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    Cabezon: Obras De Musica - Harmonices Mundi, La Moranda (2012)

    Posted By: peotuvave
    Cabezon: Obras De Musica - Harmonices Mundi, La Moranda (2012)

    Cabezon: Obras De Musica - Harmonices Mundi, La Moranda (2012)
    EAC Rip | Flac (Image + cue + log) | 7 CDs | Full Scans | 2.14 GB
    Genre: Classical | Label: Brilliant Classics | Catalog Number: 94346

    Antonio de Cabezón was the most important composer of Spain’s Golden Age, the 16th century. He served at the court of Charles V, and was the music teacher of his children with Isabella of Portugal.

    Cabezón was a master of the keyboard (organ and spinet), and most of his works are instrumental, either solo keyboard or for ensembles of stringed instruments. Famous are his “Intabulations”, instrumental arrangements of famous vocal works by contemporaries like Josquin and Lassus.

    A unique survey of an important era in the musical history, played by expert musicians, using period instruments: Claudio Astronio and his Harmonices Mundi. Excellent liner notes written by a Spanish musicologist.

    Composer: Antonio De Cabezón
    Performer: Claudio Astronio
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda, Harmonices Mundi, La Moranda Wind Ensemble, …

    Reviews: Blind from childhood,Antonio de Cabezón (b.1510) was appointed organist in the chapel of Queen Isabella at the age of 16, and in 1538, became músico de la cámara to her husband Charles V. After Isabella’s death he was appointed the musical tutor of Prince Philip and his sisters. Cabezón accompanied Philip on trips to Milan, Naples, Germany and the Netherlands between 1548 and 1551.These tours would doubtless have given him exposure to a wide range of music performed by leading musicians of the period. His music reveals both cosmopolitanism and traits that have been identified as belonging distinctly to Spanish musical style or to a personal style.

    This complete recorded survey of his Obras de música para tecla arpa y vihuela represents one of the most remarkable, and celebrated collections of instrumental music of the sixteenth-century. The collection divides by genre into instrumental elaborations of liturgical texts; intabulations and transcriptions of popular motets by composers such as Mouton and Josquin; and the famous and original tientos, prized for their combination of the composer’s intensity of expression with a good deal of variety and ingenuity.

    The performances on a variety of instruments and ensembles are masterminded by the Italian keyboard player and musicologist Claudio Astronio, whose musical enthusiasms range from early music to jazz and pop.

    Tracklisting:

    1. Benedicta es coelorum Regina con segunda y tercera parte (after Josquin) by Antonio De Cabezón
    Performer: Claudio Astronio (Harpsichord), Claudio Astronio (Organ)
    Conductor: Claudio Astronio
    Period: Renaissance
    Venue: Convento delle Clarisse di San Salvatore
    Length: 7 Minutes 1 Secs.

    2. Sancta Maria Verdelot (after Verdelot) by Antonio De Cabezón
    Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
    Period: Renaissance
    Venue: Convento delle Clarisse di San Salvatore
    Length: 6 Minutes 59 Secs.

    3. Ave Maria Jusquin (after Josquin) by Antonio De Cabezón
    Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
    Period: Renaissance
    Venue: Convento delle Clarisse di San Salvatore
    Length: 6 Minutes 22 Secs.

    4. Ultimi miei suspiri (after Verdelot) by Antonio De Cabezón
    Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
    Period: Renaissance
    Venue: Convento delle Clarisse di San Salvatore
    Length: 5 Minutes 42 Secs.

    5. Ardenti miei suspiri (after Verdelot) by Antonio De Cabezón
    Performer: Claudio Astronio (Harpsichord), Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento delle Clarisse di San Salvatore
    Length: 6 Minutes 26 Secs.

    6. Diferencias sobre "Las Vacas" by Antonio De Cabezón
    Performer: Claudio Astronio (Harpsichord), Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain
    Venue: Convento delle Clarisse di San Salvatore
    Length: 3 Minutes 44 Secs.

    7. Diferencias sobre el canto llano del "Caballero" by Antonio De Cabezón
    Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
    Period: Renaissance
    Written: 16th Century; Spain
    Venue: Convento delle Clarisse di San Salvatore
    Length: 3 Minutes 6 Secs.

    8. Discante sobre la pavana italiana by Antonio De Cabezón
    Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
    Period: Renaissance
    Written: circa 1550
    Venue: Convento delle Clarisse di San Salvatore
    Length: 3 Minutes 40 Secs.

    9. Diferencias sobre "La dama le demanda" by Antonio De Cabezón
    Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
    Period: Renaissance
    Written: 16th Century; Spain
    Venue: Convento delle Clarisse di San Salvatore
    Length: 3 Minutes 4 Secs.

    10. Diferencias sobre el canto "De quien teme enojo Isabel", for keyboard by Antonio De Cabezón
    Performer: Claudio Astronio (Harpsichord), Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento delle Clarisse di San Salvatore
    Length: 7 Minutes 14 Secs.

    11. Duuiensela by Antonio De Cabezón
    Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
    Period: Renaissance
    Written: 16th Century; Spain
    Venue: Convento delle Clarisse di San Salvatore
    Length: 3 Minutes 26 Secs.

    12. Tres dúos para principiantes para mostrar a llevar el compas by Antonio De Cabezón
    Performer: Claudio Astronio (Regal), Claudio Astronio (Harpsichord)
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda
    Period: Renaissance
    Venue: Chiesa Evangelica di Bolzano / Museo del
    Length: 1 Minutes 49 Secs.

    13. Dos Ave maris stellas. Lleva el canto llano el contrabajo by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda
    Period: Renaissance
    Venue: Chiesa evangelica di Bolzano
    Length: 1 Minutes 31 Secs.

    14. Dos Ave maris stellas. Lleva el canto llano el triple by Antonio De Cabezón
    Performer: Claudio Astronio (Regal)
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda
    Period: Renaissance
    Venue: Chiesa Evangelica di Bolzano / Museo del
    Length: 2 Minutes 9 Secs.

    15. Te lucis ante terminum. Lleva el canto llano el tenor by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento di S. Magno, Amelia, Terni, Ita
    Length: 1 Minutes 9 Secs.

    16. Duo by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento di S. Magno, Amelia, Terni, Ita
    Length: 1 Minutes 1 Secs.

    17. Tres Kiryes sobre el canto llano de Rex Virginum by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento di S. Magno, Amelia, Terni, Ita
    Length: 3 Minutes 26 Secs.

    18. Ave maris stella, de Hernando de Cabeçon. Lleva el canto llano el contrabaxo by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda
    Period: Renaissance
    Venue: Chiesa evangelica di Bolzano
    Length: 1 Minutes 23 Secs.

    19. Otra Ave maris stella. Canto llano, el tenor by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento di S. Magno, Amelia, Terni, Ita
    Length: 1 Minutes 45 Secs.

    20. Pange lingua. Canto llano tenor by Antonio De Cabezón
    Performer: Claudio Astronio (Regal)
    Period: Renaissance
    Venue: Museo del Convento di S. Giuseppe da Cop
    Length: 1 Minutes 50 Secs.

    21. Otra pange lingua by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento di S. Magno, Amelia, Terni, Ita
    Length: 1 Minutes 58 Secs.

    22. Queramus. Moton con 2 y 3 parte by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda
    Period: Renaissance
    Venue: Chiesa evangelica di Bolzano
    Length: 8 Minutes 38 Secs.

    23. Queramus. Moton con differente glosa con segundo parte by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento di S. Magno, Amelia, Terni, Ita
    Length: 4 Minutes 20 Secs.

    24. Clama neceses. Jusquin by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi
    Period: Renaissance
    Venue: Chiesa del Borgo di Presule, Bolzano, It
    Length: 5 Minutes 58 Secs.

    25. Quatro favordones del primier tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda
    Period: Renaissance
    Venue: Chiesa evangelica di Bolzano
    Length: 2 Minutes 48 Secs.

    26. Quatro favordones del segundo tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi
    Period: Renaissance
    Venue: Chiesa del Borgo di Presule, Bolzano, It
    Length: 2 Minutes 2 Secs.

    27. Quatro favordones del tercer tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento di S. Magno, Amelia, Terni, Ita
    Length: 2 Minutes 1 Secs.

    28. Quatro favordones del quarto tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi
    Period: Renaissance
    Venue: Chiesa del Borgo di Presule, Bolzano, It
    Length: 1 Minutes 53 Secs.

    29. Quatro favordones del quinto tono by Antonio De Cabezón
    Performer: Claudio Astronio (Harpsichord)
    Period: Renaissance
    Venue: Chiesa evangelica di Bolzano
    Length: 1 Minutes 48 Secs.

    30. Quatro favordones del sexto tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi
    Period: Renaissance
    Venue: Chiesa del Borgo di Presule, Bolzano, It
    Length: 2 Minutes 41 Secs.

    31. Quatro favordones del septimo tono by Antonio De Cabezón
    Performer: Claudio Astronio (Regal)
    Period: Renaissance
    Venue: Museo del Convento di S. Giuseppe da Cop
    Length: 1 Minutes 49 Secs.

    32. Quatro favordones del octavo tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda
    Period: Renaissance
    Venue: Chiesa evangelica di Bolzano
    Length: 2 Minutes 24 Secs.

    33. Ave maris stella a 2 by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 1578; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 1 Minutes 16 Secs.

    34. Ave maris stella IV by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 2 Minutes 16 Secs.

    35. Veni creator spiritus by Antonio De Cabezón
    Performer: Claudio Astronio (Regal)
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 2 Minutes 37 Secs.

    36. Christe redemptor by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 2 Minutes 17 Secs.

    37. Ut queant laxis by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda Wind Ensemble
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 1 Minutes 56 Secs.

    38. Pange lingua by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi String Ensemble
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 2 Minutes 18 Secs.

    39. Otra pange lingua by Antonio De Cabezón
    Performer: Claudio Astronio (Harpsichord)
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 2 Minutes 51 Secs.

    40. Missa del home arme: Osana by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 3 Minutes 28 Secs.

    41. Benedictus de la missa del home arme by Antonio De Cabezón
    Performer: Claudio Astronio (Regal)
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 2 Minutes 21 Secs.

    42. Canto Ilano Beata viscera Mariae Virginis by Antonio De Cabezón
    Performer: Claudio Astronio (Regal)
    Period: Renaissance
    Written: Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 2 Minutes 10 Secs.

    43. Cum sancto spiritu de Beata Virgine by Antonio De Cabezón
    Performer: Claudio Astronio (Regal)
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 2 Minutes 34 Secs.

    44. Ave maris stella a 3 by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi String Ensemble
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 2 Minutes 41 Secs.

    45. Kyries (4) de nuestra Señora by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda Wind Ensemble
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 3 Minutes 25 Secs.

    46. Kyries (4) del primer tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 3 Minutes 2 Secs.

    47. Kyries (4) del segundo tono by Antonio De Cabezón
    Performer: Claudio Astronio (Regal)
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 3 Minutes 56 Secs.

    48. Kyries (4) del tercer tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 3 Minutes 4 Secs.

    49. Kyries (4) del cuarto tono by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi String Ensemble
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 3 Minutes 0 Secs.

    50. Kyries (4) del sexto tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 4 Minutes 1 Secs.

    51. Kyries (4) del séptimo tono by Antonio De Cabezón
    Performer: Claudio Astronio (Regal)
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 3 Minutes 59 Secs.

    52. Kyries (4) del quinto tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain
    Date of Recording: 1997
    Venue: Italy
    Length: 3 Minutes 19 Secs.

    53. Si bona susceptimus (after Verdelot) by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi
    Period: Renaissance
    Venue: Chiesa del borgo di Presule
    Length: 6 Minutes 37 Secs.

    54. Aspice Domine (after Josquin) by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento di S. Magno ad Amelia
    Length: 7 Minutes 35 Secs.

    55. Je fille quant dieu me donne de quoy (after Willaert) by Antonio De Cabezón
    Orchestra/Ensemble: La Moranda
    Period: Renaissance
    Venue: Museo del convento di S. Giuseppe da Cop
    Length: 1 Minutes 15 Secs.

    56. Pisne me pulvenir, for keyboard (after Crequillon) by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento di S. Magno ad Amelia
    Length: 2 Minutes 54 Secs.

    57. Aiuli vous sola verdura, for keyboard (after Lupus) by Antonio De Cabezón
    Performer: Claudio Astronio (Harpsichord)
    Period: Renaissance
    Venue: Museo del convento di S. Giuseppe da Cop
    Length: 3 Minutes 5 Secs.

    58. Ayme qui Voldra (after Gomberth) by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi
    Period: Renaissance
    Venue: Chiesa del borgo di Presule
    Length: 4 Minutes 13 Secs.

    59. Durmendo un jorno (after Verdelot) by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento di S. Magno ad Amelia
    Length: 4 Minutes 14 Secs.

    60. Triste de par (after Gombert) by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi
    Period: Renaissance
    Venue: Chiesa del borgo di Presule
    Length: 3 Minutes 24 Secs.

    61. Je suis ayme (after Criquillon) by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento di S. Magno ad Amelia
    Length: 3 Minutes 14 Secs.

    62. Tiento I del segundo tono, for keyboard by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Museo del convento di S. Giuseppe da Cop
    Length: 4 Minutes 6 Secs.

    63. Tiento del quarto tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain
    Venue: Museo del convento di S. Giuseppe da Cop
    Length: 3 Minutes 50 Secs.

    64. Tiento del primer tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain
    Venue: Museo del convento di S. Giuseppe da Cop
    Length: 5 Minutes 50 Secs.

    65. Tiento IV sobre "Qui la dira", for keyboard by Antonio De Cabezón
    Performer: Claudio Astronio (Harpsichord)
    Period: Renaissance
    Venue: Museo del convento di S. Giuseppe da Cop
    Length: 3 Minutes 51 Secs.

    66. Tiento del 3 tono. Fugas al contrario by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Venue: Convento di S. Magno ad Amelia
    Length: 5 Minutes 27 Secs.

    67. Tiento del quinto tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain

    68. Tiento del quarto tono by Antonio De Cabezón
    Performer: Claudio Astronio (Harpsichord)
    Period: Renaissance
    Written: 16th Century; Spain

    69. Tiento del octavo tono by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda
    Period: Renaissance
    Written: 16th Century; Spain

    70. Tiento del primer tono by Antonio De Cabezón
    Performer: Claudio Astronio (Regal)
    Period: Renaissance
    Written: 16th Century; Spain

    71. Tiento del sexto tono by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain

    72. Tiento sobre "Cum sanctu spiritu" (after Josquin) by Antonio De Cabezón
    Performer: Claudio Astronio (Regal)

    73. Stabat mater (after Josquin) by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)

    74. Inviolata (after Josquin) by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda

    75. Pisne me pulvenir (after Hernando de Cabezón) by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi

    76. Susana un jur by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda

    77. Susana by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi
    Period: Renaissance
    Written: Portugal

    78. Qui la dira by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain

    79. Ad Dominum cum tribularer by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: La Moranda

    80. Pues a mi desconsolado by Antonio De Cabezón
    Conductor: Claudio Astronio
    Orchestra/Ensemble: Harmonices Mundi

    81. Quien llamo al partir, partir? by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Period: Renaissance
    Written: 16th Century; Spain

    82. Comiençan las canciones glosadas a quatro by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Orchestra/Ensemble: Italian Viola da Gamba Quartet

    83. Comiençan los versos de Magnificat sobre todos los ocho tonos I by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Orchestra/Ensemble: Italian Viola da Gamba Quartet

    84. Comiençan las obras de a quatro by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Orchestra/Ensemble: Italian Viola da Gamba Quartet

    85. Motetes de a cinco III by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Orchestra/Ensemble: Italian Viola da Gamba Quartet

    86. Versos de Magnificat II by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Orchestra/Ensemble: Italian Viola da Gamba Quartet

    87. Discantes II by Antonio De Cabezón
    Performer: Claudio Astronio (Organ)
    Orchestra/Ensemble: Italian Viola da Gamba Quartet

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 19. November 2012, 2:55

    Claudio Astronio / Cabezon - Obras de Musica - CD1

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    Null samples used in CRC calculations : Yes
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    11 | 56:17.33 | 7:14.32 | 253308 | 285889
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    ==== Log checksum 57CF15B6336B791CBB9F1EEE401A5206984C1F6CEAD38F85952BD4D01E9FB280 ====

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 21. November 2012, 1:27

    Harmonices Mundi, La Moranda, Claudio Astronio / Cabezon - Obras de Musica - CD2

    Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -8 %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 1:49.50 | 0 | 8224
    2 | 1:49.50 | 1:00.65 | 8225 | 12789
    3 | 2:50.40 | 1:01.18 | 12790 | 17382
    4 | 3:51.58 | 1:31.72 | 17383 | 24279
    5 | 5:23.55 | 2:16.63 | 24280 | 34542
    6 | 7:40.43 | 2:09.37 | 34543 | 44254
    7 | 9:50.05 | 1:58.73 | 44255 | 53177
    8 | 11:49.03 | 1:09.22 | 53178 | 58374
    9 | 12:58.25 | 1:01.07 | 58375 | 62956
    10 | 13:59.32 | 3:26.41 | 62957 | 78447
    11 | 17:25.73 | 1:23.10 | 78448 | 84682
    12 | 18:49.08 | 1:45.10 | 84683 | 92567
    13 | 20:34.18 | 1:50.70 | 92568 | 100887
    14 | 22:25.13 | 1:58.52 | 100888 | 109789
    15 | 24:23.65 | 8:38.58 | 109790 | 148697
    16 | 33:02.48 | 4:20.17 | 148698 | 168214
    17 | 37:22.65 | 5:58.48 | 168215 | 195112
    18 | 43:21.38 | 2:48.22 | 195113 | 207734
    19 | 46:09.60 | 2:02.23 | 207735 | 216907
    20 | 48:12.08 | 2:01.40 | 216908 | 226022
    21 | 50:13.48 | 1:53.55 | 226023 | 234552
    22 | 52:07.28 | 1:48.12 | 234553 | 242664
    23 | 53:55.40 | 2:41.65 | 242665 | 254804
    24 | 56:37.30 | 1:49.13 | 254805 | 262992
    25 | 58:26.43 | 2:24.32 | 262993 | 273824


    Range status and errors

    Selected range

    Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD2.wav

    Peak level 99.5 %
    Extraction speed 4.2 X
    Range quality 99.9 %
    Test CRC 07603B24
    Copy CRC 07603B24
    Copy OK

    No errors occurred

    End of status report

    ==== Log checksum 26626A8A5BB7503789119CB35B257AB6562AF16818D2D8BAB78E20170EF11949 ====

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 22. November 2012, 1:33

    Harmonices Mundi, La Moranda, Claudio Astronio / Cabezon - Obras de Musica - CD3

    Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -8 %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 1:24.55 | 0 | 6354
    2 | 1:24.55 | 1:16.37 | 6355 | 12091
    3 | 2:41.17 | 0:53.05 | 12092 | 16071
    4 | 3:34.22 | 2:16.68 | 16072 | 26339
    5 | 5:51.15 | 2:37.22 | 26340 | 38136
    6 | 8:28.37 | 2:16.55 | 38137 | 48391
    7 | 10:45.17 | 1:56.40 | 48392 | 57131
    8 | 12:41.57 | 2:17.55 | 57132 | 67461
    9 | 14:59.37 | 2:18.00 | 67462 | 77811
    10 | 17:17.37 | 2:51.18 | 77812 | 90654
    11 | 20:08.55 | 3:11.05 | 90655 | 104984
    12 | 23:19.60 | 3:28.17 | 104985 | 120601
    13 | 26:48.02 | 2:21.03 | 120602 | 131179
    14 | 29:09.05 | 2:41.52 | 131180 | 143306
    15 | 31:50.57 | 2:10.30 | 143307 | 153086
    16 | 34:01.12 | 2:34.25 | 153087 | 164661
    17 | 36:35.37 | 3:25.40 | 164662 | 180076
    18 | 40:01.02 | 3:02.08 | 180077 | 193734
    19 | 43:03.10 | 3:56.07 | 193735 | 211441
    20 | 46:59.17 | 3:04.43 | 211442 | 225284
    21 | 50:03.60 | 3:00.52 | 225285 | 238836
    22 | 53:04.37 | 4:01.60 | 238837 | 256971
    23 | 57:06.22 | 3:59.65 | 256972 | 274961
    24 | 61:06.12 | 3:19.40 | 274962 | 289926


    Range status and errors

    Selected range

    Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD3.wav

    Peak level 89.5 %
    Extraction speed 4.4 X
    Range quality 100.0 %
    Test CRC 7765BB2E
    Copy CRC 7765BB2E
    Copy OK

    No errors occurred

    End of status report

    ==== Log checksum B8007778AFCD519CF823E4C97C336BB9FED4479AE37EC9315076FDE23F3BC73D ====

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 22. November 2012, 2:12

    Harmonices Mundi, La Moranda, Claudio Astronio / Cabezon - Obras de Musica - CD4

    Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -8 %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 6:37.62 | 0 | 29836
    2 | 6:37.62 | 7:35.24 | 29837 | 63985
    3 | 14:13.11 | 1:15.65 | 63986 | 69675
    4 | 15:29.01 | 2:54.46 | 69676 | 82771
    5 | 18:23.47 | 3:05.66 | 82772 | 96712
    6 | 21:29.38 | 4:13.39 | 96713 | 115726
    7 | 25:43.02 | 4:14.38 | 115727 | 134814
    8 | 29:57.40 | 3:24.49 | 134815 | 150163
    9 | 33:22.14 | 3:14.74 | 150164 | 164787
    10 | 36:37.13 | 4:06.25 | 164788 | 183262
    11 | 40:43.38 | 3:50.18 | 183263 | 200530
    12 | 44:33.56 | 5:50.58 | 200531 | 226838
    13 | 50:24.39 | 3:51.68 | 226839 | 244231
    14 | 54:16.32 | 2:45.12 | 244232 | 256618
    15 | 57:01.44 | 5:27.61 | 256619 | 281204


    Range status and errors

    Selected range

    Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD4.wav

    Peak level 97.2 %
    Extraction speed 4.3 X
    Range quality 100.0 %
    Test CRC 6A57F8B5
    Copy CRC 6A57F8B5
    Copy OK

    No errors occurred

    End of status report

    ==== Log checksum FDB4190D4B04A99807D2188A5A3A7AC5DB5EAF06F839AE155B7D031727721FA6 ====

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 23. November 2012, 2:30

    Harmonices Mundi, La Moranda, Claudio Astronio / Cabezon - Obras de Musica - CD5

    Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -8 %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 3:40.00 | 0 | 16499
    2 | 3:40.00 | 3:48.20 | 16500 | 33619
    3 | 7:28.20 | 2:50.42 | 33620 | 46411
    4 | 10:18.62 | 2:08.52 | 46412 | 56063
    5 | 12:27.39 | 7:38.62 | 56064 | 90475
    6 | 20:06.26 | 2:40.06 | 90476 | 102481
    7 | 22:46.32 | 10:40.35 | 102482 | 150516
    8 | 33:26.67 | 8:38.21 | 150517 | 189387
    9 | 42:05.13 | 2:32.47 | 189388 | 200834
    10 | 44:37.60 | 4:17.55 | 200835 | 220164
    11 | 48:55.40 | 3:13.02 | 220165 | 234641
    12 | 52:08.42 | 3:39.65 | 234642 | 251131
    13 | 55:48.32 | 3:03.61 | 251132 | 264917
    14 | 58:52.18 | 2:03.55 | 264918 | 274197
    15 | 60:55.73 | 2:52.15 | 274198 | 287112


    Range status and errors

    Selected range

    Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD5.wav

    Peak level 97.3 %
    Extraction speed 4.3 X
    Range quality 100.0 %
    Test CRC 092D29FC
    Copy CRC 092D29FC
    Copy OK

    No errors occurred

    End of status report

    ==== Log checksum C8C74F72AC55324CED6422849631AF7279F5B75086D7FF22DDEA1714DABFC400 ====

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 27. November 2012, 1:41

    Claudio Astronio / Cabezon - Obras de Musica - CD6

    Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -8 %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 3:35.40 | 0 | 16164
    2 | 3:35.40 | 3:30.69 | 16165 | 31983
    3 | 7:06.34 | 3:39.46 | 31984 | 48454
    4 | 10:46.05 | 4:05.60 | 48455 | 66889
    5 | 14:51.65 | 2:03.02 | 66890 | 76116
    6 | 16:54.67 | 3:39.20 | 76117 | 92561
    7 | 20:34.12 | 2:43.14 | 92562 | 104800
    8 | 23:17.26 | 2:52.74 | 104801 | 117774
    9 | 26:10.25 | 4:48.08 | 117775 | 139382
    10 | 30:58.33 | 2:45.48 | 139383 | 151805
    11 | 33:44.06 | 5:39.56 | 151806 | 177286
    12 | 39:23.62 | 3:30.13 | 177287 | 193049
    13 | 42:54.00 | 4:23.51 | 193050 | 212825
    14 | 47:17.51 | 5:17.69 | 212826 | 236669
    15 | 52:35.45 | 2:19.10 | 236670 | 247104
    16 | 54:54.55 | 1:58.55 | 247105 | 256009
    17 | 56:53.35 | 2:20.49 | 256010 | 266558
    18 | 59:14.09 | 2:15.66 | 266559 | 276749
    19 | 61:30.00 | 2:19.61 | 276750 | 287235
    20 | 63:49.61 | 2:06.01 | 287236 | 296686
    21 | 65:55.62 | 2:53.58 | 296687 | 309719
    22 | 68:49.45 | 1:57.23 | 309720 | 318517


    Range status and errors

    Selected range

    Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD6.wav

    Peak level 90.4 %
    Extraction speed 4.3 X
    Range quality 100.0 %
    Test CRC 2A9AF265
    Copy CRC 2A9AF265
    Copy OK

    No errors occurred

    End of status report

    ==== Log checksum 45A2F4FA25E6D7402A2A72EE1E0A69E1E960D9ACF21B855861491725C0023468 ====

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 28. November 2012, 1:53

    Claudio Astronio / Cabezon - Obras de Musica - CD7

    Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -8 %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 6:39.11 | 0 | 29935
    2 | 6:39.11 | 10:21.18 | 29936 | 76528
    3 | 17:00.29 | 3:57.73 | 76529 | 94376
    4 | 20:58.27 | 3:56.65 | 94377 | 112141
    5 | 24:55.17 | 5:57.21 | 112142 | 138937
    6 | 30:52.38 | 4:46.30 | 138938 | 160417
    7 | 35:38.68 | 3:56.70 | 160418 | 178187
    8 | 39:35.63 | 4:27.09 | 178188 | 198221
    9 | 44:02.72 | 5:08.37 | 198222 | 221358
    10 | 49:11.34 | 3:44.37 | 221359 | 238195
    11 | 52:55.71 | 3:08.37 | 238196 | 252332
    12 | 56:04.33 | 2:40.52 | 252333 | 264384
    13 | 58:45.10 | 4:25.34 | 264385 | 284293
    14 | 63:10.44 | 2:26.47 | 284294 | 295290


    Range status and errors

    Selected range

    Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD7.wav

    Peak level 95.1 %
    Extraction speed 4.3 X
    Range quality 99.9 %
    Test CRC 68BFD952
    Copy CRC 68BFD952
    Copy OK

    No errors occurred

    End of status report

    ==== Log checksum EE8064B94ACC60051F272F551456EAC2932D215A536E7E61ECC4971F5EABCAF5 ====


    Thanks to the original releaser
    Download:

    Uploaded

    CD 1 | CD 2 | CD 3 | CD 4 | CD 5 | CD 6 | CD 7 | Scans

    Uploadable

    CD 1 | CD 2 | CD 3 | CD 4 | CD 5 | CD 6 | CD 7 | Scans

    Oboom

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