Arthur Schoonderwoerd, Cristofori, Gesualdo Consort Amsterdam - Wolfgang Amadeus Mozart: Missa da Requiem (2018)
Arthur Schoonderwoerd, Cristofori, Gesualdo Consort Amsterdam - Wolfgang Amadeus Mozart: Missa da Requiem (2018)
EAC | FLAC | Tracks (Cue & Log) ~ 280 Mb | Total time: 63:33 | Scans included
Classical | Label: Accent | # ACC24338| Recorded: 2017
EAC | FLAC | Tracks (Cue & Log) ~ 280 Mb | Total time: 63:33 | Scans included
Classical | Label: Accent | # ACC24338| Recorded: 2017
Most recordings of Wolfgang Amadeus Mozart's Requiem in D minor are based on the completion by Franz Xaver Süssmayr, which has become the standard performing version, though some of these offer minor modifications of the orchestration and alterations of Süssmayr's awkward counterpoint. Yet as far as historically informed reassessments of the Requiem are concerned, perhaps only Arthur Schoonderwoerd's performance with the Gesualdo Consort and Cristofori on the Accent label is an attempt to re-create the experience of a funeral mass in Vienna in the 1790s. This version presents Mozart's score in Süssmayr's completion, with touchups by Joseph Leopold Eybler, Johann Jacob Freystädtler, and Maximilian Stadler, while the Epistle, the Gospel, the Preface, the Absolution, and the final Requiescant in pace are sung in Gregorian chant. Additions to the Requiem are Schoonderwoerd's own completion of the Amen fugue that closes the Sequence, and the Libera me by Ignaz Ritter von Seyfried, a composition that was intended as an addendum to the Requiem and performed at Beethoven's funeral. Regarded from a scholarly perspective, this is an impressive achievement, yet the performance itself is a little underwhelming. Only eight singers comprise the choir and barely hold their own against the small orchestra, so the louder sections, such as the Kyrie, Dies Irae, and Sanctus, are subdued and disappointing for their thin choral texture. The instruments are played according to 18th century practice, and the trumpets and timpani are consistently paired, as Mozart would have intended, yet the effect of the performance is rather like a chamber music reduction, as might be expected in a chapel rather than a large cathedral. Listeners who like to study the Requiem and its various revisions will be fascinated by Schoonderwoerd's thoroughgoing efforts, but others who prefer a more powerful and thrilling performance may demur.–Blair Sanderson
Performer:
Gesualdo Consort Amsterdam
Cristofori
Arthur Schoonderwoerd, conductor
Tracklist:
Wolfgang Amadeus Mozart (1756–1791)
Missa da Requiem, K626
01. Introitus: Requiem
02. Introitus: Kyrie eleison
03. Lectio (Gregorian Chant)
04. Dies iræ
05. Tuba mirum
06. Rex tremendæ
07. Recordare
08. Confutatis
09. Lacrymosa
10. Amen
11. Evangelium (Anonymous)
12. Offertorium: Domine Jesu
13. Hostias
14. Praefatio (Gregorian Chant)
15. Sanctus: Sanctus
16. Sanctus: Benedictus
17. Agnus Dei: Agnus Dei
18. Communio: Lux æterna
19. Oratio (Gregorian Chant)
20. Libera me (Ritter Ignaz von Seyfried)
21. Requiescant in pace (Gregorian Chant)
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 8. February 2018, 15:34
Arthur Schoonderwoerd / Mozart - Missa da Requiem
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==== Log checksum 44C92136BAD6B564510339E37FAD4AC0D1B2694E8875936E6AC44F9A30930746 ====
Arthur Schoonderwoerd, Cristofori, Gesualdo Consort Amsterdam - Wolfgang Amadeus Mozart: Missa da Requiem (2018)
Thanks to the original releaser