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Bill Conti - The Right Stuff: Original Motion Picture Soundtrack (1983) Limited Edition 2009

Posted By: Efgrapha
Bill Conti - The Right Stuff: Original Motion Picture Soundtrack (1983) Limited Edition 2009

Bill Conti - The Right Stuff: Original Motion Picture Soundtrack (1983) Limited Edition 2009
EAC | WavPack (Image) + cue.+log ~ 268 Mb | Mp3, CBR320 kbps ~ 119 Mb | Scans included
Soundtrack, Score | Label: Varèse Sarabande | # VCL 0609 1095.2 | 00:37:30

There’s always been a wonderful, symphonic bombast that’s gone with the heroes of space operas, probably no more notably then when John Williams re-launched the old-school sound of the Big Hollywood Orchestra with 1977’s STAR WARS. Yet as he made a new generation of sci-fi fans imagine they were Luke Skywalker, Han Solo or Princess Leia Organa, there was a group of earthbound heroes with names like Alan Shepard, John Glenn and Gus Grissom who needed to get their Hollywood due, not to mention the swirling strings and brass that would come with it.

The composer who would help elevate them to icon status would be Bill Conti, whose main theme for 1983’s THE RIGHT STUFF became the soundtrack equivalent of “Entrance of the Gladiators” – music that defined pride, bravery and duty with no small measure of rousing excitement. Here that patriotic vibe is played under a slow-motion shot of astronauts marching towards the fearsome wonder of space itself, a classic cinema image that would be riffed on in every film from RESERVOIR DOGS to ARMAGEDDON.

However, one of film scoring’s greatest marches would be one of the few pieces that actually got heard in THE RIGHT STUFF, as director Philip Kaufman’s adoration for classical pieces would rival Stanley Kubrick’s temp love in 2001: A SPACE ODYSSEY. But where that film’s composer Alex North wouldn’t discover his music was MIA until he was actually at that film’s premiere, Conti got through the director’s temp love to win an Oscar. Though he’d produced an album for the film’s release, it’s Varese Sarabande head Robert Townson’s perseverance that has gotten it out after too long a wait on the label’s CD Club imprimatur. Sure Conti had re-recorded a suite from STUFF for a 1985 release on Varese (pairing it with NORTH AND SOUTH), but there’s no comparison between riding to space in a simulator, and taking the trip in the real deal.

It’s a ride that Conti’s voice that shares the joystick with such formidable musical co-pilots Gustav Holst, since Kaufman’s probable insistence on following his classic-filled temp track was as strict as NASA orders to their men not to open the rocket windshield. But like other famed composers who’ve overtly made classical composers their co-pilots, it’s Conti’s ability to put his own heroic energy into the likes of “The Planets” that makes his RIGHT STUFF achieve the sound of legend- hearing the instant country-and-glory melodies that get you up at the beginning of the ball game to salute the flag. And in THE RIGHT STUFF, that instant patriotism is well earned by the men who stood for all that was good, and glorious about our country’s space race.

But then, few composers had a knack for anthem-like heroism like Bill Conti, whose similar, classically-styled march theme for ROCKY was no doubt a factor in helping him land his second most-popular gig with THE RIGHT STUFF (I’ll have to place the composer’s KARATE KID third for its understandably subtler approach). Though Conti varies his march theme through most of the cues, Varese’s full release shows just how much more meat there was to this STUFF beyond the famed motif. When Chuck Yeager achieves “Mach 1,” Conti accompanies his oncoming breaking of the sound barrier with sparkling synths that wouldn’t be out of place in a Rush song- except here those electronics are capturing a moment of science fiction come to life, the true beginning of mankind’s march to the stars. But as serious as director Kaufman was in visually treating his film’s themes, he also gave THE RIGHT STUFF a bunch of outrightly goofy humor to play the pomposity of the NASA scientists and government bureaucrats- a playfulness that Conti has fun with in “Training Hard,” with “Russian Moon” captured with Soviet balalaikas that wouldn’t be out of place in DR. ZHIVAGO.” There’s even a “Tango,” and vibrant renditions of “The Eyes of Texas Are Upon You” and “The Yellow Rose of Texas” that pokes further fun at LBJ.

Like its subjects, Conti’s music is all about being bold, if not bigger than life. Yet beyond the adventures that turned them into media stars, Conti’s music also plays the inner thrill of going where no man has gone before. Even though the movie’s breakout “star” Chuck Yeager is laconic (when he deigns to speak at all), Conti speaks volumes for him when Yeager marvels at the aircraft that will almost take him to the stars in “Yeager and the F104.” However, its people like John Glenn who will really get there in “Glenn’s Flight,” a cue that lets Conti play “Mars” from Gustav Holt’s “The Planets”- undeniably the most famous classical piece to capture space itself. But Conti isn’t hitching a ride on famous coattails here, as he invigorates Holst with a sense of classical joie de vie that compares to Georges Delerue’s energetic love of Baroque music in such scores as THE DAY OF THE DOLPHIN and A LITTLE ROMANCE.

Few scores display the never-ending kind of thrills, emotion and noble huzzahs like THE RIGHT STUFF. And by the time that Conti launches into his most glorious version of his main theme with “Yeager’s Triumph,” you’ll feel like standing up and saluting. It was one thing for author Tom Wolfe to coin a term to describe the spirit that enabled these all-American heroes to ascend to the stars. But it was probably a whole other thing to musically talk about that true grit- all while hearkening back to a musical sound from an era where it seemed that only gods would ever live in the heavens. Much of it may have been too bold for Kaufman, who’d make nonetheless effective choices in replacing much of Conti’s score with classical pieces. But to at least hear THE RIGHT STUFF as Conti intended it leaves no doubt that this was a mission accomplished from the start.

Daniel Schweiger, Film Music Magazine

Bill Conti - The Right Stuff: Original Motion Picture Soundtrack (1983) Limited Edition 2009


~ Bill Conti at Allmusic
~ Bill Conti at Wiki

~ Film at IMDB
~ Film at Wiki

Tracklist:

01. Breaking the Sound Barrier (04:46)
02. Mach I (01:22)
03. Training Hard, Russian Moon (02:17)
04. Tango (02:20)
05. Mach II (01:57)
06. The Eyes of Texas are upon you, The Yellow Rose of Texas, Dixie (02:50)
07. Yeager and the F104 (02:25)
08. Light this Candle (02:45)
09. Glenn's Flight (05:07)
10. Daybreak in Space (02:47)
11. Yeager's Triumph (05:39)
12. The Right Stuff (03:11)


Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 17. October 2009, 22:14

Bill Conti / The Right Stuff

Used drive : PLEXTOR DVDR PX-860SA Adapter: 0 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 96
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 4:46.36 | 0 | 21485
2 | 4:46.36 | 1:22.48 | 21486 | 27683
3 | 6:09.09 | 2:17.15 | 27684 | 37973
4 | 8:26.24 | 2:20.08 | 37974 | 48481
5 | 10:46.32 | 1:57.51 | 48482 | 57307
6 | 12:44.08 | 2:50.01 | 57308 | 70058
7 | 15:34.09 | 2:25.57 | 70059 | 80990
8 | 17:59.66 | 2:45.13 | 80991 | 93378
9 | 20:45.04 | 5:07.52 | 93379 | 116455
10 | 25:52.56 | 2:47.53 | 116456 | 129033
11 | 28:40.34 | 5:39.04 | 129034 | 154462
12 | 34:19.38 | 3:11.23 | 154463 | 168810


Range status and errors

Selected range

Filename F:\EAC\Bill Conti - The Right Stuff.wav

Peak level 98.8 %
Range quality 100.0 %
Copy CRC 9D99D41A
Copy OK

No errors occurred

End of status report

[CUETools log; Date: 31.03.2016 15:20:03; Version: 2.1.4]
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11 | (5/5) Accurately ripped
12 | (5/5) Accurately ripped
[AccurateRip ID: 000f5a2f-00909394-9f08ca0c] found.
Track [ CRC | V2 ] Status
01 [2004e5c1|8447039d] (09+08/17) Accurately ripped
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11 [78274d53|23cad2ef] (09+08/17) Accurately ripped
12 [d06145a7|c1bd49ba] (09+08/17) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 98,8 [9D99D41A] [DAA141F1] CRC32
01 98,8 [47D131ED] [1676C05F]
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04 98,8 [AFBE5B17] [31A47766]
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11 98,8 [5BC7CD47] [0F98662E]
12 98,8 [CB92A60F] [6E2C1762]

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-03-31 15:17:41

––––––––––––––––––––––––––––––––––––––––
Analyzed: Bill Conti / The Right Stuff
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -0.10 dB -12.66 dB 4:46 01-Breaking the Sound Barrier
DR9 -0.10 dB -11.42 dB 1:23 02-Mach I
DR9 -0.10 dB -13.68 dB 2:17 03-Training Hard, Russian Moon
DR11 -0.10 dB -13.64 dB 2:20 04-Tango
DR9 -0.10 dB -11.27 dB 1:58 05-Mach II
DR10 -0.10 dB -12.22 dB 2:50 06-The Eyes of Texas are upon you, The Yellow Rose of Texas, Dixie
DR9 -0.10 dB -12.16 dB 2:26 07-Yeager and the F104
DR11 -0.10 dB -14.93 dB 2:45 08-Light this Candle
DR9 -0.10 dB -11.38 dB 5:08 09-Glenn's Flight
DR10 -0.10 dB -14.49 dB 2:48 10-Daybreak in Space
DR11 -0.10 dB -13.67 dB 5:39 11-Yeager's Triumph
DR10 -0.10 dB -12.79 dB 3:11 12-The Right Stuff
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR10

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 849 kbps
Codec: WavPack
================================================================================

Bill Conti - The Right Stuff: Original Motion Picture Soundtrack (1983) Limited Edition 2009

Bill Conti - The Right Stuff: Original Motion Picture Soundtrack (1983) Limited Edition 2009