Bernhard Klapprott, Capella Thuringia, Cantus Thuringia - Reinhard Keiser: Der blutige und sterbende Jesus (2019)
Bernhard Klapprott, Capella Thuringia, Cantus Thuringia - Reinhard Keiser: Der blutige und sterbende Jesus (2019)
EAC | FLAC | Image (Cue & Log) ~ 730 Mb | Total time: 128:54 | Scans included
Classical | Label: CPO | 555 259-2 | Recorded: 2018
EAC | FLAC | Image (Cue & Log) ~ 730 Mb | Total time: 128:54 | Scans included
Classical | Label: CPO | 555 259-2 | Recorded: 2018
Reinhard Keiser’s Der blutige und sterbende Jesus is not only the very first German Passion oratorio but also a highly suspenseful contribution to the Passion season. Lost for many years, it is now available for listening on CD in the revised version of 1729. The dramatic and musical design of Keiser’s work is astonishing. As in the Italian oratorio type that gained currency after 1700, there is no Evangelist or other narrator, which means that the work has a purely dramatic structure. Even though Keiser’s librettist Christian Friedrich Hunold, whose pseudonym was »Menantes,« did not cite any one of the four Evangelists word for word in his adaptation of the Passion narrative, it is quite evident that the poetic elaboration is (primarily) modelled on Luther’s translation of the Gospel of Matthew. As might be expected, Hunold and Keiser based their work on the dramatic means of the opera typical of their times while working on the one hand with contrasts between short, often homophonic five-part choirs of the two different groups of participants and on the other hand with multipart, interior monologues by the main characters.
Performer:
Monika Mauch, soprano
Anna Kellnhofer, soprano
Anne Bierwirth, alto
Mirko Ludwig, tenor
Hans Jörg Mammel, tenor
Dominik Wörner, bass
Matthias Lutze, bass
Oliver Luhn, bass
Cantus Thuringia
Capella Thuringia
Bernhard Klapprott, conductor
Tracklist:
Reinhard Keiser (1674-1739)
Der blutige und sterbende Jesus, Oratorium Passionale 1705 (revised version, 1729)
CD1:
Prima Pars
01. Choral. Die christliche Kirche: Jesu Leiden, Pein und Tod
02. Chor der Jünger. Sinfonia d'avanti & Chor: Unendlich preist das Herze
03. Rezitativ Jesus: Was ihr allhier genossen
04. Chor der Jünger: Wir sind betrübt
05. Rezitativ, Accompagnato Jesus: Ja, ehe noch die Nacht vergeht
06. Rezitativ Petrus, Jesus: Und ärgerten sie sich auch all an dir
07. Chor der Jünger: Ja, wenn uns Tod und Erde küsste
08. Rezitativ Jesus: Kommt setzet euch
09. Cavata Jesus: Meine Seele leidet Not
10. Accompagnato Jesus: Mein Vater in der Höhe
11. Arioso Jesus: So viel zentnerschwere Sünden
12. Cavata Jesus (da capo): Meine Seele leidet Not
13. Rezitativ Jesus: Doch, Vater wenns dein Wille
14. Aria Tochter Zion: Erweiche, felsenhartes Herz
15. Rezitativ Jesus: Wie könnt ihr denn allhier
16. Accompagnato Jesus: Mein Vater in der Höhe
17. Aria Tochter Zion: Besiege diese Nacht
18. Rezitativ Jesus: Ach, wollt ihr nun nicht wachen
19. Chor der Kriegsknechte: Und wenn wir den Verführer finden
20. Rezitativ Judas, Jesus, Petrus: Gebt Achtung, denn er ist uns nah
21. Aria Petrus: Waffnet euch, ihr Himmel
22. Rezitativ Jesus: Ach, stecke nur dein Schwert an seinen Ort
23. Rezitativ Maria: Wohin, mein Fürst, mein Heiland
24. Aria Maria: Fuerst verklärter Engelsorden
25. Rezitativ Maria: Kein König nimmt der Sklaven Urteil an
26. Aria Maria: Ach, ungemeine Liebe
27. Accompagnato Maria: Der Mutter aller Erden
28. Aria Maria: Schau, Seel, auf deine Sünden
29. Aria Maria (da capo): Ach, ungemeine Liebe
30. Chor der Schriftgelehrten und Ältesten: Ihr Zeugen, lasst nun zu des Höchsten Ehren
31. [Arioso] Zween falsche Zeugen: Ihr sollt, hat er uns weiß gemacht
32. Rezitativ Caiphas, Jesus: Wie schweigestu, da diese dich verklagt
33. Chor der Jüden: Er ist des Todes schuldig, Pfui, machstu dich Gott selber gleich
34. Aria Tochter Zion (Alto): Speit, ihr giftgen Nattern, speiet
35. Dialogo Jesus, Tochter Zion (Soprano): Du Schönste meiner Schönen
36. Aria à 2 Tochter Zion (Soprano), Jesus: Süßer Trost, durch dieses Leiden
37. Rezitativ Magd 1 & 2, Petrus, Kriegsknecht: Getraust du dich, in den Palast zu wagen
38. Aria Petrus: Ach, Jammer, o Schrecken
39. Rezitativ Petrus: Ich Sünder, ach, ich bin verloren
40. Aria Petrus (da capo): Ach, Jammer, o Schrecken
41. Accompagnato Petrus: Doch führt der Fluch dich in die Wüsten
42. Aria Petrus: Du zeigest, ach, dein Angesicht
43. Choral. Die christliche Kirche: Zu dir flieh ich
CD2:
Seconda Pars
01. Chor der Hohenpriester und Ältesten: So wie der Morgen sich in Purpur
02. Aria Caiphas: Bindet und führet den vor das Gericht
03. Rezitativ Judas: Was hastu doch, verfluchter Geiz, getan
04. Chor der Hohenpriester: Das gehet dich und uns nicht an
05. Accompagnato Judas: Mein Meister! Wie? Es träumet mir
06. Aria Judas: Nun verschlingt, ihr Höllenscharen
07. Rezitativ Pilatus, Jesus: Man klaget über dich nicht wenig
08. Chor der Hohenpriester: So lästert er allhier
09. Rezitativ Pilatus, Tochter Zion (Soprano): Wie, hörst du nicht, wie hart
10. Aria Tochter Zion (Soprano): Drum so lass ihn ruhig sein
11. Rezitativ Pilatus: Es will das Fest euch einen los zu geben - Chor der Hohenpriester: Wenn euch Pilatus weiter fragt
12. Accompagnato Petrus: Wohin mit ihm? Ins Richt- und Marterhaus
13. Aria Petrus: Jesu, bloß um unserntwegen
14. Choral. Die christliche Kirche: O Menschenkind, nur deine Sünd
15. Aria Tochter Zion (Soprano): Wo bleibet dein Verlangen
16. Accompagnato Tochter Zion (Soprano): O Anblick! Ach, wie jämmerlich
17. Aria Tochter Tochter Zion (Soprano): Zions Frühling kommt gegangen
18. Rezitativ Tochter Zion (Soprano): Ja, leget ihm den Purpurmantel an
19. Chor der Kriegsknechte: Gegrüßet seistu, Jüdenkönig
20. Rezitativ Tochter Zion (Alto): Ist euer Rasen noch zu wenig
21. Accompagnato Tochter Zion (Alto): Ach nein! Mein Freund
22. Aria Tochter Zion (Alto): So müssen Jesu, deine Reben
23. Rezitativ Maria: Ach selge Last! Du trägst ein Kreuz
24. Accompagnato Maria: Ach! Golgatha! Du Platz so herber Schmerzen
25. Arioso Tochter Zion (Alto): Nimm, Seele dieses Kreuz zu Herzen
26. Rezitativ / Accompagnato Maria: O Jammer, hat das erste Weib
27. Rezitativ Jesus: Nimm, Mutter, dir mein Leiden nicht zu nah
28. Rezitativ Maria, Jesus: Ja, wirft der Mörder Hand das Los annoch
29. Choral. Die christliche Kirche: Mein Sünd mich werden kränken sehr
30. Rezitativ Maria: Mein Herz ermuntre sich
31. Aria à 2 Maria, Jesus: Der Trost schreibt sich in meine Seele / Schreib diesen Trost in deine Seele
32. Chor der Jüden: Der du in dreien Tagen den Tempel Gottes kannst zerschlagen
33. Chor der Hohenpriester, Schriftgelehrten und Ältesten: Den andern konnt er Hülfe geben
34. Arioso Tochter Zion (Alto): Da Jesus' Augen dunkel werden
35. Accompagnato Jesus: Eli! Lama asabthani
36. Chor der Jüden: Elias soll sich seinen Spott zu Herzen fassen
37. Arioso Tochter Zion (Soprano): Ein Sünder kriegt zuletzt noch Wein
38. Chor der Jüden: Laß sehn, ob's auch Elias wohl wird passen
39. Accompagnato Jesus: Mein Gott! Warum hastu mich verlassen
40. Choral. Die christliche Kirche: O Traurigkeit! O Herzeleid
41. Arioso Maria, Tochter Zion (Alto): Mein Gott! Es ist vollbracht
42. Accompagnato Tochter Zion (Soprano): Zerreiße nur
43. Sinfonia
44. Arioso Maria: Da nun der Mensch vor Gott sein Herz verloren
45. [Aria] à 3 Der Hauptmann und die bei ihm waren: Die Sonne scheinet nicht
46. Aria Tochter Zion (Soprano): Seht, meine Sonne geht zurücke
47. Schlusschor der Weiber und Jünger: Ach, Gott, lass täglich unsre Seele
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 4. March 2021, 11:43
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Exact Audio Copy V1.6 from 23. October 2020
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Bernhard Klapprott Cantus Thuringia Capella Thuringia / Keiser: Der blutige und sterbende Jesus
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==== Log checksum F5FDC805126667CF4DCFF73AECE59A3C72BE09977B86C9E62AF6AEECF1551F79 ====
Bernhard Klapprott, Capella Thuringia, Cantus Thuringia - Reinhard Keiser: Der blutige und sterbende Jesus (2019)
Thanks to the original releaser