Copy CRC 42228664
    Copy OK

    No errors occurred


    AccurateRip summary

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    All tracks accurately ripped

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    ==== Log checksum DAD51406D1BD8EA3ED9DFD360FD283E51ADFC9E060C7E8EB1D26D8344D9C1844 ====

    [CUETools log; Date: 21.01.2025 19:44:36; Version: 2.1.6]
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    Track | CTDB Status
    1 | (29/29) Accurately ripped
    2 | (29/29) Accurately ripped
    3 | (29/29) Accurately ripped
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    19 | (26/29) Accurately ripped
    20 | (25/29) Accurately ripped
    [AccurateRip ID: 003a49a4-035695b8-39123514] found.
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    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 99,3 [42228664] [7BEDC37E] CRC32
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    19 99,3 [5CCFB2D8] [F491AF07]
    20 94,8 [D596E565] [D432BFCC]

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