Carmen Mainer Martín, Violeta Mur, Enrique Escartín Ara - Mozart Contemporaries: 18th Century Music for Bassoon (2021)
Carmen Mainer Martín, Violeta Mur, Enrique Escartín Ara - Mozart Contemporaries: 18th Century Music for Bassoon: Devienne, Dürnitz, Mozart (2021)
EAC | FLAC | Image (Cue & Log) ~ 259 Mb | Total time: 58:17 | Scans included
Classical | Label: Brilliant Classics | # 96020 | Recorded: 2019
EAC | FLAC | Image (Cue & Log) ~ 259 Mb | Total time: 58:17 | Scans included
Classical | Label: Brilliant Classics | # 96020 | Recorded: 2019
The starting-point for this unique recital is a true Mozart rarity, the Sonata for bassoon and cello K292 which Mozart wrote in 1775, pairing the bass members of string and wind families not to comic effect but rather demonstrating their expressive versatility and contrasting tone-colors, in the hands of sufficiently practiced performers; the Sonata is accessible by only the most skilled amateur performers such as its original dedicatee, the nobleman, pianist and occasional bassoonist Thaddaus Wolfgang von Dürnitz. The counts considerable musical gifts may be judged from the teenaged Mozarts dedication of the Piano Sonata K284 in the same year: one of the composers first works of absolute genius, notably in the extraordinary landscape of its long theme-and-variation finale. The bassoon-and-cello sonata may not rival K284 for lightly worn profundity, but in its Andante we may still hear the teenaged composer attaining an idiom of sublime gravity which anticipates masterpieces such as the Sinfonia Concertante K364. Rarer still on album is the creative output of Dürnitz himself, represented here by four sonatas for bassoon and keyboard from a collection of six. He evidently cultivated a particular facility at the top of the intruments range, notably in the elegiac introduction to Sonata No.3. Dürnitz was no dilettante musician, to judge from his ready assimilation of Classical-era convention and the kind of virtuoso writing in the quick movements that challenges conceptions of the bassoon as a sturdy accompaniment to more agile musical companions. Between these two composers in the register of fame falls the French composer Francois Devienne, four years younger than Mozart and author of six Duos Concertants Op.3 for two bassoons in around 1782; Carmen Mainer Martin presents two of them here, with the second part arranged for cello in the same disposition as Mozarts sonata.
Performer:
Carmen Mainer Martín, bassoon
Violeta Mur, cello
Enrique Escartín Ara, piano
Track List:
François Devienne (1759-1803)
Duo Concertant in G Major, Op. 3 No. 2
01. I. Allegro
02. II. Rondo
Thaddäus Wolfgang Von Dürnitz (1756-1807)
Sonata No. 1 in B-Flat Major
03. I. Allegro maestoso
04. II. Rondo - Allegro
Sonata No. 5 in G Major
05. I. Allegro ma ben posato
06. II. Rondo - Allegretto
François Devienne
Duo Concertant in F Major, Op. 3 No. 1
07. I. Allegro Moderato
08. II. Rondo
Thaddäus Wolfgang Von Dürnitz
Sonata No. 6 in C Major
09. I. Allegro
10. II. Rondo - Allegro
Sonata No. 3 in G Major
11. I. Adagio - Allegro
12. II. Tempo di Menuetto, ma un poco allegro
Wolfgang Amadeus Mozart (1756-1791)
Sonata for Bassoon and Cello in B-Flat Major, KV. 292
13. I. Allegro
14. II. Andante
15. III. Rondo. Allegro
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 16. March 2021, 17:00
Carmen Mainer Martín, Violeta Mur, Enrique Escartín Ara / Mozart Contemporaries: 18th Century Music for Bassoon
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Filename C:\Program Files\Exact Audio Copy\Mozart Contemporaries- 18th Century Music for Bassoon.wav
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AccurateRip summary
Track 1 not present in database
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None of the tracks are present in the AccurateRip database
End of status report
Carmen Mainer Martín, Violeta Mur, Enrique Escartín Ara - Mozart Contemporaries: 18th Century Music for Bassoon (2021)
Thanks to the original releaser