Aphrodite's Child - 666 (1972)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Universal Music Japan, UICY-40074 | ~ 483 or 186 Mb | Scans(png) -> 127 Mb
Progressive Rock
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Universal Music Japan, UICY-40074 | ~ 483 or 186 Mb | Scans(png) -> 127 Mb
Progressive Rock
666 (The Apocalypse of John, 13/18) is a double album by psychedelic/progressive art rock group Aphrodite's Child. It was released in 1972, and was the primary vehicle/effort for the Vangelis project. It had a minor Album Oriented Radio hit in "The Four Horsemen", and the song "Break" was also released. The album was ostensibly an adaptation of Biblical passages from the book of the same name, but was also very experimental in lyrics and composition.~ wiki
If the name VANGELIS makes you run like hell, the thought of sickeningly sweet New Age, "Chariots of Fire" (a song I hated from my childhood), you might be surprised to find out he wasn't always like that! Take for example, APHRODITE'S CHILD, a rock band he was in from the late '60s to early '70s. The band resided in France, often the reason for being unable to return to Greece was the Paris student riots, but what was often forgotten was Greece was under a military dictatorship at the time, meaning rock music was likely frowned upon by the government. Another famous figure in this band was Demis ROUSSOS, another guy who'll probably have you running fast in the other directions. In the late '60s, these guys released two psychedelic pop albums, "Rain and Tears" and "It's Five O'Clock". It's not too far off comparing them to GENESIS' "From Genesis to Revelation".
The band knew right away that they were heading towards a dead-end playing that kind of music, so they made their followup, "666" a drastic improvement over their previous albums. And succeed they did! No more overly-sentimental ballads (the title track to "It's Five O'Clock"), no more stupid songs like "Such a Funny Night". This album was recorded in 1970, but the folks at Mercury seems to not like the content of the album (the label felt that because of some of the content, it wouldn't sell). But since Mercury did have a more progressive label subdivision called Vertigo, it ended up being released there, but not until 1972. If you want to talk about a drastic improvement, think of the drastic difference between "From Genesis to Revelation" and "Foxtrot", and that's what you get with "It's Five O'Clock" and "666".
Yes, the lyrics are based on the bible, especially the New Testament and the end of the world, but never are the lyrics preachy, or even quoted from the bible itself. What you get is top quality prog rock with some Greek ethnic influences. "Loud, Loud, Loud", is basically a piano-oriented piece, with narration from a 12 year old son of a Greek diplomat (hence his peculiar accent). "Seven Bowls" and "The Lamb" might sound a bit familiar to those who have heard ENIGMA's "MCMXC a.D." mainly because Michael Cretu sampled those songs for "The Voice & the Snake" and "The Rivers of Belief". The album also contains a bunch of experimental pieces that hardly qualify as music, in between actual songs like "The Beast".
The second disc, I though was more interesting, where the Greek influences are even more obvious. The one "song" that really upsetted Mercury Records and made them reluctant to release it was this piece I can't type, mainly because it uses an "Infinity symbol", which you can't type on the keyboard. Here's the piece where Greek actress Irene Papas (who was quite a bit older than the rest of the band) under a psychedelic orgasm. This is definately a really disturbing piece that obviously caused the record company discomfort (same for the average record listener). Perhaps the best of the bunch is the lengthy "All the Seats Were Occupied". A lengthy jam with excerpts from the rest of the album. After all the noise and racket, the album closes with the peaceful "Break", it's like a really welcoming piece after all that you had to hear. Incredible album, despite the musicians involved.by Proghead, progarchives
Aphrodite's Child - 666 (1972):
Tracklist:
01 The System
02 Babylon
03 Loud, Loud, Loud
04 The Four Horsemen
05 The Lamb
06 The Seventh Seal
07 Aegian Sea
08 Seven Bowls
09 The Wakening Beast
10 Lament
11 The Marching Beast
12 The Battle Of The Locusts
13 Do It
14 Tribulation
15 The Beast
16 Ofis
17 Seven Trumpets
18 Altamont
19 The Wedding Of The Lamb
20 The Capture Of The Beast
21 ∞ (Infinity)
22 Hic Et Nunc
23 All The Seats Were Occupied
24 Break
Musicians:
- Anargyros "Silver" Koulouris / guitars, percussion
- Evengelio Odyssey Papathanassiou (VANGELIS) / keyboards, flute, percussion, vibes, backing vocals
- Artemios Ventouris Roussos (Demis Roussos) / bass, lead & backing vocals
- Lucas Sideras / drums, lead & backing vocals
Guest musicians:
- Harris Chalkitis / bass, tenor saxophone, congas, backing vocals
- Irene Papas / vocals
- Michel Ripoche / trombone, tenor saxophone
- Yannis Tsarouchis / Greek text
- John Forst / narration
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 9. November 2014, 18:39
Aphrodite's Child / 666 PT-SHM
Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:27.00 | 0 | 2024
2 | 0:27.00 | 2:54.12 | 2025 | 15086
3 | 3:21.12 | 2:43.08 | 15087 | 27319
4 | 6:04.20 | 5:55.15 | 27320 | 53959
5 | 11:59.35 | 4:36.12 | 53960 | 74671
6 | 16:35.47 | 1:30.65 | 74672 | 81486
7 | 18:06.37 | 5:24.38 | 81487 | 105824
8 | 23:31.00 | 1:29.40 | 105825 | 112539
9 | 25:00.40 | 1:12.42 | 112540 | 117981
10 | 26:13.07 | 2:45.40 | 117982 | 130396
11 | 28:58.47 | 2:01.10 | 130397 | 139481
12 | 30:59.57 | 0:56.28 | 139482 | 143709
13 | 31:56.10 | 1:44.42 | 143710 | 151551
14 | 33:40.52 | 0:32.25 | 151552 | 153976
15 | 34:13.02 | 2:26.50 | 153977 | 164976
16 | 36:39.52 | 0:16.23 | 164977 | 166199
17 | 36:56.00 | 0:35.45 | 166200 | 168869
18 | 37:31.45 | 4:35.02 | 168870 | 189496
19 | 42:06.47 | 3:40.05 | 189497 | 206001
20 | 45:46.52 | 2:17.58 | 206002 | 216334
21 | 48:04.35 | 5:16.42 | 216335 | 240076
22 | 53:21.02 | 2:57.40 | 240077 | 253391
23 | 56:18.42 | 19:32.10 | 253392 | 341301
24 | 75:50.52 | 2:59.73 | 341302 | 354799
Range status and errors
Selected range
Filename C:\Users\Meijin\Desktop\ALLexxess\Aphrodite's Child\1972 666 (Mini LP PT-SHM Universal Japan 2014)\Aphrodite's Child - 666 PT-SHM.wav
Peak level 95.4 %
Extraction speed 8.7 X
Range quality 99.9 %
Test CRC 33DE29B3
Copy CRC 33DE29B3
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
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None of the tracks are present in the AccurateRip database
End of status report
EAC extraction logfile from 9. November 2014, 18:39
Aphrodite's Child / 666 PT-SHM
Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:27.00 | 0 | 2024
2 | 0:27.00 | 2:54.12 | 2025 | 15086
3 | 3:21.12 | 2:43.08 | 15087 | 27319
4 | 6:04.20 | 5:55.15 | 27320 | 53959
5 | 11:59.35 | 4:36.12 | 53960 | 74671
6 | 16:35.47 | 1:30.65 | 74672 | 81486
7 | 18:06.37 | 5:24.38 | 81487 | 105824
8 | 23:31.00 | 1:29.40 | 105825 | 112539
9 | 25:00.40 | 1:12.42 | 112540 | 117981
10 | 26:13.07 | 2:45.40 | 117982 | 130396
11 | 28:58.47 | 2:01.10 | 130397 | 139481
12 | 30:59.57 | 0:56.28 | 139482 | 143709
13 | 31:56.10 | 1:44.42 | 143710 | 151551
14 | 33:40.52 | 0:32.25 | 151552 | 153976
15 | 34:13.02 | 2:26.50 | 153977 | 164976
16 | 36:39.52 | 0:16.23 | 164977 | 166199
17 | 36:56.00 | 0:35.45 | 166200 | 168869
18 | 37:31.45 | 4:35.02 | 168870 | 189496
19 | 42:06.47 | 3:40.05 | 189497 | 206001
20 | 45:46.52 | 2:17.58 | 206002 | 216334
21 | 48:04.35 | 5:16.42 | 216335 | 240076
22 | 53:21.02 | 2:57.40 | 240077 | 253391
23 | 56:18.42 | 19:32.10 | 253392 | 341301
24 | 75:50.52 | 2:59.73 | 341302 | 354799
Range status and errors
Selected range
Filename C:\Users\Meijin\Desktop\ALLexxess\Aphrodite's Child\1972 666 (Mini LP PT-SHM Universal Japan 2014)\Aphrodite's Child - 666 PT-SHM.wav
Peak level 95.4 %
Extraction speed 8.7 X
Range quality 99.9 %
Test CRC 33DE29B3
Copy CRC 33DE29B3
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
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Track 23 not present in database
Track 24 not present in database
None of the tracks are present in the AccurateRip database
End of status report
foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2014-11-21 18:26:01
––––––––––––––––––––––––––––––––––––––––
Analyzed: Aphrodite's Child / 666 PT-SHM
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -3.72 dB -18.25 dB 0:27 01-The System
DR12 -1.54 dB -15.29 dB 2:54 02-Babylon
DR13 -5.59 dB -22.96 dB 2:43 03-Loud, Loud, Loud
DR13 -0.40 dB -16.72 dB 5:55 04-The Four Horsemen
DR13 -0.90 dB -16.53 dB 4:36 05-The Lamb
DR12 -4.01 dB -19.96 dB 1:31 06-The Seventh Seal
DR14 -1.13 dB -17.88 dB 5:25 07-Aegian Sea
DR16 -3.67 dB -25.86 dB 1:30 08-Seven Bowls
DR15 -7.75 dB -30.05 dB 1:13 09-The Wakening Beast
DR15 -21.59 dB -44.07 dB 2:46 10-Lament
DR13 -4.17 dB -20.00 dB 2:01 11-The Marching Beast
DR13 -2.96 dB -17.66 dB 0:56 12-The Battle Of The Locusts
DR13 -2.20 dB -16.51 dB 1:45 13-Do It
DR12 -2.82 dB -18.39 dB 0:32 14-Tribulation
DR14 -1.90 dB -17.56 dB 2:27 15-The Beast
DR11 -4.64 dB -19.06 dB 0:16 16-Ofis
DR11 -2.94 dB -18.11 dB 0:36 17-Seven Trumpets
DR12 -0.72 dB -14.86 dB 4:35 18-Altamont
DR13 -1.90 dB -17.31 dB 3:40 19-The Wedding Of The Lamb
DR14 -0.98 dB -17.49 dB 2:18 20-The Capture Of The Beast
DR14 -2.68 dB -22.41 dB 5:17 21-Infinity
DR12 -2.04 dB -16.17 dB 2:58 22-Hic And Nunc
DR13 -0.84 dB -17.41 dB 19:32 23-All The Seats Were Occupied
DR10 -3.12 dB -17.32 dB 3:00 24-Break
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 24
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 831 kbps
Codec: FLAC
log date: 2014-11-21 18:26:01
––––––––––––––––––––––––––––––––––––––––
Analyzed: Aphrodite's Child / 666 PT-SHM
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -3.72 dB -18.25 dB 0:27 01-The System
DR12 -1.54 dB -15.29 dB 2:54 02-Babylon
DR13 -5.59 dB -22.96 dB 2:43 03-Loud, Loud, Loud
DR13 -0.40 dB -16.72 dB 5:55 04-The Four Horsemen
DR13 -0.90 dB -16.53 dB 4:36 05-The Lamb
DR12 -4.01 dB -19.96 dB 1:31 06-The Seventh Seal
DR14 -1.13 dB -17.88 dB 5:25 07-Aegian Sea
DR16 -3.67 dB -25.86 dB 1:30 08-Seven Bowls
DR15 -7.75 dB -30.05 dB 1:13 09-The Wakening Beast
DR15 -21.59 dB -44.07 dB 2:46 10-Lament
DR13 -4.17 dB -20.00 dB 2:01 11-The Marching Beast
DR13 -2.96 dB -17.66 dB 0:56 12-The Battle Of The Locusts
DR13 -2.20 dB -16.51 dB 1:45 13-Do It
DR12 -2.82 dB -18.39 dB 0:32 14-Tribulation
DR14 -1.90 dB -17.56 dB 2:27 15-The Beast
DR11 -4.64 dB -19.06 dB 0:16 16-Ofis
DR11 -2.94 dB -18.11 dB 0:36 17-Seven Trumpets
DR12 -0.72 dB -14.86 dB 4:35 18-Altamont
DR13 -1.90 dB -17.31 dB 3:40 19-The Wedding Of The Lamb
DR14 -0.98 dB -17.49 dB 2:18 20-The Capture Of The Beast
DR14 -2.68 dB -22.41 dB 5:17 21-Infinity
DR12 -2.04 dB -16.17 dB 2:58 22-Hic And Nunc
DR13 -0.84 dB -17.41 dB 19:32 23-All The Seats Were Occupied
DR10 -3.12 dB -17.32 dB 3:00 24-Break
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Number of tracks: 24
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 831 kbps
Codec: FLAC
[CUETools log; Date: 21.11.2014 18:24:21; Version: 2.1.4]
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