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    Michael Bloomfield - Mike Bloomfield: A Retrospective (1983) 2CDs, Japanese Expanded Remastered Reissue 2008

    Posted By: Designol
    Michael Bloomfield - Mike Bloomfield: A Retrospective (1983) 2CDs, Japanese Expanded Remastered Reissue 2008

    Michael Bloomfield - Mike Bloomfield: A Retrospective (1983)
    2CDs, Japanese Expanded Remastered Reissue 2008

    EAC | FLAC | Tracks (Cue&Log) ~ 607 Mb | Mp3 (CBR320) ~ 250 Mb | Covers included
    Label: Sony Records Int'l | # SICP 1969~70 | Time: 01:40:26
    Blues, Blues Rock, Chicago Blues

    Two CD set. A truly unique compilation charting the history of Mike Bloomfield's career covering his work from 1964 to 1974, this set comes complete with interview segments where Bloomfield talks about his life and music and features his work both as a solo artist, his time with The Electric Flag, and his collaborations with Al Kooper, and Nick Gravenities. Also, from the Triumvirate album "It Hurts Me Too" with Dr. John and John Hammond and from The Newport Folk Festival, the amazing "Born In Chicago" with the Paul Butterfield Blues Band. Playing with Bloomfield across this collection we find Mama Cass, Paul Butterfield, Buddy Miles, Elvin Bishop, and Barry Goldberg.

    Michael Bloomfield was one of America's first great white blues guitarists, earning his reputation on the strength of his work in the Paul Butterfield Blues Band. His expressive, fluid solo lines and prodigious technique graced many other projects – most notably Bob Dylan's earliest electric forays – and he also pursued a solo career, with variable results. Uncomfortable with the reverential treatment afforded a guitar hero, Bloomfield tended to shy away from the spotlight after spending just a few years in it; he maintained a lower-visibility career during the '70s due to his distaste for fame and his worsening drug problems, which claimed his life in 1981.

    Michael Bernard Bloomfield was born July 28, 1943, into a well-off Jewish family on Chicago's North Side. A shy, awkward loner as a child, he became interested in music through the Southern radio stations he was able to pick up at night, which gave him a regular source for rockabilly, R&B, and blues. He received his first guitar at his bar mitzvah and he and his friends began sneaking out to hear electric blues on the South Side's fertile club scene (with the help of their families' maids). The young Bloomfield sometimes jumped on-stage to jam with the musicians and the novelty of such a spectacle soon made him a prominent scenester. Dismayed with the turn his education was taking, his parents sent him to a private boarding school on the East Coast in 1958 and he eventually graduated from a Chicago school for troubled youth. By this time, he'd embraced the beatnik subculture, frequenting hangout spots near the University of Chicago. He got a job managing a folk club and frequently booked veteran acoustic bluesmen; in the meantime, he was also playing guitar as a session man and around the Chicago club scene with several different bands.

    In 1964, Bloomfield was discovered through his session work by the legendary John Hammond, who signed him to CBS; however, several recordings from 1964 went unreleased as the label wasn't sure how to market a white American blues guitarist. In early 1965, Bloomfield joined several associates in the Paul Butterfield Blues Band, a racially integrated outfit with a storming, rock-tinged take on Chicago's urban electric blues sound. The group's self-titled debut for Elektra, released later that year, made them a sensation in the blues community and helped introduce white audiences to a less watered-down version of the blues. Individually, Bloomfield's lead guitar work was acclaimed as a perfectly logical bridge between Chicago blues and contemporary rock. Later, in 1965, Bloomfield was recruited for Bob Dylan's new electrified backing band; he was a prominent presence on the groundbreaking classic Highway 61 Revisited and he was also part of Dylan's epochal plugged-in performance at the 1965 Newport Folk Festival. In the meantime, Bloomfield was developing an interest in Eastern music, particularly the Indian raga form, and his preoccupation exerted a major influence on the next Butterfield album, 1966's East-West. Driven by Bloomfield's jaw-dropping extended solos on his instrumental title cut, East-West merged blues, jazz, world music, and psychedelic rock in an unprecedented fashion. The Butterfield band became a favorite live act on the emerging San Francisco music scene and in 1967, Bloomfield quit the group to permanently relocate there and pursue new projects.

    Bloomfield quickly formed a new band called the Electric Flag with longtime Chicago cohort Nick Gravenites on vocals. The Electric Flag was supposed to build on the innovations of East-West and accordingly featured an expanded lineup complete with a horn section, which allowed the group to add soul music to their laundry list of influences. The Electric Flag debuted at the 1967 Monterey Pop Festival and issued a proper debut album, A Long Time Comin', in 1968. Critics complimented the group's distinctive, intriguing sound, but found the record itself somewhat uneven. Unfortunately, the band was already disintegrating; rivalries between members and shortsighted management – not to mention heroin abuse – all took their toll. Bloomfield himself left the band he'd formed before their album was even released. He next hooked up with organist Al Kooper, whom he'd played with in the Dylan band, and cut Super Session, a jam-oriented record that spotlighted his own guitar skills on one half and those of Stephen Stills on the other. Issued in 1968, it received excellent reviews and moreover became the best-selling album of Bloomfield's career. Super Session's success led to a sequel, The Live Adventures of Mike Bloomfield and Al Kooper, which was recorded over three shows at the Fillmore West in 1968 and released the following year; it featured Bloomfield's on-record singing debut.

    Bloomfield, however, was wary of his commercial success and growing disenchanted with fame. He was also tired of touring and after recording the second album with Kooper, he effectively retired for a while, at least from high-profile activities. He did, however, continue to work as a session guitarist and producer, and also began writing and playing on movie soundtracks (including some pornographic films by the Mitchell Brothers). He played locally and occasionally toured with Bloomfield and Friends, which included Nick Gravenites and ex-Butterfield mate Mark Naftalin. Additionally, he returned to the studio in 1973 for a session with John Hammond and New Orleans pianist Dr. John; the result, Triumvirate, was released on Columbia, but didn't make much of a splash. Neither did Bloomfield's 1974 reunion with Electric Flag and neither did KGB, a short-lived supergroup with Barry Goldberg, Rik Grech (Traffic), and Carmine Appice that recorded for MCA in 1976. During the late '70s, Bloomfield recorded for several smaller labels (including Takoma), usually in predominantly acoustic settings; through Guitar Player magazine, he also put out an instructional album with a vast array of blues guitar styles, titled If You Love These Blues, Play 'Em as You Please.

    Unfortunately, Bloomfield was also plagued by alcoholism and heroin addiction for much of the '70s, which made him an unreliable concert presence and slowly cost him some of his longtime musical associations (as well as his marriage). By 1980, he had seemingly recovered enough to tour in Europe; that November, he also appeared on-stage in San Francisco with Bob Dylan for a rendition of "Like a Rolling Stone." However, on February 15, 1981, Bloomfield was found dead in his car of a drug overdose; he was only 37.

    Steve Huey, Allmusic.com

    Michael Bloomfield - Mike Bloomfield: A Retrospective (1983) 2CDs, Japanese Expanded Remastered Reissue 2008



    Tracklist:

    CD1:

    01. I've Got My Mojo Working (2:30)
    02. Interview Segment (0:40)
    03. Born In Chicago (5:18)
    04. Texas (4:48)
    05. Interview Segment, Groovin' Is Easy (4:31)
    06. Killing Floor (4:12)
    07. You Don't Realize (5:00)
    08. Wine (3:16)
    09. Interview Segment (0:41)
    10. Albert's Shuffle (6:55)
    11. I've Got You In The Palm Of My Hand (2:29)
    12. Goin' Down Slow (4:46)
    13. Really (5:26)

    CD2:

    01. Stop (4:19)
    02. I Wonder Who (6:10)
    03. Interview Segment (0:22)
    04. You're Killing My Love (5:11)
    05. Goofers (1:51)
    06. It Hurts Me Too (3:48)
    07. Relaxin' Blues: Blues For Jimmy Yancey, Sunnyland Slim And Otis Span (5:42)
    08. Woodyard Street (3:13)
    09. Midnight On My Radio (2:57)
    10. Why Lord, Oh Why (2:47)
    11. Easy Rider (0:54)
    12. Been Treated Wrong (5:14)
    13. Sammy Knows How To Party (2:16)
    14. Tell Me Partner (5:21)


    Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

    EAC extraction logfile from 10. January 2009, 17:26

    Mike Bloomfield / Bloomfield, A Retrospective Disc 1

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    2 | 2:29.25 | 0:39.64 | 11200 | 14188
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    10 | 30:52.69 | 6:54.72 | 138969 | 170090
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    12 | 40:16.03 | 4:45.73 | 181203 | 202650
    13 | 45:02.01 | 5:25.70 | 202651 | 227095


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    Track 3

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    Track 4

    Filename C:\Users\Andrew\Music\UPLOADS\Mike Bloomfield - Bloomfield, A Retrospective (1983) [FLAC] (2008 Japan)\CD 1\04 - Texas.wav

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    Track 5

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    Track 6

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    Track 7

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    Track 8

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    Track 9

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    Track 10

    Filename C:\Users\Andrew\Music\UPLOADS\Mike Bloomfield - Bloomfield, A Retrospective (1983) [FLAC] (2008 Japan)\CD 1\10 - Albert's Shuffle.wav

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    Track 12

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    Track 13

    Filename C:\Users\Andrew\Music\UPLOADS\Mike Bloomfield - Bloomfield, A Retrospective (1983) [FLAC] (2008 Japan)\CD 1\13 - Really.wav

    Peak level 99.9 %
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    None of the tracks are present in the AccurateRip database

    No errors occurred

    End of status report

    [CUETools log; Date: 27.11.2022 20:02:31; Version: 2.1.7]
    [CTDB TOCID: T1FuG6IWx.2U9XznNjmjYva1OXg-] found.
    Track | CTDB Status
    1 | (10/10) Accurately ripped
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    3 | (10/10) Accurately ripped
    4 | (10/10) Accurately ripped
    5 | (10/10) Accurately ripped
    6 | (10/10) Accurately ripped
    7 | (10/10) Accurately ripped
    8 | (10/10) Accurately ripped
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    10 | (10/10) Accurately ripped
    11 | (10/10) Accurately ripped
    12 | (10/10) Accurately ripped
    13 | (10/10) Accurately ripped
    [AccurateRip ID: 0016908d-00e6d44a-b00bd30d] found.
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    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
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    05 88,1 [9E7EBF59] [5FF1785F] CRC32
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    09 89,4 [6E690515] [FFC347A7] CRC32
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    11 99,6 [50F5BB43] [990B5107] CRC32
    12 100,0 [62764B24] [8EB94F85] CRC32
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    foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
    log date: 2022-11-27 21:15:29

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Mike Bloomfield / Bloomfield, A Retrospective Disc 1
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR11 0.00 dB -12.50 dB 2:29 01-I've Got My Mojo Working
    DR14 -7.44 dB -24.74 dB 0:40 02-Interview Segment
    DR12 0.00 dB -14.55 dB 5:18 03-Born In Chicago
    DR10 0.00 dB -12.01 dB 4:47 04-Texas
    DR10 -1.10 dB -13.74 dB 4:31 05-Interview Segment, Groovin' Is Easy
    DR11 0.00 dB -12.48 dB 4:12 06-Killing Floor
    DR11 0.00 dB -13.61 dB 5:00 07-You Don't Realize
    DR10 0.00 dB -11.98 dB 3:15 08-Wine
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    DR11 0.00 dB -13.41 dB 6:55 10-Albert's Shuffle
    DR11 -0.04 dB -12.40 dB 2:28 11-I've Got You In The Palm Of My Hand
    DR12 0.00 dB -14.56 dB 4:46 12-Goin' Down Slow
    DR11 0.00 dB -14.07 dB 5:26 13-Really
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 13
    Official DR value: DR11

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 885 kbps
    Codec: FLAC
    ================================================================================


    Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

    EAC extraction logfile from 10. January 2009, 18:25

    Mike Bloomfield / Bloomfield, A Retrospective Disc 2

    Used drive : TSSTcorpDVD+-RW TS-L632H Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 768 kBit/s
    Quality : High
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    Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
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    TOC of the extracted CD

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    2 | 4:18.24 | 6:09.21 | 19374 | 47069
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    12 | 37:08.39 | 5:13.24 | 167139 | 190637
    13 | 42:21.63 | 2:15.69 | 190638 | 200831
    14 | 44:37.57 | 5:20.13 | 200832 | 224844


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    Track 2

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    Track 3

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    Track 4

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    Track 6

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    Track 7

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    Track 8

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    Track 9

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    Track 10

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    Track 11

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    Track 12

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    Track 13

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    Copy OK

    Track 14

    Filename C:\Users\Andrew\Music\UPLOADS\Mike Bloomfield - Bloomfield, A Retrospective (1983) [FLAC] (2008 Japan)\CD 2\14 - Tell Me Partner.wav

    Peak level 95.1 %
    Track quality 100.0 %
    Test CRC 71A28263
    Copy CRC 71A28263
    Track not present in AccurateRip database
    Copy OK


    None of the tracks are present in the AccurateRip database

    No errors occurred

    End of status report

    [CUETools log; Date: 27.11.2022 20:02:41; Version: 2.1.7]
    [CTDB TOCID: so111i81DptL4SXZEJdsI_K_Lrg-] found.
    Track | CTDB Status
    1 | (10/10) Accurately ripped
    2 | (10/10) Accurately ripped
    3 | (10/10) Accurately ripped
    4 | (10/10) Accurately ripped
    5 | (10/10) Accurately ripped
    6 | (10/10) Accurately ripped
    7 | (10/10) Accurately ripped
    8 | (10/10) Accurately ripped
    9 | (10/10) Accurately ripped
    10 | (10/10) Accurately ripped
    11 | (10/10) Accurately ripped
    12 | (10/10) Accurately ripped
    13 | (10/10) Accurately ripped
    14 | (10/10) Accurately ripped
    [AccurateRip ID: 001a4756-0113f884-b10bb50e] found.
    Track [ CRC | V2 ] Status
    01 [2bce0006|d46ad269] (0+5/5) Accurately ripped
    02 [bb4e86ce|da60ed14] (0+6/6) Accurately ripped
    03 [550d7c1d|d02b5ae0] (0+6/6) Accurately ripped
    04 [2fb3e574|493cb7c4] (0+6/6) Accurately ripped
    05 [443ce3ed|62997363] (0+6/6) Accurately ripped
    06 [3e7d2b8d|220d203b] (0+6/6) Accurately ripped
    07 [59799b36|3f7379dd] (0+6/6) Accurately ripped
    08 [86471cbd|09106a38] (0+7/7) Accurately ripped
    09 [1f814ce5|f4f1cf10] (0+7/7) Accurately ripped
    10 [c9b99cbd|ec4526fd] (0+7/7) Accurately ripped
    11 [e0d9100b|5efaef3f] (0+6/6) Accurately ripped
    12 [51eb3888|8d1e3354] (0+6/6) Accurately ripped
    13 [68ccecd3|1d32d495] (0+7/7) Accurately ripped
    14 [ef05a685|93fc32c1] (0+5/5) Accurately ripped

    Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
    – 100,0 [2875C724] [89322F61]
    01 100,0 [4E0CE761] [BA64F0AD] CRC32
    02 100,0 [B2FF8760] [A74B1893] CRC32
    03 42,0 [94167223] [F8B006D2] CRC32
    04 97,2 [CDAC0BBD] [39414A3F] CRC32
    05 77,4 [3EA19DDA] [523D9505] CRC32
    06 99,9 [368FD1AF] [2F77A05A] CRC32
    07 82,1 [EBEBCA7D] [D67D90AC] CRC32
    08 99,9 [6643DB1F] [674A1CF9] CRC32
    09 99,8 [5821116E] [EECD42B7] CRC32
    10 100,0 [5299C201] [482632A4] CRC32
    11 29,6 [BD492A8F] [2FFF4E8B] CRC32
    12 100,0 [0F682B65] [9CFCD28C] CRC32
    13 99,9 [25094B89] [A7F6E071] CRC32
    14 95,1 [71A28263] [DB8054EE] CRC32

    foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
    log date: 2022-11-27 21:15:43

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Mike Bloomfield / Bloomfield, A Retrospective Disc 2
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR11 0.00 dB -12.91 dB 4:18 01-Stop
    DR10 0.00 dB -14.33 dB 6:09 02-I Wonder Who
    DR14 -7.53 dB -24.28 dB 0:22 03-Interview Segment
    DR10 -0.24 dB -12.78 dB 5:11 04-You're Killing My Love
    DR13 -2.22 dB -21.39 dB 1:50 05-Goofers
    DR12 0.00 dB -15.75 dB 3:47 06-It Hurts Me Too
    DR12 -1.71 dB -17.37 dB 5:42 07-Relaxin' Blues: Blued For Jimmy Yancey, Sunnyland Slim And Otis Span
    DR10 0.00 dB -12.62 dB 3:13 08-Woodyard Street
    DR11 -0.01 dB -12.85 dB 2:56 09-Midnight On My Radio
    DR12 0.00 dB -15.21 dB 2:47 10-Why Lord, Oh Why
    DR10 -10.57 dB -25.27 dB 0:54 11-Easy Rider
    DR12 0.00 dB -13.79 dB 5:13 12-Been Treated Wrong
    DR11 0.00 dB -12.37 dB 2:16 13-Sammy Knows How To Party
    DR13 -0.44 dB -17.65 dB 5:20 14-Tell Me Partner
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 14
    Official DR value: DR11

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 659 kbps
    Codec: FLAC
    ================================================================================

    Michael Bloomfield - Mike Bloomfield: A Retrospective (1983) 2CDs, Japanese Expanded Remastered Reissue 2008

    Michael Bloomfield - Mike Bloomfield: A Retrospective (1983) 2CDs, Japanese Expanded Remastered Reissue 2008

    All thanks to original releaser

    More interesting music in My Blog