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    Andre Previn, RPO - Michael Tippett: A Child of Our Time (1986)

    Posted By: Designol
    Andre Previn, RPO - Michael Tippett: A Child of Our Time (1986)

    Michael Tippett - A Child of Our Time (1986)
    Sheila Armstrong, soprano; Felicity Palmer, alto; Philip Langridge, tenor; John Shirley-Quirk, bass
    Brighton Festival Chorus; Royal Philharmonic Orchestra; conducted by André Previn

    EAC | FLAC | Tracks (Cue&Log) ~ 242 Mb | Mp3 (CBR320) ~ 164 Mb | Scans included
    Genre: Classical, Oratorio | Label: RPO Records | # CDRPO 7012 | Time: 01:07:17

    This, one of Tippett's earliest acknowledged works, is one of his most popular. The music relates the true story of a young German Jew who, terrified and enraged at the treatment of his mother, kills a Nazi officer and touches off a violent pogrom. Tippett adopts the structure of Bach's Passions, in which arias alternate with choruses and Lutheran hymns (chorales), although in place of the chorales Tippett substitutes magnificently moving Negro spirituals. "A Child of our Time" offers music of rage, poignancy, and deep compassion. As the title itself implies, it is both specific to a certain time and place, and universal as well. No lover of classical music can afford to ignore it.

    – David Hurwitz

    On September 4, 1939 (the day after the Second World War was declared), Michael Tippett sat at the outsized piano which dwarfed everything else in the living room of his tiny cottage in Oxted, Surrey, and started writing a large-scale work for solo voices, chorus and orchestra which would then take nearly two years to complete. Having done so, he put it in a bottom drawer and turned to chamber music instead, beginning the Second String Quartet. There were several unusual things about Tippett and A Child of Our Time (as he’d entitled his oratorio). No commission, no publisher, no money and no performance in mind. No librettist either: but thereby hangs another tale!

    Although born in London on January 2, 1905, Tippett grew up in a 16th-century farmhouse deep in the Suffolk countryside not far from Stowmarket, in a household rich in intellectual stimulation though less notable for its musical advantages. The two Tippett brothers did have piano lessons, their mother sang to them at home, and by the age of nine the younger boy, Michael, was already aware that he wanted to be a composer. This is not meant to be a biographical sketch so much as to underline the contingent significance of war in Tippett’s life. The event which triggered in him that undefinable urge to compose was the seemingly happy sound of young soldiers singing the new hit It’s a Long Way to Tipperary as they marched past Rosemary Cottage’s garden-lane in August 1914 to fight in the Great War: the child was moved by the singing and wanted to replicate its effect in himself. The memory remained with Tippett until his dying day, but it became forever clouded by the shocking realisation in 1923 of what had actually happened to so many of those blithe-hearted, innocent boys. In a London cinema during the first term of his studies at the Royal College of Music, he cheerfully went to see Rudolph Valentino in The Four Horsemen of the Apocalypse – during which, he remembered, Beethoven’s ‘doom-laden’ Coriolan Overture sounded whenever the horsemen appeared on screen. But on seeing hundreds of little white crosses as graves and realising whose they were and what they meant, the 18-year-old burst into tears and fled the cinema. He was already embarked on the road towards A Child of Our Time.

    André Previn brings a composer’s sympathy and insight into this flowing account which has the advantage of a perfect quartet of soloists: John Shirley-Quirk on top form and Philip Langridge by a very wide margin the best tenor ever to have recorded this great work.

    With Shirley-Quirk present a third time, in 1986 the dream finally makes it: under André Previn’s sensitive guidance at Abbey Road with the RPO and Laszlo Heltay’s superb Brighton Festival Chorus and soloists Sheila Armstrong, Felicity Palmer and Philip Langridge. No weak link at all here, but a perfect ensemble totally in tune with every touch in the tale and seamlessly involved with chorus and orchestra at their peak – the studio is no obstacle either to continuity or spontaneity and every detail is achieved with natural eloquence and ease. But the single presence that lifts this account head and shoulders above every other is Langridge’s extraordinary rendition of the central role: alive to every nuance in text and music his is the beating heart of a glorious performance and the very embodiment of the Jungian plea ‘I would know my shadow and my light, so shall I at last be whole’, which becomes the lodestar and climax of the work as a whole. Of all these discs as heard in random sequence, this is the only one that had me suddenly in tears and catching my breath. Issued on its own RPO label but with favourite Previn producer Suvi Raj Grubb in charge, this priceless document is probably hard to obtain today – it should somehow be reissued immediately.

    Review by Geraint Lewis, Gramophone

    Andre Previn, RPO - Michael Tippett: A Child of Our Time (1986)



    Andre Previn, RPO - Michael Tippett: A Child of Our Time (1986)



    Sheila Armstrong, soprano
    Felicity Palmer, alto
    Philip Langridge, tenor
    John Shirley-Quirk, bass

    Brighton Festival Chorus (Chorus Master: László Heltay)
    Royal Philharmonic Orchestra
    André Previn, conductor

    Recorded in EMI Studios, Abbey Road, London, July 5th & 6th 1986

    Tracklist:

    PART I:

    01. Chorus: "The world turns on its dark side" (04:56)
    02. The Argument (Alto Solo): "Man has measured the heavens" (02:50)
    03. INTERLUDIUM - Scena (Chorus & Alto Solo): "Is evil then good?" (02:59)
    04. The Narrator (Bass Solo): "Now in each nation there were some cast out" (01:05)
    05. Chorus Of The Oppressed: "When shall the usurer's city cease?" (02:05)
    06. Tenor Solo: "I have no money for my bread" (03:14)
    07. Soprano Solo: "How can I cherish my man?" (03:13)
    08. A Spiritual (Chorus & Tenor Solo): "Steal Away" (02:30)

    PART II:

    09. Chorus: "A star rises in midwinter" (03:24)
    10. The Narrator (Bass Solo): "And a time came" (00:13)
    11. Chorus Of The Persecutors And Persecuted: "Away with them!" (00:52)
    12. The Narrator (Bass Solo): "Where they could, they fled" (00:22)
    13. Chorus Of The Self-Righteous: "We cannot have them in our Empire" (00:46)
    14. The Narrator (Bass Solo): "And the boy's mother wrote" (00:10)
    15. Scena (Solo Quartet): "O my son!" (01:21)
    16. A Spiritual (Chorus & Solo): "Nobody knows the trouble I see" (01:16)
    17. Scena (Bass & Alto Soli): "The boy becomes desperate" (01:21)
    18. The Narrator (Bass Solo): "They took a terrible vengeance" (00:29)
    19. The Terror (Chorus): "Burn down their houses!" (01:10)
    20. The Narrator (Bass Solo): "Men were ashamed" (00:27)
    21. A Spiritual Of Anger (Chorus & Bass Solo): "Go down, Moses" (02:56)
    22. The Boy Sings In His Prison (Tenor Solo): "My dreams are all shattered" (03:17)
    23. The Mother (Soprano Solo): "What have I done to you, my son?" (01:41)
    24. Alto Solo: "The dark forces rise" (00:53)
    25. A Spiritual (Chorus & Soprano Solo): "O by and by" (01:10)

    Part III:

    26. Chorus: "The cold deepens" (04:37)
    27. Alto Solo: "The soul of man" (02:14)
    28. Scena (Bass Solo & Chorus): "The words of wisdom" (06:31)

    PRELUDIUM:

    29. General Ensemble (Chorus & Soli): "I would know my shadow and my light" (05:15)
    30. A Spiritual (Chorus & Soli): "Deep river" (03:46)


    Exact Audio Copy V1.1 from 23. June 2015

    EAC extraction logfile from 16. June 2016, 23:12

    Tippett, Michael / A Child of Our Time - Royal Philharmonic Orchestra, Andre Previn

    Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 5 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 30
    Overread into Lead-In and Lead-Out : Yes
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Installed external ASPI interface
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "PERFORMER=%albuminterpret%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "COMPOSER=%composer%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -6" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.33 | 4:56.07 | 33 | 22239
    2 | 4:56.40 | 2:50.48 | 22240 | 35037
    3 | 7:47.13 | 2:59.35 | 35038 | 48497
    4 | 10:46.48 | 1:05.55 | 48498 | 53427
    5 | 11:52.28 | 2:05.45 | 53428 | 62847
    6 | 13:57.73 | 3:14.20 | 62848 | 77417
    7 | 17:12.18 | 3:13.40 | 77418 | 91932
    8 | 20:25.58 | 2:30.27 | 91933 | 103209
    9 | 22:56.10 | 3:24.28 | 103210 | 118537
    10 | 26:20.38 | 0:13.20 | 118538 | 119532
    11 | 26:33.58 | 0:52.72 | 119533 | 123504
    12 | 27:26.55 | 0:22.00 | 123505 | 125154
    13 | 27:48.55 | 0:46.13 | 125155 | 128617
    14 | 28:34.68 | 0:10.40 | 128618 | 129407
    15 | 28:45.33 | 1:21.25 | 129408 | 135507
    16 | 30:06.58 | 1:16.37 | 135508 | 141244
    17 | 31:23.20 | 1:21.55 | 141245 | 147374
    18 | 32:45.00 | 0:29.70 | 147375 | 149619
    19 | 33:14.70 | 1:10.53 | 149620 | 154922
    20 | 34:25.48 | 0:27.62 | 154923 | 157009
    21 | 34:53.35 | 2:56.70 | 157010 | 170279
    22 | 37:50.30 | 3:17.33 | 170280 | 185087
    23 | 41:07.63 | 1:41.22 | 185088 | 192684
    24 | 42:49.10 | 0:53.15 | 192685 | 196674
    25 | 43:42.25 | 1:10.55 | 196675 | 201979
    26 | 44:53.05 | 4:37.48 | 201980 | 222802
    27 | 49:30.53 | 2:14.42 | 222803 | 232894
    28 | 51:45.20 | 6:31.68 | 232895 | 262287
    29 | 58:17.13 | 5:15.00 | 262288 | 285912
    30 | 63:32.13 | 3:46.20 | 285913 | 302882


    Track 1

    Filename D:\EAC extraction\01 - PART I - Chorus.wav

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    Peak level 65.8 %
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    Track quality 100.0 %
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    Accurately ripped (confidence 3) [C5A30F3A] (AR v2)
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    Track 2

    Filename D:\EAC extraction\02 - The Argument.wav

    Peak level 40.1 %
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    Track quality 99.9 %
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    Track 3

    Filename D:\EAC extraction\03 - INTERLUDIUM - Scena (Chorus & Alto Solo).wav

    Peak level 87.0 %
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    Track quality 100.0 %
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    Track 4

    Filename D:\EAC extraction\04 - The Narrator.wav

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    Track quality 99.8 %
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    Track 5

    Filename D:\EAC extraction\05 - Chorus Of The Oppressed.wav

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    Track 6

    Filename D:\EAC extraction\06 - Tenor Solo.wav

    Peak level 42.1 %
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    Track 7

    Filename D:\EAC extraction\07 - Soprano Solo.wav

    Peak level 66.6 %
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    Track quality 99.9 %
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    Track 8

    Filename D:\EAC extraction\08 - A Spiritual (Chorus & Tenor Solo).wav

    Peak level 81.8 %
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    Track quality 99.9 %
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    Track 9

    Filename D:\EAC extraction\09 - PART II - Chorus.wav

    Peak level 90.1 %
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    Track 10

    Filename D:\EAC extraction\10 - The Narrator.wav

    Peak level 11.4 %
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    Track 11

    Filename D:\EAC extraction\11 - Chorus Of The Persecutors And Persecuted.wav

    Peak level 100.0 %
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    Track quality 100.0 %
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    Accurately ripped (confidence 3) [E283DC5C] (AR v2)
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    Track 12

    Filename D:\EAC extraction\12 - The Narrator.wav

    Peak level 10.7 %
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    Track 13

    Filename D:\EAC extraction\13 - Chorus Of The Self-Righteous.wav

    Peak level 76.6 %
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    Accurately ripped (confidence 3) [391F42B5] (AR v2)
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    Track 14

    Filename D:\EAC extraction\14 - The Narrator.wav

    Peak level 9.8 %
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    Track quality 100.0 %
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    Accurately ripped (confidence 3) [893940A5] (AR v2)
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    Track 15

    Filename D:\EAC extraction\15 - Scena (Solo Quartet).wav

    Peak level 56.4 %
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    Track quality 99.8 %
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    Track 16

    Filename D:\EAC extraction\16 - A Spiritual (Chorus & Solo).wav

    Peak level 63.6 %
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    Track quality 100.0 %
    Test CRC 32A50C3F
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    Track 17

    Filename D:\EAC extraction\17 - Scena (Bass & Alto Soli).wav

    Peak level 26.7 %
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    Track quality 100.0 %
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    Accurately ripped (confidence 3) [26F969EB] (AR v2)
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    Track 18

    Filename D:\EAC extraction\18 - The Narrator.wav

    Peak level 62.7 %
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    Track quality 100.0 %
    Test CRC E9F38DC9
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    Accurately ripped (confidence 3) [3FE99F75] (AR v2)
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    Track 19

    Filename D:\EAC extraction\19 - The Terror.wav

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    Track quality 99.8 %
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    Track 20

    Filename D:\EAC extraction\20 - The Narrator.wav

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    Track 21

    Filename D:\EAC extraction\21 - A Spiritual Of Anger (Chorus & Bass Solo).wav

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    Track 22

    Filename D:\EAC extraction\22 - The Boy Sings In His Prison.wav

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    Track 23

    Filename D:\EAC extraction\23 - The Mother.wav

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    Track 24

    Filename D:\EAC extraction\24 - Alto Solo.wav

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    Track 25

    Filename D:\EAC extraction\25 - A Spiritual (Chorus & Soprano Solo).wav

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    Track 26

    Filename D:\EAC extraction\26 - Part III - Chorus.wav

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    Track 27

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    Track 28

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    Track 29

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    All tracks accurately ripped

    No errors occurred

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    ==== Log checksum 3F99A1C99E71776888E8EB7987E73FCE394C7C75CF58C0A5E2E46B7E3FFFEBCE ====

    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2016-06-24 16:39:23

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Tippett, Michael / A Child of Our Time - Sheila Armstrong, Felicity Palmer, Philip Langridge, John Shirley-Quirk, Royal Philharmonic Orchestra, André Previn
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR13 -3.62 dB -24.85 dB 4:56 01-PART I - Chorus: "The world turns on its dark side"
    DR13 -7.94 dB -29.79 dB 2:51 02-The Argument (Alto Solo): "Man has measured the heavens"
    DR14 -1.20 dB -22.36 dB 2:59 03-INTERLUDIUM - Scena (Chorus & Alto Solo): "Is evil then good?"
    DR13 -19.11 dB -36.95 dB 1:06 04-The Narrator (Bass Solo): "Now in each nation there were some cast out"
    DR11 -4.48 dB -24.20 dB 2:06 05-Chorus Of The Oppressed: "When shall the usurer's city cease?"
    DR16 -7.50 dB -29.33 dB 3:14 06-Tenor Solo: "I have no money for my bread"
    DR11 -3.53 dB -24.63 dB 3:14 07-Soprano Solo: "How can I cherish my man?"
    DR12 -1.74 dB -21.37 dB 2:30 08-A Spiritual (Chorus & Tenor Solo): "Steal Away"
    DR14 -0.90 dB -24.05 dB 3:24 09-PART II - Chorus: "A star rises in midwinter"
    DR12 -18.83 dB -34.01 dB 0:13 10-The Narrator (Bass Solo): "And a time came"
    DR13 0.00 dB -20.33 dB 0:53 11-Chorus Of The Persecutors And Persecuted: "Away with them!"
    DR15 -19.39 dB -38.19 dB 0:22 12-The Narrator (Bass Solo): "Where they could, they fled"
    DR12 -2.31 dB -18.17 dB 0:46 13-Chorus Of The Self-Righteous: "We cannot have them in our Empire"
    DR13 -20.11 dB -38.77 dB 0:11 14-The Narrator (Bass Solo): "And the boy's mother wrote"
    DR12 -4.97 dB -23.87 dB 1:21 15-Scena (Solo Quartet): "O my son!"
    DR12 -3.92 dB -22.80 dB 1:16 16-A Spiritual (Chorus & Solo): "Nobody knows the trouble I see"
    DR15 -11.45 dB -33.10 dB 1:22 17-Scena (Bass & Alto Soli): "The boy becomes desperate"
    DR6 -4.05 dB -24.42 dB 0:30 18-The Narrator (Bass Solo): "They took a terrible vengeance"
    DR13 0.00 dB -18.62 dB 1:11 19-The Terror (Chorus): "Burn down their houses!"
    DR12 -19.32 dB -37.12 dB 0:28 20-The Narrator (Bass Solo): "Men were ashamed"
    DR12 0.00 dB -17.44 dB 2:57 21-A Spiritual Of Anger (Chorus & Bass Solo): "Go down, Moses"
    DR12 -14.64 dB -33.93 dB 3:17 22-The Boy Sings In His Prison (Tenor Solo): "My dreams are all shattered"
    DR12 -4.68 dB -27.86 dB 1:41 23-The Mother (Soprano Solo): "What have I done to you, my son?"
    DR13 -9.71 dB -28.88 dB 0:53 24-Alto Solo: "The dark forces rise"
    DR11 -5.54 dB -22.42 dB 1:11 25-A Spiritual (Chorus & Soprano Solo): "O by and by"
    DR16 -0.92 dB -24.42 dB 4:38 26-Part III - Chorus: "The cold deepens"
    DR14 -5.19 dB -26.40 dB 2:15 27-Alto Solo: "The soul of man"
    DR14 -3.04 dB -24.33 dB 6:32 28-Scena (Bass Solo & Chorus): "The words of wisdom"
    DR15 -3.86 dB -24.50 dB 5:15 29-PRELUDIUM - General Ensemble (Chorus & Soli): "I would know my shadow and my light"
    DR14 0.00 dB -23.20 dB 3:46 30-A Spiritual (Chorus & Soli): "Deep river"
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 30
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 480 kbps
    Codec: FLAC
    ================================================================================

    Andre Previn, RPO - Michael Tippett: A Child of Our Time (1986)

    Andre Previn, RPO - Michael Tippett: A Child of Our Time (1986)

    All thanks to original releaser

    More interesting music in My Blog