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    Daryl Hall & John Oates - Definitive Collection (2002) [Repost]

    Posted By: juanchito
    Daryl Hall & John Oates - Definitive Collection (2002) [Repost]

    Daryl Hall & John Oates - Definitive Collection
    EAC Rip | FLAC, TRACKS+CUE, LOG | HQ Scan 480 dpi | 75:00 min | 517 MB
    Genre: Pop / Blue Eyed Soul | Links are interchangable | Label: BMG Ariola Argentina S. A. # 74321 95930-2


    Biography by Stephen Thomas Erlewine - Allmusic
    From their first hit in 1974 through their heyday in the '80s, Daryl Hall and John Oates' smooth, catchy take on Philly soul brought them enormous commercial success – including six number one singles and six platinum albums – yet little critical success. Hall & Oates' music was remarkably well constructed and produced; at their best, their songs were filled with strong hooks and melodies that adhered to soul traditions without being a slave to them by incorporating elements of new wave and hard rock.

    Daryl Hall began performing professionally while he was a student at Temple University. In 1966, he recorded a single with Kenny Gamble and the Romeos; the group featured Gamble, Leon Huff, and Thom Bell, who would all become the architects of Philly soul. During this time, Hall frequently appeared on sessions for Gamble and Huff. In 1967, Hall met John Oates, a fellow Temple University student. Oates was leading his own soul band at the time. The two students realized they had similar tastes and began performing together in an array of R&B and doo wop groups. By 1968, the duo had parted ways, as Oates transferred schools and Hall formed the soft rock band Gulliver; the group released one album on Elektra in the late '60s before disbanding.

    After Gulliver's breakup, Hall concentrated on session work again, appearing as a backup vocalist for the Stylistics, the Delfonics, and the Intruders, among others. Oates returned to Philadelphia in 1969, and he and Hall began writing folk-oriented songs and performing together. Eventually they came to the attention of Tommy Mottola, who quickly became their manager, securing the duo a contract with Atlantic Records. On their first records – "Whole Oates" (1972), "Abandoned Luncheonette" (1973), "War Babies" (1974) – the duo were establishing their sound, working with producers like Arif Mardin and Todd Rundgren and removing much of their folk influences. At the beginning of 1974, the duo relocated from Philadelphia to New York. During this period, they only managed one hit – the number 60 "She's Gone" in the spring of 1974.

    After they moved to RCA in 1975, the duo landed on its successful mixture of soul, pop, and rock, scoring a Top Ten single with "Sara Smile." The success of "Sara Smile" prompted the re-release of "She's Gone," which rocketed into the Top Ten as well. Released in the summer of 1976, "Bigger than the Both of Us" was only moderately successful upon its release. The record took off in early 1977, when "Rich Girl" became the duo's first number one single.

    Although they had several minor hits between 1977 and 1980, the albums Hall & Oates released at the end of the decade were not as successful as their mid-'70s records. Nevertheless, they were more adventurous, incorporating more rock elements into their blue-eyed soul. The combination would finally pay off in late 1980, when the duo released the self-produced "Voices", the album that marked the beginning of Hall & Oates' greatest commercial and artistic success. The first single from "Voices", a cover of the Righteous Brothers' "You've Lost That Lovin' Feeling," reached number 12, yet it was the second single, "Kiss on My List" that confirmed their commercial potential by becoming the duo's second number one single; its follow-up, "You Make My Dreams" hit number five. They quickly released "Private Eyes" in the summer of 1981; the record featured two number one hits, "Private Eyes" and "I Can't Go for That (No Can Do)," as well as the Top Ten hit "Did It in a Minute." "I Can't Go for That (No Can Do)" also spent a week at the top of the R&B charts – a rare accomplishment for a white act. "H20" followed in 1982 and it proved more successful than their two previous albums, selling over two million copies and launching their biggest hit single, "Maneater," as well as the Top Ten hits "One on One" and "Family Man." The following year, the duo released a greatest-hits compilation, "Rock 'N Soul, Pt. 1", that featured two new Top Ten hits – the number two "Say It Isn't So" and "Adult Education."

    In April of 1984, the Recording Industry Association of America announced that Hall & Oates had surpassed the Everly Brothers as the most successful duo in rock history, earning a total of 19 gold and platinum awards. Released in October of 1984, "Big Bam Boom" expanded their number of gold and platinum awards, selling over two million copies and launching four Top 40 singles, including the number one "Out of Touch." Following their contract-fulfilling gold album "Live at the Apollo" with David Ruffin & Eddie Kendrick, Hall & Oates went on hiatus. After the lukewarm reception for Daryl Hall's 1986 solo album, "Three Hearts in the Happy Ending Machine", the duo regrouped to release 1988's "Ooh Yeah!", their first record for Arista. The first single, "Everything Your Heart Desires," went to number three and helped propel the album to platinum status.

    However, none of the album's other singles broke the Top 20, indicating that the era of chart dominance had ended. "Change of Season", released in 1990, confirmed that fact. Although the record went gold, it only featured one Top 40 hit – the number 11 single "So Close." The duo mounted a comeback in 1997 with "Marigold Sky", but it was only partially successful; far better was 2003's "Do It for Love" and the following year's soul covers record "Our Kind of Soul". The issuing of "greatest-hits" albums reached a fever pitch during the 2000s, with no fewer than 15 different collections seeing the light by 2008. Live records were in proliferation as well, with the A&E Live by Request release "Live in Concert" hitting stores in 2003, a reissue of their "Ecstasy on the Edge" 1979 concert (titled simply "In Concert" this time around) in 2006, and the "Live at the Troubadour" two-CD/one-DVD set in 2008. As far as proper studio albums go, the 2000s were lean, with only three releases – the aforementioned "Do It for Love" and "Our Kind of Soul", topped off by "Home for Christmas" in 2006.

    Tracklist:
    01. Sara Smile [03:10]
    02. Rich Girl [02:27]
    03. It's A Laugh [03:46]
    04. Wait For Me [04:09]
    05. You've Lost That Lovin' Feeling [04:39]
    06. Kiss On My List [04:25]
    07. You Make My Dreams [03:09]
    08. Private Eyes [03:40]
    09. I Can't Go For That (No Can Do) [05:11]
    10. Did It In A Minute [03:40]
    11. Maneater [04:34]
    12. One On One [04:20]
    13. Family Man [03:27]
    14. Say It Isn't So [04:20]
    15. Adult Education (Promotional 12'' version) [04:37]
    16. Out Of Touch [04:12]
    17. Method Of Modern Love [05:35]
    18. Some Things Are Better Left Unsaid [05:26]

    Exact Audio Copy V1.0 beta 1 from 15. November 2010

    EAC extraction logfile from 31. March 2011, 19:48

    Daryl Hall & John Oates / Definitive Collection

    Used drive : HL-DT-STDVDRAM GSA-T50F Adapter: 3 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 128 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy 1 beta\Exact Audio Copy\flac.exe
    Additional command line options : -4 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
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    1 | 0:00.00 | 3:10.70 | 0 | 14319
    2 | 3:10.70 | 2:27.37 | 14320 | 25381
    3 | 5:38.32 | 3:46.70 | 25382 | 42401
    4 | 9:25.27 | 4:09.48 | 42402 | 61124
    5 | 13:35.00 | 4:39.70 | 61125 | 82119
    6 | 18:14.70 | 4:25.65 | 82120 | 102059
    7 | 22:40.60 | 3:09.67 | 102060 | 116301
    8 | 25:50.52 | 3:40.05 | 116302 | 132806
    9 | 29:30.57 | 5:11.63 | 132807 | 156194
    10 | 34:42.45 | 3:40.50 | 156195 | 172744
    11 | 38:23.20 | 4:34.40 | 172745 | 193334
    12 | 42:57.60 | 4:20.65 | 193335 | 212899
    13 | 47:18.50 | 3:27.67 | 212900 | 228491
    14 | 50:46.42 | 4:20.03 | 228492 | 247994
    15 | 55:06.45 | 4:37.12 | 247995 | 268781
    16 | 59:43.57 | 4:12.13 | 268782 | 287694
    17 | 63:55.70 | 5:35.62 | 287695 | 312881
    18 | 69:31.57 | 5:26.35 | 312882 | 337366


    Track 1

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    Track 2

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    Track 3

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    Track 4

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    Track 5

    Filename C:\Users\Patricia\MY RIPS\HAODCLadyOfThe80s\Hall & Oates - Definitive Collection (2002)\05 - You've Lost That Lovin' Feeling.wav

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    Track 6

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    Track 7

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    Track 8

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    Track 9

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    Track 10

    Filename C:\Users\Patricia\MY RIPS\HAODCLadyOfThe80s\Hall & Oates - Definitive Collection (2002)\10 - Did It In A Minute.wav

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    Track 11

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    Track 12

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    Track 13

    Filename C:\Users\Patricia\MY RIPS\HAODCLadyOfThe80s\Hall & Oates - Definitive Collection (2002)\13 - Family Man.wav

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    Track 14

    Filename C:\Users\Patricia\MY RIPS\HAODCLadyOfThe80s\Hall & Oates - Definitive Collection (2002)\14 - Say It Isn't So.wav

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    Track 15

    Filename C:\Users\Patricia\MY RIPS\HAODCLadyOfThe80s\Hall & Oates - Definitive Collection (2002)\15 - Adult Education (Promotional 12'' version).wav

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    Track 16

    Filename C:\Users\Patricia\MY RIPS\HAODCLadyOfThe80s\Hall & Oates - Definitive Collection (2002)\16 - Out Of Touch.wav

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    Track 17

    Filename C:\Users\Patricia\MY RIPS\HAODCLadyOfThe80s\Hall & Oates - Definitive Collection (2002)\17 - Method Of Modern Love.wav

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    Track 18

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    No tracks could be verified as accurate
    You may have a different pressing from the one(s) in the database

    No errors occurred

    End of status report

    ==== Log checksum 1F8C639B435D95E97A96045FDD211C8824FCBE860988C45C801E513BEDE4C76D ====


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