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    Anatole Fistoulari & Paris Conservatoire Orchestra & Royal Philharmonic Orchestra - Tchaikovsky: Sleeping Beauty; Symphony No.

    Posted By: varrock
    Anatole Fistoulari & Paris Conservatoire Orchestra & Royal Philharmonic Orchestra - Tchaikovsky: Sleeping Beauty; Symphony No.

    Anatole Fistoulari & Paris Conservatoire Orchestra & Royal Philharmonic Orchestra - Tchaikovsky: Sleeping Beauty; Symphony No. 4 (2019)
    WEB FLAC (tracks) | Tracks: 29 | 153:16 min | 587 MB
    Style: Classical | Label: Universal Music

    The Tchaikovsky ballet score recordings by the Ukrainian-born conductor Anatole Fistoulari are prized 'as being among the finest ever made' (Gramophone). As a companion issue to the abridged 'Swan Lake' and extended excerpts from 'The Nutcracker' on Eloquence (4825225), this newly remastered set offers another pair of complete Decca albums, both appearing for the first time on Decca CD: the abridged (mono) 'Sleeping Beauty' made in Paris in 1952 and the Fourth Symphony from 1971, recorded in Phase 4 stereo. It is the sense of being present at a live performance that critics have always prized in Fistoulari's ballet recordings.
    As an experienced conductor in the pit, who (perhaps apocryphally) led his first opera performance at the age of twelve, he had the still-rare knack of transferring the vital sense of dramatic narrative to the studio. Sleeping Beauty, the longest of Tchaikovsky's ballets, was reduced in this version to roughly the length of The Nutcracker - an hour and three-quarters - which, when LPs required side turns every 25 minutes, was deemed quite sufficient by most critics and listeners, who were still accustomed to attending similarly cut versions of the ballet live. Although Decca capitalised on Fistoulari's talents as a concerto accompanist and ballet director, the records of him as a symphonic conductor are all too rare, which makes this dynamic, spacious and detailed account of the Fourth Symphony all the more treasurable. The tension and complex form of the first movement - Tchaikovsky's single most innovative symphonic movement - is superbly handled, and he secures quiet string playing worthy of any ballet conductor in the pizzicato Scherzo. It makes a notable addition to the symphony's discography on CD and a worthy tribute to the art of an unjustly neglected maestro.

    Tracklist:

    01. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Prologue-1. Marche (Entrance of King and Court)
    02. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Prologue-2. Scène dansante (Entrance of Fairies)
    03. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Prologue-3. Pas de six
    04. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Prologue-4. Final (La Fée des lilas sort)
    05. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-5. Scène (The Palace Garden)
    06. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-6. Valse
    07. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-7. Scène (The Four Princes)
    08. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-8. Pas d'action
    09. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 1-9. Final (La Fée des lilas paraît)
    10. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-10. Entr'acte et scène
    11. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-11. Colin-maillard (Allegro vivo)
    12. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-12. Scène
    13. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-13. Farandole: Scène-Danse
    14. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-14. Scène (Arrival of Huntsmen)
    15. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-15. Pas d'action-Variation d'Aurore-Coda
    16. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 2-16/19. Finale
    17. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-20. Panorama
    18. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-21. Marche
    19. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-22. Polacca (Allegro moderato)
    20. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-23. Pas de quatre
    21. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-24. Pas de caractère (Puss in Boots)
    22. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-25. Pas de quatre: Adagio-Var. I-II-Coda
    23. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-26. Pas de caractère (Red Riding Hood)-Cendrillon et le prince Fortune (Allegro-Waltz)
    24. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-28. Pas de deux: Aurora and Prince Desire
    25. Tchaikovsky: The Sleeping Beauty, Op.66, TH.13 / Act 3-30. Final: Allegro brillante-Apothéose
    26. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-1. Andante sostenuto-Moderato con anima-Moderato assai, quasi Andante-Allegro vivo
    27. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-2. Andantino in modo di canzone
    28. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-3. Scherzo. Pizzicato ostinato-Allegro
    29. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-4. Finale (Allegro con fuoco)

    ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
    Copyright © 2004 Oleg Berngardt. All rights reserved.
    Copyright © 2004 Alexander Djourik. All rights reserved.


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