Daniela Barcellona, Marcello Di Lisa, Concerto de' Cavalieri - Alessandro Scarlatti: Opera Arias (2011)
Daniela Barcellona, Marcello Di Lisa, Concerto de' Cavalieri - Alessandro Scarlatti: Opera Arias (2011)
EAC | FLAC | Image (Cue & Log) ~ 365 Mb | Total time: 66:12 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 88697842162 | Recorded: 2010
EAC | FLAC | Image (Cue & Log) ~ 365 Mb | Total time: 66:12 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 88697842162 | Recorded: 2010
The 350th anniversary of Alessandro Scarlatti’s birth fell in 2010 but did not receive the fuss that one of the most fascinating Italian Baroque composers deserves. His operas are particularly neglected but Daniela Barcellona and Concerto de’ Cavalieri go some way towards remedying this situation. Director Marcello Di Lisa has chosen a fascinating programme of sinfonias and arias from Scarlatti’s six last extant serious operas (1716-21), written for the Teatro San Bartolomeo in Naples (Tigrane, Carlo re d’Allemagna and Cambise) and for Rome’s Teatro Capranica (Telemaco, Marco Attilio Regolo and Griselda). Most are unpublished and have been edited from manuscript sources; 20 pieces receive world premiere recordings. Mario Marcarini’s erudite booklet-note is all too brief and, although the disc contains a PDF of another short note by Di Lisa and all of the sung texts, Sony’s presentation of information is haphazard and inconvenient to use.
The music, however, offers plenty of enrichment. Scarlatti’s concise yet detailed arias make an impressive impact. Concerto de’ Cavalieri’s zesty strings and Andrea di Mario’s vibrant trumpet obbligato provide a dynamic springboard for Barcellona to launch into ‘Voglio a terra’ (the villain Amilcare’s outburst at imprisoning the title-hero in Marco Attilio Regolo) and her coloratura passages are thrilling in ‘Vendetta, vendetta’ (an enraged trumpet aria sung by Sicoreo, the offended brother of the nymph Calypso in Telemaco). Pairs of oboes, trumpets and violins sparkle in the fine sinfonia to Griselda; Barcellona’s singing and sweet string ritornellos evoke the soft breeze and sensual yearning in Lotario’s ‘Aure voi che sussarrando’ (Carlo re d’Allemagna), and dissimilar love arias for different characters in Tigrane are performed superbly (the intimate ‘Ma qual cor’ and obsessively passionate ‘Un solo sospiro’). Serious Baroque opera lovers should devour this greedily.–David Vickers
Performer:
Daniela Barcellona, mezzo-soprano
Concerto de' Cavalieri
Marcello Di Lisa, conductor
Tracklist:
Alessandro Scarlatti (1660-1725)
MARCO ATTILIO REGOLO
01. Sinfonia avanti l’Opera
02. Aria: Voglio a terra (Amilcare)
03. Aria: Non la vuoi (Eraclea)
04. Aria: Lascia almeno (Eraclea)
TELEMACO
05. Sinfonia avanti l’Opera
06. Aria: Già nel seno (Sicoreo)
07. Aria: Ho il cor tutto foco (Sicoreo)
08. Aria: Vendetta, vendetta (Sicoreo)
GRISELDA
09. Sinfonia avanti l’Opera
10. Aria: Non sospira (Gualtiero)
11. Aria: Bellezze spietate (Ottone)
12. Aria: Vorresti col tuo pianto (Gualtiero)
TIGRANE
13. Sinfonia avanti l’Opera
14. Aria: Ma qual cor (Tigrane)
15. Aria: Un solo sospiro (Policare)
16. Aria: Se mai ti punse il cor (Policare)
CARLO RE D’ALLEMAGNA
17. Sinfonia avanti l’Opera
18. Aria: Quel cor ch’ un regio serto (Lotario)
19. Aria: Il mio cor costante e fido (Adalgiso)
20. Aria: Aure voi che sussurrando (Lotario)
CAMBISE
21. Sinfonia
22. Aria: Io parto vincitor (Cambise)
23. Aria: In quelle luci belle (Ernesto)
24. Aria: Mi cinga la fama (Cambise)
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 6. June 2024, 10:09
Daniela Barcellona, Concerto de'Cavalieri, Marcello di Lisa / Scarlatti . Opera Arias . Barcellona, di Lisa
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==== Log checksum BD50A5C9807DB07170EB9925A70595E5D5A0A1CE4D7240B73FDDE8A8F2EA76B9 ====
Daniela Barcellona, Marcello Di Lisa, Concerto de' Cavalieri - Alessandro Scarlatti: Opera Arias (2011)
Thanks to the original releaser